Seven years on

It’s been seven years since I started this blog. When I first created it in 2013, I didn’t have any plans beyond writing about games I liked and a few places I’d been to and complaining about everything else I hated. As I’ve written before, it was a way for me to manage things while returning to school and a rigorous and stressful program of study.

Sometimes I think, if I had millions of dollars and didn’t have to work or stress over other issues, I’d play games, watch anime, listen to music, and write all day. But I wonder if I’d even bother writing under those circumstances. I probably would, just because that’s something I like doing. But it wouldn’t be the same, because beyond just being a hobbyist sort of thing, this site is also a way for me to cope with bitter reality. It’s part of the escape I need from life — that’s the reason for the site’s tagline.

For its first five years, though, I didn’t make much of an effort to connect with fellow writers here on WordPress. I didn’t even really know about the loose-knit communities of video game and anime fans here. It was only after leaving a lousy job and improving my situation that I had a little more time to sit around and explore the platform relatively free of worries. I’m grateful for that opportunity, because finding and connecting with other writers and fans has given this project new life. To everyone who follows my site, leaves comments, or even just reads what I write on occasion, I want to say thanks. It may not seem like much, but all that continues to make a big difference in my life, and all for the better.

And always remember Flonne’s words: friendship power beats anything. Even shark dragon monsters.

So what’s next for the site? I haven’t made an update post in a while, but nothing much is changing here. I plan to continue writing reviews, commentaries, opinion pieces, the usual stuff. I will probably be putting more of an emphasis on anime and visual novels for the rest of the year, since those are more of what I’ve been taking in lately, but I won’t be abandoning traditional video and PC games.

In fact, I was planning to make another “here’s my backlog” post, but it seems like every time I make such a post I curse myself never to actually finish the games I list. If you’re really curious, following me on Twitter is a good way of finding out some of what I might be playing and watching, because I’ll post about it sometimes (without spoilers, of course, so don’t worry — I’m not that kind of jerk.)

In the meantime, best of luck and health to everyone, and I’ll write again very soon.

Listening/reading log #10 (July 2020)

Last month was one of my most prolific ever. Between the Atelier and Monogatari stuff and my Sim series retrospective, I managed to say more than I thought I had to say, which might be a sign that I need to edit. But I’m too lazy to edit. I’m a bit tired now, but don’t worry: I still have several anime and game review drafts sitting around and even more to come after that, so there’s no end in sight.

For now, let’s do the usual end-of-month thing and check out some good music and writing from fellow bloggers. I didn’t get much of a chance to hear any new music in July that wasn’t part of a soundtrack, so this time I’m pulling two old classics out, both by groups that I covered a long while back:

Maggot Brain (Funkadelic, 1971)

Highlights: Maggot Brain, Hit It and Quit It, You and Your Folks, Me and My Folks

I guess I haven’t actually talked about Funkadelic before but rather Parliament, but they’re sort of the same thing. They were musical groups with a lot of overlap in membership, both led by musician/composer/producer George Clinton, and are often referred to together as P-Funk. There were differences, though: while Parliament’s releases tended towards dance-oriented stuff, Funkadelic was more of a psychedelic rock/funk group as their name suggests.

Maggot Brain is also one of their best albums. It has a lot of great energy and emotion, even in cases where it’s hard to tell if the music’s about anything — see the excellent title track for some of that, with guitarist Eddie Hazel playing his heart out. I really like some of the shorter songs as well. The only song I don’t like is the closer Wars of Armageddon, which I would describe charitably as “a fucking mess” but then it sounds like that was the intention anyway. The rest of Maggot Brain is good enough to still made it a personal favorite.

And no, I don’t know why that lady is buried up to her neck in dirt on the cover. She doesn’t look like she’s having a great time, though.

Emerson Lake & Palmer (Emerson Lake & Palmer, 1970)

Highlights: Take a Pebble, Knife-Edge, Lucky Man

At first glance, ELP and Funkadelic might not look like they have much to do with each other. But both of the albums I’m looking at today have a lot of energy and a nice degree of weirdness to them, even if stylistically they’re very different. This is the debut album of the prog group Emerson Lake & Palmer, three guys who were already well-established when they joined together in 1970. So despite being a debut album, it sounds very confident right out of the gate.

My favorite here is “Take a Pebble”, which doesn’t feel its length at all. It’s relaxing and mellow in parts but also builds a lot of tension near the end with Keith Emerson’s great piano-playing and Greg Lake’s dramatic vocals. ELP swiped the tune to the classical-rock piece “Knife-Edge” from Czech composer Leoš Janáček without crediting him until they were called out for it, but it’s still a great song. And “Lucky Man” was supposedly a song Lake wrote when he was a kid, a nice simple guitar ballad about a guy who isn’t really so lucky.

I don’t know if I prefer this over ELP’s followup Tarkus, so I’ll just say they’re both classics. Maybe I’ll also take on their later album Brain Salad Surgery one day, though my feelings about it are more complicated. I do love its insane-looking cover. If you’re a fan of H. R. Giger, look it up.

Now for some great posts from the past month:

The Persona 3 Retrospective Part 5 – Plot and Themes (Lost to the Aether) — I’m not putting the whole long title of this article here (those are “Mass Destruction” lyrics, right?) but you can and should check it out for yourself above, in which Aether continues his multipart analysis of the excellent JRPG Persona 3. There’s a lot here I never considered even after playing the game through a few times in different forms, with Aether going into depth about its connections to the Tarot and the Fool’s Journey.

