I finally got around to watching another anime standard. K-On! is one of the first names in relaxed slice-of-life comedy anime, a manga adaptation by the first-rate studio Kyoto Animation, better known as KyoAni.
I say it’s a standard, but K-On! isn’t universally beloved. As one of the best-known and most-cited examples of a “cute girls doing cute things” series (see also the much older Azumanga Daioh, much newer Yuru Camp, and contemporary Lucky Star) it gets a lot of disdain from some anime watchers depending on their tastes. Back in 2009 when this first season aired, I remember that “cute girls” anime trend was in full swing in the same way the isekai trend seems to be now, and along with all its popularity it also received plenty of backlash.
But was that backlash deserved? I used to ignore this genre myself, aside from Azumanga which somehow felt like an exception, being an older series and heavy on both comedy and surreal weirdness alongside all the high school slice-of-life material. Watching Yuru Camp early this year convinced me that I was wrong to ignore it, and I even found a lot to like in a pure slice-of-life series a bit later on with Akebi’s Sailor Uniform. So finally I decided it was time to watch the first season of what many consider the best CGDCT/slice-of-life series ever. Would I fall in love with K-On! like I did with Yuru Camp? (Yeah, I’m leaving you in suspense for a while this time, sorry. Unless you just want to cheat and scroll to the middle/end.)
As much as that “anime girl running to school with toast in her mouth” thing is a standard opening (so much that the Niigata prefectural government early this year complained that it was depressing rice consumption in introducing their new “anime girl running with onigiri in her mouth” campaign) this is the first time I’ve seen it in a while.
K-On! opens with Yui Hirasawa rushing off to her first day at Sakuragaoka High School. As a new first-year student, Yui is immediately set upon by representatives of every club at the school because if anime has taught us anything, it’s that there’s nothing on Earth more serious than Japanese high school club membership. Yui has a problem, though: she has no idea what club she wants to join. When her far more responsible childhood friend and classmate Nodoka Manabe asks her two weeks later what club she’s going to join, Yui is still drawing a blank — she doesn’t seem to have any real interests aside from eating and sleeping.
Nodoka, a new student council representative, won’t let Yui just join the Go Home Club and tells her she’ll end up a NEET if she doesn’t take some initiative, so Yui goes for the easiest and most fun-looking group she can find: the Light Music Club.* Thinking “light music” means she’ll get to play the castanets or some other easy-looking percussion instrument (which yeah, I know they’re not easy to play well and the show does acknowledge that later, so the percussionists reading this can put down their beating sticks) Yui walks into the club with full confidence and absolutely no musical training.
Club president Ritsu camping out in the music room. I don’t think they ever use the staves on the board back there to write any music, or not that I saw at least.
Meanwhile, Yui’s fellow freshmen and Light Music Club members are waiting to get a fourth member so they can be recognized as a proper club by the student council and school administration. Drummer Ritsu Tainaka, bassist Mio Akiyama, and keyboardist Tsumugi Kotobuki are specifically looking for a guitarist so they can form a four-piece band. When Yui shows up at the music room to visit, they’re all excited and assume she’s a guitarist, piling up tea and cakes in front of her to convince her to join.
Yui is surprised to learn that this club has such specific standards and finally admits with some embarrassment that she can’t play the guitar at all (and shit, maybe they should have written we need a guitarist on the flyer?) But it all sort of works out for everyone: since the student council is about to axe the club, they take Yui despite her lack of experience and promise that they’ll teach her how to play.
And since their keyboardist is the heiress to a company that owns a musical instrument dealer, they manage to get her a fucking Les Paul for her very first guitar, amazing luck for Yui. And have fun getting those calluses.
The rest of the season follows Yui, Ritsu, Mio, and Tsumugi (aka Mugi as the girls call her) as they work on their music, write a few original songs, and get ready to perform in front of their classmates at their school festivals. An entire year breezes by halfway through this season, and with the new class of first-years comes an already skilled guitarist in Azusa Nakano, who makes the Light Music Club into a five-piece band. The club hits a few rough patches but gets through them, managing to write a few songs that become hits with their classmates and getting a taste for putting on live shows. And of course, they eat cake, drink tea, and screw around a whole lot while also doing their best to stay on top of their studies, but the last only really being an issue for Yui, who has the ability to actually study but not much in the way of discipline.
This is supposed to be a makeup midterm study session for Yui specifically, who screwed around so much she failed her first time around. But I like tea and cake too, I admit it, so I can’t judge them for this. (Also that lump on Ritsu’s head is from Mio’s much-deserved corrective slaps.)
K-On! is an interesting series to me largely for its impact on anime and the community (here in the West anyway, since I don’t know about the situation in Japan, but I assume it was probably a big deal there as well if not even bigger.) Like Azumanga, it was a huge hit online. It doesn’t seem to have had quite as wide of an appeal, but K-On! still received a lot of love, and I can see why, because there’s a lot going for it. KyoAni is highly regarded for good reason: the animation throughout this first season of K-On! is excellent. While I’m not a particular fan of their “squishy” character designs, Yui and her friends also have a unique look to them, and the style is recognizable and consistent.
I also like some of the music featured in K-On! It would be hard to forgive the show for failing to deliver at least a few good songs given its musical theme, and it does: Don’t Say Lazy, the ending theme, is a real earworm and a nice one even if the lyrics are a bit embarrassing (but that’s in character for the band’s lyricist Mio, so it’s all right) and Fuwa Fuwa Time is just god damn good. If my school had a band that could have written originals like these and performed them as well as the girls in K-On! do, that would have been impressive as hell. The show doesn’t skimp on the visuals and animation in these sections either: the playing actually looks realistic, at least to me. The instruments themselves are very real-looking as well, modeled as they are after real-life instruments (and hey, I’ve played a Korg synth a few times — not sure what model Mugi is using though.)
A rare scene of the girls actually practicing
Being a sort-of very amateur musician myself, I thought this series would be a perfect fit for me, especially since I’ve been on this cute slice-of-life binge. But it wasn’t, not quite. At least I can say this first season of K-On! hasn’t seized me in the way Yuru Camp did from its very first episode, and that series is about girls camping, a hobby I have absolutely no interest in. It’s weird how that works, isn’t it?
Before the legion of K-On! fans breaks down my door and demands an explanation, I should clarify that I didn’t hate or even dislike this run of episodes, not even close to it. If I had, I would have dropped it halfway through, because I don’t have the willpower to keep watching something I don’t enjoy on some level. I was hoping for more, though, based both on my own expectations and on the series’ great reputation.
My problem certainly wasn’t with the very light plot, which can be summed up as “high school girls play music and eat cake and drink tea.” By this point, I’ve watched enough anime more or less like that, only replacing “play music” with “go camping” or “just mess around all day” to know that this relative lack of plot absolutely isn’t a dealbreaker for me. But I think I’ve nailed down what I do need to really enjoy such a series, some mix of the following: 1) a compelling/entertaining cast of characters; 2) comedy that hits for me; 3) atmosphere so well done that the series sucks me into its world (and yeah, this last one sounds pretty flaky and hard-to-define to me writing it out, but I’m not sure how else to describe it.) I loved Azumanga and Yuru Camp for their characters and their comedy, and Akebi got me largely with its atmosphere.
This proves I really can’t live on cuteness alone
K-On!, or again at least its first season, was somewhat lacking in those areas for me. The characters in particular just didn’t grab me, aside from one, and having an interest in one character alone isn’t enough with an ensemble cast like this to keep my interest.