The Great JRPG Character Face-Off! (Shoot the Rookie) — If you’re looking for a blogging community event that’s also an excuse to talk about your favorite JRPG characters, check out Pix1001’s post above detailing the rules. I’ll probably be taking part myself — it seems like a waste not to since I’ve been playing JRPGs for over 20 years now. Can’t waste all that valuable experience.

A perhaps biased opinion on Disgaea (Nep’s Gaming Paradise) — Neppy played through the first Disgaea game and gives his thoughts on it. He says his view is biased, but it’s not any more biased than mine — I love Disgaea 1, but this post brings up some weaknesses in the game that are worth talking about. We may not agree in our analyses of the game, but Neppy’s take on it is very interesting and worth reading.

Steam’s Inconsistency is Hurting Visual Novels – How We Can Help (MoeGamer) — Valve has been up to their old tricks with the visual novels on their game platform, removing an all-ages version of the VN Bokuten from Steam without warning. Pete Davison addresses the matter and raises the option of buying digital copies of VNs from alternative platforms and stores to try to break Valve’s virtual monopoly.

Anime Review #40: Little Witch Academia (The Traditional Catholic Weeb) — Here’s a Trigger series that passed me by completely. I was planning to watch their newest show BNA, but I’m now also interested in Little Witch Academia thanks to the Traditional Catholic Weeb’s very positive and thorough review of it.

Senko-san and Japan’s corporate culture (Reasons to anime) — From what I understand, some companies in Japan work their employees so hard, often without overtime compensation, that the Japanese language had to invent a new word. The word is 過労死karoushi, meaning death from overwork — not a figure of speech, but rather literal death caused by work-related stress. Casper examines the anime series The Helpful Fox Senko-san and how effectively it addresses corporate culture and workers’ quality of life.

The Toxic Side of Fanbases (Lex’s Blog) — Being part of both the Persona and SMT fanbases, I can say for sure that we have some crazy in there, with more than our share of infighting and weird feuds that probably look like total nonsense from the outsider’s perspective. Lexine raises some of the issues with fanbases, particularly with the minority of people in most every fanbase who are hostile to newcomers.

What I Learned from Watching the Ghost Stories Dub (I drink and watch anime) — The English-language release of the series Ghost Stories is legendary among a set of western anime fans because of its intentionally bizarre dub. The original work was pretty mediocre, but the dub turns it into an ultra-offensive comedy of the kind that probably wouldn’t fly today. Irina analyzes the ways in which this dub completely changed the feel of the series into something uniquely western.

I finally played “Da Capo” (Baud Attitude) — And from Baud Attitude, a look at the romance visual novel Da Capo and a comparison with its anime adaptation. Anime versions of VNs really do always go with the most boring, safest routes, don’t they? I bet if a Tsukihime anime were made, it would do exactly the same thing. Good thing that hasn’t happened.

And here’s to yet another month. Good luck and health to everyone, and please look forward to more of my nonsense posts to come. I might even review a banned-from-Steam VN or two if I can get them.

Listening/reading log #9 (June 2020)

If you feel like we’re living in a TV drama about an alternate history timeline, I do too. In which case I’d ask why I’m stuck playing the role I am, but that’s probably my fault for making poor life decisions. At least no matter what happens, short of the world actually ending in an apocalypse, we’ll be able to listen to music and read blogs, and that’s what I’ll be covering in this post as usual.

Ege Bamyasi (Can, 1972)

Highlights: Sing Swan Song, Vitamin C, Spoon

Maybe Can is a weird name for a band, and maybe a can of okra makes for a weird album cover, but this is absolutely one of my favorite albums ever. Can was a German band with an amazing rhythm section and a Japanese singer who sang bizarre nonsense lyrics. The effect is really striking on their best albums like Ege Bamyasi. I could have put most of the songs up in the highlights list really; they’re that good, though it’s a bit hard for me to explain why aside from saying… they’re good. I’m a pretty useless reviewer as it turns out.

This is another album that doesn’t feel like it means anything at all (though I could be wrong, maybe it’s really just about okra?) but that doesn’t matter when it’s so memorable and hypnotic. Very good music for studying because of those beats, though Damo Suzuki’s yelling can maybe be distracting sometimes. Tago Mago and Future Days are also great albums by Can to check out.

Touhou Explosive Jazz 7 (Tokyo Active NEETs, 2014)

Highlights: 六十年目の東方裁判, フラワリングナイト 〜紅霧夜華2014

I’ve already written about Tokyo Active NEETs once before, specifically a review of album #6 in this series, but they’re still one of my favorite doujin music groups out there. Active NEETs are a jazz ensemble that plays a lot of music derived from the Touhou Project series of shmups, already known for its excellent BGM.

And they totally do it justice. Just like 6, Touhou Explosive Jazz 7 is energetic, catchy, and full of great takes on songs this time from the game Touhou 9: Phantasmagoria of Flower View. Active NEETs also put up a lot of great videos on Youtube — be sure to check out the links above, the first of which is a live studio recording of one of the pieces from the album, and the second of which is an MMD animation of characters from the game in a band playing the various parts. Makes a little more sense if you’re familiar with the series (for example, the guy dancing around with a sack over his head, and two sort of friend/rival characters Reimu and Marisa cutting each other off during their performance in the animation) but they can still be enjoyed without knowing anything about Touhou, just like the music itself.

Close to the Edge (Yes, 1972)

Hightlights: Close to the Edge, And You And I

And finally, another repeat artist because I guess I’m getting lazy. Close to the Edge was one of those mind-blowing albums for me when I was young, though I discovered it thirty years after it came out, so I can only imagine the effect it had back then. Yes’ music sometimes gets accused of being weird and emotionally detached, and I think this album is part of why some people feel that way — some of it is very strange stuff, and the lyrics on it are seemingly 100% meaningless even though they do feel like they’re supposed to be about something. It also only features three songs, and the first one lasts 18 minutes.

But it’s also almost all just as catchy as good pop music, and with the added bonus of being played by astoundingly great musicians. If something is boring the shit out of me, I’ll stop trying to listen to it, but Close to the Edge holds a lot of energy and excitement. “Close to the Edge” is still one of my favorite songs ever, and the other two have some fine moments as well, though I do think the quality drops off in the closer. Even so, it’s still a great album. I also want to highlight this 8-bit version of the title track made by a guy on Youtube with the name EvangelionUnit06, because it’s also fantastic.

And now, the featured posts:

Let’s Get It On: Why Sex Scenes In Video Games Is One Experience I Can Live Without (simpleek) — Right out of the gate featuring a post about sex of course. Simpleek sets out an argument for why game developers might hold off on putting sex scenes into video games at least until the technology improves.

The Evolution of My Views on the CGDCT Genre & The Dangers of Positivism (I drink and watch anime) — Overly enthusiastic fans can sometimes raise expectations for their favorite works a whole lot, maybe too much. In this post, Irina explores how this has affected her experience with the “cute girls doing cute things” anime genre.

Visual Novel Theatre: Go! Go! Nippon! ~My First Trip to Japan (Lost to the Aether) — Aether continues his look into visual novels with a review of a VN about a dopey weeb visiting Japan for the first time, where he’s unexpectedly hosted by two cute sisters, and it sounds like embarrassing situations also occur as a result. Who would have guessed such a thing would happen in a visual novel?

System Mastery is my Jam (Frostilyte Writes) — A game with mechanics that are harder to master can lead to a more fulfilling experience. Frostilyte explores this idea by contrasting indie games Dicey Dungeons and One Step from Eden.

12 Random Japan School Life Tidbits (Umai Yomu Anime Blog) — Yomu, who’s currently teaching at a school in Japan, gives some real examples of Japanese school life and how it’s both similar to and different from what we’ve seen in anime and games.

MOTHER Gallery at Shibuya PARCO (Resurface to Reality) — Those who are into the Mother series should read browsercrasher’s post about a Mother-related gallery exhibit in Japan. When things open up again, we should push for video game-related public exhibits here in the States.

Mega Man 5 (Extra Life) — I never got around to playing Mega Man 5, but Red Metal’s review of the game got me interested in it. It’s always amazed me how they were able to take the series all the way to six entries on the NES anyway.

The Vita’s Not Dead Yet! Three Reasons Why You Should Still Own A PS Vita In 2020! (Down the Otaku Rabbit Hole!) — From loplopbunny, a post about why the Vita is still a system worth owning even after the recent Persona 4 Golden release on Steam. I got a lot of use out of my Vita, so I don’t agree with the many people I’ve heard say it “didn’t have any games.” For a complete argument, check out loplopbunny’s post.

Ghost in the Shell SAC_2045 – Part 1: Welp…. (Mechanical Anime Reviews) — It was rough to see the SAC_2045 series on Netflix. I really like the character designer (I’ve even written about one of his artbooks here, really a great artist) and the original Stand Alone Complex was excellent. But read Scott’s review to find out where and how this new series went.

That’s it for June. I have a lot lined up this month, including more of those short “summer cleaning” reviews, an extra-long game review, and another massive commentary/analysis/series of complaints, so I hope you look forward to those. Until then.

Listening/reading log #8 (May 2020)

I don’t have anything funny to open with this time (assuming I ever did anyway.) You don’t need me to tell you; if you live in the US just open a window and you’ll hear it. Between the righteous fury of the people, the imminent threat of military forces occupying the streets, and the coronavirus that hasn’t gone away, we’re living a fucking apocalypse over here.

All the more reason for you to put on relaxing music to get away from a while, even if only for an hour. So let’s do that: in contrast to the instability, lack of leadership from the top, and total political incompetence going on right now in my country, I’m focusing this month on music to wind down to.

Getz/Gilberto (Stan Getz & João Gilberto, 1964)

Highlights: The Girl from Ipanema, Doralice, O Grande Amor

In my very first listening/reading log post back in October, the first album I highlighted was Antonio Carlos Jobim’s Wave. If you liked that, you’ll probably like Getz/Gilberto as well, because it’s a similar style of nice relaxing bossa nova and it also features Jobim as you can read on the cover. The main players here are naturally the guys the album’s named after, however: American saxophonist Stan Getz and Brazilian guitarist João Gilberto. These guys were already both quite famous when this album came out, and for good reason, because they’re good at what they do.

“The Girl from Ipanema” is one of those songs you’ve definitely heard even if you don’t recognize the name — it’s been covered probably hundreds of times by now. It also features Gilberto’s wife Astrud on vocals, alternating his own lines in Portuguese with hers in English. There are plenty of nice lesser-known tracks on Getz/Gilberto as well, especially the short, catchy “Doralice” and somber-sounding “O Grande Amor”. This is the kind of music that sets a certain mood, and it’s very good at doing that. As with Wave, put it on when you get a drink and sit out in the warm summer night (well, maybe not right at the moment depending on your location, but you know what I mean.)