The “one” above isn’t the most central character Yui. With all her clumsy cuteness, you’d think I’d have liked her as much as I do Nadeshiko or Osaka, but no. I think my issue with Yui is that everything just comes too god damn easy to her, to the point that I’m not sure what exactly I should think of her — I guess she’s a lazy layabout who secretly has genius-level natural abilities judging by what she pulls off, but that’s not all that interesting to watch taking place. She has barely any motivation to study and fails her midterm, but it just takes one night of Mio drilling math into her head to get her a 100%; she seems to have not all that much work ethic or discipline but gets to be pretty damn good at the guitar in just a year to the point that she can do great in front of an audience (though the show acknowledges she’s not nearly as good as Azusa, sure.)
The same goes for the rest of the band, more or less. Aside from Azusa and Mio, the group has barely any motivation to practice, with the goof off Ritsu and flaky Yui being the main culprits and Mugi following along and providing a constant supply of tea and cake to go along with their leisure time. They do eventually get around to practicing, yeah, but they apparently also have a chronic case of laziness to the extent that Mio and later Azusa are pretty consistently annoyed by it. But despite all that, the girls put on great shows at their school festivals. (And maybe that’s why the ending is “Don’t Say Lazy”? Are they preempting this criticism?)
Practice?! Fuck that, let’s go to the beach
This might be an entirely stupid complaint. I didn’t watch K-On! expecting to watch the characters just practicing for 20 minutes per episode. But it does annoy me a little that there don’t seem to be much in the way of consequences for their general discord and fucking around. The real problem here might be with me and my own hangups: I never played in a band, but I did play solo piano from my childhood on, enough that even though I haven’t consistently kept it up for a while now, all that practice and muscle memory is burned into my brain and I can still do decently and polish my extremely rusty playing if I put the effort in.
The point is that I know playing well takes serious practice and discipline because I had to put that work in, and the same is true of even a natural genius which I’m damn well not. We do see Yui practicing her guitar a few times along with comments from her also far more responsible younger sister Ui that she’s gotten more focused, so that’s something, but a band is going to sound like a fucking mess if they spend most of their days in their club room eating cake and bullshitting.
That brings me to the one character in K-On! I really like so far: Mio. She has drive, discipline, and a backbone, and on top of all that she’s the only one in this first season with much of a real character arc, being forced to get over her shyness a bit so she can take the role of lead singer when Yui slips up and forgets her lines in their first performance. I don’t dislike Mugi, Ritsu, or even Yui although I complained about her a bit — they’re all fine. Same with Azusa, who also has plenty of motivation but unfortunately gets manipulated with cake bribes (which again I admit I completely understand.) But Mio is by far my favorite character at this point. Without her there grounding the rest at least somewhat, K-On! might have been a hard watch for me.
Then there’s the comedy, which doesn’t always hit for me. I think it’s pretty hard to write about why I find some jokes funny and not others — shit, I found Osaka’s sata andagi scene in Azumanga hilarious and I absolutely can’t explain why except that I really probably do have brain damage. K-On! does have some good bits, my favorite probably late in the season when the imposter Yui shows up (I won’t spoil it, but see if you can detect her) but too many of the jokes get repeated or fall flat for my taste.
The absolute worst offender for me in this regard is the club’s teacher advisor, Sawako Yamanaka, a former metalhead and Light Music Club member herself. I was on board with her “nice teacher turns out to be a weirdo/irresponsible shit” role for a while, sort of a Yukari going back to Azumanga (or for a better analogy, Chug-sensei from Yuru Camp — Yukari never made a pretense of being nice) until she started turning into a bit of a Kimura. I guess she’s meant as comic relief, but even so, I ended the series nearly hating Sawako for just this reason.
Oh God please shut the fuck up
I have no idea why Sawako’s character had to go in this direction. Even her enthusiasm in dressing the girls up in sometimes embarrassing costumes might have just been linked back to her theatrical rock past, her pining for her student life and the potential boyfriend who got away and all that tied up with it. But then she occasionally turns into a pervert and gets near-gropy with her students and god damn is that a dealbreaker for me.