Dummy (Portishead, 1994)

Highlights: Sour Times, It Could Be Sweet

I don’t know about listing Dummy as being in the “relaxing” category. It’s very chilled out but also very downbeat — like Getz/Gilberto it does well at setting a tone, but this time the tone is depression. Singer Beth Gibbons sounds like she’s really emotionally beaten down in some of these songs with her subdued tone — I don’t know if she actually was, but it sounds real enough if it’s an act.

But Portishead is the kind of music that I sometimes put on to relax, which may say more about me than about the music. Really, this is music to listen to after you have a bad break-up and you’re sitting in an old-fashioned cafe at 1 in the morning drinking coffee and wondering why the hell you stuck with it for so long, what were you thinking all that time letting her just do that to you.

Sorry, this got a little personal. Maybe I just found this album at a weird time in my life and now I associate it with that. Anyway, forget about my personal issues and look up Dummy, it’s good.

Neon Impasse (City Girl, 2018)

Highlights: Ji-eun’s Sunset, Neon Impasse

If you liked that lo-fi hip hop girl YouTube channel I linked a few weeks ago, you should also check out City Girl. All her (his? their? I guess I can’t just assume from the name but whatever) albums seem to be listed on YouTube as well. I’ve recently been listening to some of it while working, and it puts me in a very nice place while I’m digging through stacks of horribly tedious documents. It’s chilled out electronic with jazz and that lo-fi stuff mixed in. A couple of tracks don’t quite do it for me, but I think the above-linked ones give a good impression of how most of the album sounds.

And now, featured posts made by my fellow writers. Ten of them, which is a lot, but chances are you have the time to read all of them now:

Blogging in Quarantine Times — Irina addresses the ways in which the global quarantine has been affecting her experience writing online. I can relate to a lot of what she brings up in this post, and I’m sure many other blog writers and hobbyists like us can as well.

On Making “Good” Content — Why do we write blogs about the media we like? Lethargic Ramblings gives his own opinion on the value of simply writing what you feel like without worrying about whether it seems any good to other people. I firmly believe that if you write about your own interests with feeling, it will naturally attract at least a few readers who pick up on your passion, and I think Leth’s post illustrates that view very well.

Miru Tights: A Down-to-Earth Ecchi Devoid of Discomfort — I really appreciate people who take on the more erotic and/or pornographic sorts of works without any reservations, and so I liked Inskime’s review of Miru Tights, an ecchi anime with a focus on girls’ tights, socks, and legs in general. Inskime gives some excellent insight on why this is a series worth watching even for those who don’t share its very specific interest in girls’ legs and legwear. Not something I would have ever imagined, but Inskime is quite persuasive, so give it a read if you’re interested.

Evercade: The Case for Curated Retro Gaming — As the title suggests, Pete Davison in this post makes a case in favor of curated retro gaming by looking at the Evercade, a new cartridge-based handheld designed to run collections of old Atari games [edit: and NES, SNES, and Genesis/Megadrive games as of this writing — thanks to Pete for the correction.] It’s quite a convincing case as well, considering the questionable legality of ROMs and emulators and the sheer abundance of garbage games that clog up those massive catalogues, drowning out some of the real gems that may have been forgotten if they weren’t given new life by being put into these kinds of compilations.

『GRATEFUL IN ALL THINGS』art gallery by Osamu Sato & Deconstructing LSD — Browsercrasher recounts a visit to an exhibition of art by Osamu Sato, the chief mind behind the weird PS1 classic LSD Dream Simulator. It looks as bizarre and fascinating as you’d expect if you’ve played or seen footage of that game.

Artbook Review – FF DOT: The Pixel Art of Final Fantasy — In this post, Krystallina takes a look at FF DOT, a collection of Final Fantasy sprite art. We need more artbook reviews, so I’m always happy to see new ones. In fact, I have a few new ones I might write about myself now.

Visual Novel Theatre- Analog: A Hate Story — We also need more visual novel reviews. I’ll keep doing my part, but here’s Aether with an insightful review of Christine Love’s VN Analog: A Hate Story.

Super Mario Bros. (all versions) — Here’s a concept I like: a side-by-side review of three versions of one game, in this case the classic Super Mario Bros. by Neppy. Maybe I’ll do one of these comparing the original Sonic the Hedgehog to its horribly botched port on the GBA. Well, never mind, I just gave away the ending. I’m still pissed off about Sonic Genesis though, even today.

New Super Mario Bros. 2 — Continuing the Mario review theme, be sure to check out Red Metal’s review of New Super Mario Bros. 2 and of many of the other games in the series.

Character Analysis: Misaki Nakahara — And finally, from the Overage Otaku, an in-depth analysis of Misaki Nakahara from the anime version of Welcome to the NHK! Misaki is not what she seems at first, and this post does a fine job at examining what makes her interesting.

That’s all for this month. Let’s hope some good things happen in June, though the odds don’t seem to be great for that. Until next time, my best wishes to all of you, no matter where you are on Earth. Or why stop there, even if you’re in space right now and somehow reading this.

YouTube channels to watch during the quarantine

Well, it sure as hell doesn’t feel like things are “opening up.” At least not where I live, despite what our leaders are insisting upon. Very likely you’re still stuck inside for much of the day at least, so why not check out some free entertainment on YouTube? The kind you can passively watch from your couch or bed, or from your computer chair when you’re procrastinating at work. Because yeah I’m a writer, and there are other far better writers to read here on WordPress, but sometimes you just don’t want to read anymore. I get that.

If you can bear to read a little more, though, then here are some channels I like broken down by style/subject matter:

1) Technology/computer stuff channels

Even though I write a blog that’s mostly about games and that could possibly fall into the tech category if you’re really stretching it, I barely know a damn thing about coding, programming, or any of that. I still find videos on the subject fascinating, though. LGR has made a lot of interesting videos about 90s computer technology and games. I’m also a fan of danooct1, who records the effects of viruses and worms on virtual machines. And if you were curious about what happens when you install one of those fake antivirus programs, check out rogueamp. It’s a dead channel, but there are plenty of videos in the backlog that are worth watching.

Also, it’s not a tech-exclusive channel, and he sure as hell doesn’t need my help, but I like Ashens. One of the funniest channels on the platform, especially when he reviews weird old obscure electronics and game systems.

2) Documentary channels

In some ways I grew up at the same time as the internet did. Anyone who’s around their late 20s to 30s probably feels the same way. And for that reason, we know all the drama and insanity featured online is nothing new. Internet Historian runs a channel dedicated to various bizarre stories that either directly involve “internet culture” or intersect with it. Some of the guys who cover this area also get weirdly political, but Internet Historian doesn’t as far as I can tell, so no worries there if you don’t want to get mixed up in all that shit, and I don’t blame you if you don’t.

I’m also required to bring up Fredrik Knudsen and his excellent Down the Rabbit Hole documentary series. It covers some similar ground as the above, but also gets into more general unusual history like the Austrian wine-poisoning incidents of the 80s and the Mouse Utopia Experiments. Fascinating stuff, and Knudsen presents it in a professional but still entertaining way.

And if you’re looking for someone who can make quarterly reports and profit and loss statements entertaining, check out Company Man’s case studies on corporate rises and declines. I would not have guessed a video about disposable cup companies could be that interesting.

3) Space/astronomy channels

Ever since I was a kid, I wanted to travel into deep space. However, until a full-scale recreation of the universe is made in VR, my travels are restricted to space sim programs like Universe Sandbox and to astronomy YouTube videos channels like SEA and SpaceRip. These feature nice-looking animations of planets, stars, galaxies, and the like with narrative voice-overs, covering subjects such as newly discovered exoplanets, the life cycles of different kinds of stars, and the possible ultimate fates of the universe (that last subject is good if you’re feeling some existential dread and need to put your place in the universe into perspective. Though it might just make your dread worse too. Be careful.)

I like the feeling of knowing I don’t matter on the grand scale anyway. That’s not why I made this my background on Twitter, though. I just like this photo.

If you’d rather relax with a livestream of the International Space Station orbiting Earth, here’s a link to that. I like to play this on my TV sometimes so I feel like I’m part of mission control or something. Yeah, I could never fully get rid of those childhood dreams, even if they just involve me sitting on Earth and watching other people in space.

If you want a livestream of a recording of a lunar orbit, see here. This one isn’t actually live because the Japanese orbiter SELENE (better known as Kaguya, for reasons you’ll get if you know who Princess Kaguya was and how crazy she drove a bunch of guys in folklore) was driven into the Moon’s surface in a planned impact after its mission was done.

If you want to see what it would be like if the ISS were replaced by the Moon, see this video. If giant looming astronomical bodies freak you out, you might not like it.

And finally, if you want to see what it would be like if the ISS were replaced by a Moon-sized disco ball, watch this video collaboration between Yeti Dynamics, the guy linked above, and that Michael guy from the old popular Vsauce channel. It’s also terrifying.

4) Megami Tensei channels

Did you really think I could go more than a few posts without bringing up Megami Tensei? Of course not. There are a few channels that produce a lot of SMT/Persona/other spinoff content. Fither isn’t exclusively about Megaten, but a lot of his stuff has to do with the series, and he has some good analysis videos. I’d also recommend Nyarly for more exclusively Megaten content, including challenge runs of Persona and SMT games that are way too god damn hard for me to even think about trying (like beating Nocturne on hard mode without buffs or debuffs. Pure insanity.) Strain42 is another good Megaten-based channel that covers some of the more obscure games in the canon. Unlike the channels in sections 1 – 3, these ones don’t have nearly enough subscribers. Maybe because they’re so fandom-centric? But that’s what I like about them.

5) Lo-fi hip hop beats to relax/study to

You might have already seen all the jokes or memes or whatever about the girl in the looping gif above studying forever while listening to lo-fi hip hop beats. But this is really a nice stream that you can relax/study to. I recommend it. If the link to this stream happens to be dead when you come across it, just put “lofi hip hop radio” into YouTube’s search bar and you’ll find it, or check the profile of user Chilledcow — he’s doing God’s work.

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These aren’t the only YouTube channels I follow, but if I got into the rest we’d be here for a while. What are your favorite channels to watch during your downtime? Or do you have more productive things to do?

Liebster Award questions and answers (and another open question)

Many thanks to Frostilyte for tagging me for the Liebster Award. Writers on this platform have come up with a lot of these, haven’t they? In the creator’s words:

It’s an award in which bloggers nominate other bloggers for showing respect to their works and their dedication. It’s an appreciation and recognition for all the fellow bloggers out there in the blogosphere!

Which is something I can’t argue with.