If you’re new to this site or just haven’t read it for very long, you might think I’m being squeamish or prudish or something, but I can assure you I’m not. I love a good h-game, I’ll freely admit that. Stick around for a while and you’ll probably see me posting about one soon enough. But there’s a particular character type that shows up in anime every so often, the aggressive sort of pervert who’s more or less tolerated by the surrounding characters for some inexplicable reason, that gets under my skin to such an extent that I can’t stand it. At least Sawako doesn’t actually do anything beyond being a fucking creep sometimes (again, a bit like Kimura) but still, holy hell. (And now you might say “Okay, you loved Azumanga, but what about Kimura in that case?” But being a creep was his entire thing, and almost every other character recognized him as one and acted accordingly, which is largely not the case here aside from some sideways looks and comments and the occasional exceedingly deserved slap.)
And yeah, I know it’s all just meant to be more comedy, but I still can’t help feeling this way.
There’s also Mugi’s very occasionally expressed thing for yuri that I have no problem with (I mean I have a bit of a thing for yuri too, honestly) but it also comes out of and goes nowhere.
K-On! has clearly captivated a lot of fans since it started its run 13 years ago, to the point that people still watch it and talk about it on a regular basis. And again, I can see the appeal. All the complaining above might make it sound like I hated this series, and I don’t want to give that impression because it would be the wrong one. I enjoyed some of the cake-eating and tea-drinking fun times the girls shared, and I really liked the attention to detail surrounding the music and performances when the show focused on those elements. Details like Mio being left-handed and the difficulties that presents with finding a suitable bass, or some of the references that obviously weren’t just shoehorned in with Mio going on about how great a guitarist Jeff Beck was when asking Yui about her influences in the first episode, or about how Ritsu is basically a schoolgirl non-alcoholic/not constantly stoned version of Keith Moon (and I understand he’s her favorite drummer, which completely makes sense given her temperament and playing style — in fact she and Mio feel like they have a Keith Moon/John Entwistle sort of dynamic going on. Now I really want to hear the girls’ take on “Heaven and Hell.”) I get the impression the original manga author Kakifly has a real love for this music too.
The Who comparison only goes so far, I guess. Yui certainly isn’t a Pete Townshend and there’s no Roger Daltrey around either. But be sure to listen to Live at Leeds anyway, one of the best live albums ever recorded.
So if I absolutely had to say whether I liked K-On! or not with no other qualifiers, I’d say I liked it. Drowning myself in this fluffy slice-of-life feels almost therapeutic now, and KyoAni did a great job with the production. Aside from the bits that include Sawako prominently, I didn’t really dislike any part of this first season. I’ve also heard that the second season of K-On! is stronger than the first, and I think I enjoyed the first just enough to want to continue watching based on that recommendation. Ritsu claims they’re going all the way to the Budokan, and if they do, I’d like to see how they make it there.
And hey, the final performance was mostly nice and heartwarming too, and again “Fuwa Fuwa Time” is a good enough song that it probably salvaged all the not-so-great parts for me.
But maybe I’m just a jerk who still doesn’t truly get it. I’ve heard K-On! called the peak of this CGDCT/slice-of-life anime genre, but I think if I’d started with this instead of Yuru Camp, I might not have tried getting any further into this genre considering my biases not too long ago. But maybe I will get this series when I start watching the second season. Feel free to tell me exactly what I missed in the comments: that’s what they’re there for. If you’re really skilled you might even get me over my near-compulsive dislike of Sawako, though good luck with that if it’s your plan.
Either way, I’ll be continuing the series after starting/getting through a few more in the backlog, so look forward to more on K-On! at some point. Until next time!
* Language note that most of you probably know about already: the title K-On! comes from keion, short for keiongaku or “light music.” Just like Yui, I’d never heard the term “light music” before hearing about this series years ago, but apparently it’s another term for pop. Not exactly easy to play either.