So first, I highly recommend Frostilyte Writes — if you like the sort of stuff I post here, you should be following that site as well for deep game analyses, reviews, and art. Frostilyte has insightful takes that are very worth reading, and the blog comes with my seal of approval.

Now to the questions:

1) We’re four months into the year (at the time of writing) – what’s your favourite game played thus far?

The only 2020 release I’ve played so far is Persona 5 Royal, so I guess that’s my answer. Technically it’s a 2019 release, and the West had to wait another eight months for the localization as usual. But who am I to complain about a long wait? P5R is excellent so far, even if there are real questions to be asked about how necessary Royal is for people who have played the original and aren’t dumbass fans like me who will buy anything with Persona or any Megami Tensei branding on it.

There really is new content in Royal, though, like this. I know how it looks, but it’s not that kind of game.

2) What’s your favourite Pokémon? (don’t read into this too much)

I know this is a massive sacrilege, but I’m not really into Pokémon, which you might have guessed from the fact that I’ve never written about it here. Not that I think it’s bad or anything; I just missed the boat on it. Which is weird, but I think I was just about a year too old when it really got big where I lived — the card-trading game was seen as a kids-only thing in my class, so we weren’t doing it, and the series never caught on with us as a result. I also missed out on Harry Potter for probably the same reason.

Remember when both those series were condemned by some weird people as being Satanic? Those were better days, back when there was so much less to worry about that assholes had to invent controversies to get mad about.

Actually, they still do that, so never mind.

I still want to answer this question, though, and I am a little familiar with Pokémon, so I’ll just say Farfetch’d because I like his name and design. I don’t know if he’s any good in combat, but he’s a weird duck carrying a leek, how can you not like that.

3) Have you watched any shows lately that you’d highly recommend?

I just started watching Babylon Berlin, a Netflix original German production. It’s a crime/espionage drama set in 1929 in the Weimar Republic, the first democratic period of Germany’s history that ended when Hitler and his Nazis overthrew it. This is one of the most interesting times and places in history to me, considering all the political and economic chaos that occurred there. Not such a great time and place to live in, though, as you can see if you watch the show. I’m only into part of the first season, but it’s good so far — a lot of intrigue and backstabbing going on, just what I like.

4) What was your favourite movie from 2019?

I know it’s a boring answer, but hell if Parasite wasn’t just that good. I guess I won’t spoil anything here, but if you haven’t seen it, you should watch it. That’s all.

5) How do you feel about games with no single player content?

I don’t give a damn about them. Nothing against multiplayer-only games; they’re just not my thing. Part of the reason I got into gaming was because it was something I could do without having to talk to other people. If that sounds weird and unhealthy, it probably is. But God knows I need a fucking break sometimes, and I don’t need to spend it trying to awkwardly interact with strangers. This answer says a lot more about me than it does about multiplayer games.

6) What is your least favourite genre of game?

First-person shooters. Maybe partly because so much of the content in those games is multiplayer, but also because I just find them boring. The only one I ever liked very much was Goldeneye, and I don’t know how well it would hold up.

The second-to-last place prize goes to the MMO, partly for the reasons I put up in answer #5. Two free weeks of EVE Online was enough time for me to decide I’d never play another one again. I can appreciate the escapism they deliver, but I prefer to get mine through singleplayer games.

7) What is your favourite genre of game?

Turn-based RPGs. This genre has gotten a lot of shit in the past several years. I get that certain gameplay mechanics can get stale, but there’s still a lot of room for innovation using turn-based or hybrid setups. The mostly turn-based Megami Tensei series, for example, has kept its gameplay fresh for three decades by constantly tweaking its combat systems.

My answer extends to tactical RPGs. For people who feel regular turn-based RPG combat is too much of a weird abstraction, with enemies waiting their turn to attack and all that, this might be a better alternative. It’s still turn-based, but it feels more like playing a giant game of chess with way more types of pieces and freedom of movement, and your pieces have HP and SP and can use magic attacks.

Okay, it’s not much like chess, but at least the board game feel of it is different from the standard RPG combat setup. I once knew someone who couldn’t stand mainline Final Fantasy but really liked Final Fantasy Tactics for just this reason.

8) What game from your backlog have you recently finished?

I haven’t quite finished it, but I just got through two of five routes in the visual novel Katawa Shoujo. If I told you a bunch of 4chan regulars made a dating sim featuring girls with physical disabilities, you might imagine that it’s got to be incredibly offensive, but so far it’s just the opposite. I kept meaning to play this VN for several years now, and I’m happy that I’ve finally gotten around to it.

The third (and maybe last, maybe not) route I’m on is Rin’s. I get the feeling that Rin is supposed to be how the typical 4chan user saw himself back when the game was being made around ten years ago. She’s a spaced-out artist who despises authority and talks to her peers in a direct and sometimes harsh way. There’s another character in the game who represents that typical 4chan user a lot better in reality, probably, but I’ll get around to that if I write something on Katawa Shoujo. Anyway, I have no idea what the typical user of that site or its various boards is like today — this game may as well have been released 700 years ago for how fast society and culture move now.

9) Physical or digital?

Physical. I do own a lot of digital copies of games, partly because of Steam sales and partly because so many low-budget indie projects can only offer digital copies. If I have the choice, though, I’ll always go with a physical copy. I still vaguely remember the pre-internet era that ended when I was still very young, and I have some nostalgia for it. I also miss not having adult concerns. No one told me being an adult would be such dogshit, or if they did then I wasn’t listening.

10) Pinecone?

No thanks, I already ate.

***

Thanks again to Frostilyte for the questions. I’m reluctant to keep this chain going myself because I’ve taken part in a lot of them in the last year, and I’m afraid of asking essentially the same questions and annoying the same fellow writers I’ve kept tagging (or I’m just too lazy to bother; it’s up to you to decide which is true.)

So once again, I nominate everyone who’s bothered to read all of my rambling answers for a Liebster Award because if you have, you honestly deserve it whether or not you even have a blog. And I have a question for you that you can answer in the comments, or on your blog, or not answer at all, or just do with it whatever you feel like. Here it is:

Virtual reality-based games right now are clunky messes that cause motion sickness and headaches, but that probably won’t be the case forever. How do you feel about the prospect of games becoming increasingly immersive, to the point that they might even feel as “real” as reality itself? Do you think this would have more of a positive or negative impact on society as a whole, or would it make a significant difference?

I’m thinking of writing something about this soon, and you might guess at my own feelings about the subject, but I’m interested in knowing what other people think, and specifically in what the sort of person who reads my site thinks. It’s all still speculative, but it’s not so bad to speculate sometimes.

Meanwhile, it’s back to the drudgery of work for me. Once I’m past that crap, next up will probably be more visual novel reviews/analyses. Between the lunar new year and Golden Week sales, I’m loaded up with them, and I’ve also got more routes of Katawa Shoujo I can play through. So I hope you’ve liked it so far, because 2020 is the year of the visual novel for me apparently. Until next time. 𒀭

Listening/reading log #7 (April 2020)

Nothing significant happened this April. It was totally normal. So let’s move on to the usual: some music and some notable posts from other writers from the past month.

The Name of this Band is Talking Heads (Talking Heads, 1981)

Highlights: A Clean Break, Love → Building on Fire, Life During Wartime

Another live album, yeah. This one is a real favorite, though, as it should be. Talking Heads started as part of a mid-70s New York City scene playing at the same clubs as guys like the Ramones, which is weird to imagine when you hear how god damn nerdy they sound with David Byrne’s nervous warbly singing and how precise their playing is. I really like them, and I like The Name of this Band is Talking Heads because it lets you hear the band both near their start in the late 70s and around their peak in the early 80s — they sound a lot bigger and fuller in the later tracks, but it’s all good stuff. Catchy, memorable, energetic. If you only know Talking Heads because the local grocery store won’t stop playing “Wild Wild Life”, check this album out to see how much better they were than that (not that it’s a bad song, but it is way overplayed and not nearly as good as the older stuff. There, now I sound like a snob again.)

The remastered CD version also has an extended tracklist, so that’s the one to get, though I don’t even know if you can find the original one outside of used vinyl stores anymore.

新しい日の誕生/Birth of a New Day (2814, 2015)

Highlights: It’s all kind of the same song

I have to be in a certain mood to listen to this kind of music. Maybe a brooding mood or a foul one, which happens often enough to make it worth my while to find stuff like 新しい日の誕生/Birth of a New Day by the group 2814. This music is supposed to fall into the “vaporwave” category, but that seems like such a broad category that I’m not sure what it even means, and it doesn’t sound anything like the few other vaporwave albums I’ve heard. There are no vocals aside from a few samples, and each track flows into the next. Sort of like Geogaddi, I don’t know if I’d call this relaxing exactly, but it’s not quite as unsettling as that album is.

Try this out if you’re in a brooding mood too. Maybe it can work as therapeutic or meditative music or something. I like to use that “lofi hip hop radio” channel on Youtube, the one with the constant loop of the anime girl studying. You know the one; it’s probably in your recommended videos.

And now, the featured posts:

The Benefits Rant — Aether writes some thoughts about processing benefits applications for a government agency during the coronavirus outbreak and brings up some issues about government benefits that are probably easy to forget about if you’re not working in that field.

A Rebuttal to James Whitbrook: Our Fascination With Canon Is Not Killing the Way We Value Stories — Some critics are all too happy to ignore plot holes or acknowledge them but claim they shouldn’t matter, justifying sloppy writing and poor characterization, as long as the work in question delivers what they think is the right message. Red Metal breaks down these arguments in an interesting rebuttal.

A Character Analysis of Two Gilgameshes — Type-Moon has its own take on the ancient epic hero Gilgamesh, who’s appeared in several of its Fate series as a blonde pretty boy with magical powers. Scott analyzes two very different versions of Gilgamesh in this piece.

Touhou 2 – Story of Eastern Wonderland Review — I’ve had Touhou Project on the mind lately, partly because I’m following blogs posting about the series. Yomu is writing a series of reviews of the main line Touhou shoot-em-ups. The old PC-98 games that came out before Touhou really blew up get somewhat ignored, so it’s nice to see them getting some attention.

Touhou: Luna Nights — And Neppy reminds me that I need to get around to playing Touhou Luna Nights with this review of the Metroidvania spinoff.

I also have some massive posts planned for the near-future depending on how strictly you define “near.” Until then!

Mystery Blogger Award Double Feature

Time for a break from all the serious analyses and reviews and complaining about the world (well, not that last one — I’ll never stop that, I swear.) I was lucky enough to receive Mystery Blogger Award tags from both Fanfiction Anime World and Extra Life! Many thanks to both animeandfanfiction and Red Metal. They both have excellent sites that you should be following, by the way. If you like anime, films, or video games at all (and if you don’t, how are you reading this post?) give them a look.

I’d normally break this into two parts, but I decided to just write one massive post answering both of their questions, which add up to 16. So I hope you’re ready. First I’ll take on animeandfanfiction’s questions, since those have been pending for a while now.

1) If you could make any fictional character real who would it be and why? What would their relationship be with you? ( best friend, enemy, stranger, partner etc.).

I’ve addressed this sort of thing once or twice before, but I’ll take a different angle this time: I’d want to have a mortal enemy/rival but with enough mutual respect between us that when one of us dies, the other will be disappointed that we didn’t manage to defeat him and make him an ally instead. I’m thinking of a rivalry from Legend of the Galactic Heroes that I won’t say any more about because it would be a spoiler, so I won’t specify a character, but if you’ve seen LOGH you may have some idea of who I’m talking about. Have you watched LOGH yet? You really should.

It’s a very deep show

2) If you could choose to have any power from an anime what would it be? (Examples, jojo stands, my hero academia quirks, etc.).

It might just be because I’m playing Persona 5 Royal, but I would go with the power of Persona. Since the modern Persona games got anime adaptations, I’ll say that counts. I suppose it is similar to a JoJo stand, though. The idea of having an alter ego that’s a reflection of your true self or however that works, I really like it. Though I wonder who my Persona would be. Are there any historical or mythical figures cranky and embittered enough to fit?

3) Is there any blogger on here you’d like to get to know better and be friends with? If so, feel free to tag them and share your honest thoughts!

Here’s your expected cop-out answer: everyone in the community. I really haven’t come across someone in the general anime/game-fan circles here on WordPress who I haven’t liked. That’s certainly not something I can say for creators on other platforms like Youtube, though to be fair I don’t move in that exalted circle. Some big Youtube revenue would be nice, but there also seems to be a lot of drama and poison that goes along with it. I can do without that.

Anyway, I’d be happy to have a dinner with all of you, a rowdy one. After the massive health crisis is over, of course.

4) What anime theme/opening/ending is one of your favorites right now? Is it because it’s catchy, fun or emotional for you and why? (Example easy breezy because it’s fun to dance to).

Well, I don’t/can’t dance, but I’ve always liked the openings to the Sayonara Zetsubou Sensei series. Especially the first one: it has a real title but people just know it as “bure bure” for reasons that are obvious if you listen to it. It’s nice and aggressive with plenty of despair in the lyrics and tone. I know this one is pretty old at this point, but I still love it just that much.

5) Is there anything not animated yet that you’d like to be? It can be a manga that hasn’t been, a video game, a tv show, etc. Possibilities are endless.

Moby-Dick in anime form, only all the characters are now cute girls. Tell me an entirely genderswapped Moby-Dick wouldn’t be popular. It’s not like that would be going too far — they’ve already turned World War II naval ships into girls, twice in fact. My idea is actually less extreme than that. I just think it would be fun to have an insane lady Ahab yelling about killing the White Whale. Hell, make the whale a girl too, why not. You’d also get the yuri fans on board with the ambiguous Ishmael/Queequeg relationship. Now I really want someone to do this.

This Touhou fanart is the closest I could find to what I’m thinking of. (source: Wool, pixiv)

And now, Red Metal’s questions:

1) What is the most unusual work you’ve ever experienced?

I’ve listened to some weird music — Captain Beefheart’s Trout Mask Replica or anything at all put out by the Residents. I’ve seen some strange films as well, though they’re popular in their own niches even if some people don’t “get” them (stuff by David Lynch, David Cronenberg, guys like that.) The most unusual work, though, would probably be The 120 Days of Sodom by the Marquis de Sade which I checked out just out of morbid curiosity back when I was a student. To be fair, I didn’t read anywhere close to the whole thing; it’s extremely slow going and still just as shocking as it probably was back when it was written. But de Sade also deserves credit for writing material that got him thrown into prison and insane asylums many times throughout his life — he wrote this work while imprisoned in the famous Bastille a few years before it was broken into by the French revolutionaries.

Not that it makes 120 Days any easier to read, with characters relating how they committed horrific acts against other characters, who themselves mysteriously heal or even come back to life for no apparent reason other than the story being kind of a mess. It’s a godawful work that I don’t really recommend to anyone, but the history surrounding it and its author is interesting and worth studying. It should be noted that although his literature got him into legal trouble, de Sade was also thrown into prison for committing murders and other horrible acts in real life, so he wasn’t exactly the “pure artist imprisoned for expressing himself” type.

2) What is the best work you have experienced that no one else seems to know about?

That depends on what set of people I’m talking to. I have friends and family with pretty different tastes in art from mine, and they haven’t experienced or even know about most of what I’ve written about on this site. But among that other set of friends, they know stuff like Shin Megami Tensei and Disgaea very well. So once again, it’s hard for me to pin down one single work that I can say is very obscure that I liked. The closest I can think of is something like the album H to He by Van der Graaf Generator that I wrote about a while back. The band definitely has some fans around, but I’ve never met anyone else in real life who’s heard of this music.

3) If you could go back in time and go to the premiere of a classic film, which one would you choose?

Psycho. Aside from being a great movie on its own, the stories of people being terrified by an actual movie in the theater are really interesting — it would be fascinating to sit in with a 1960 audience and watch them lose their shit.

4) If you decided to write fiction, which genre would you choose?

I’ve already started a few stories (not that they’re necessarily ever going anywhere, but they are started) and they’d mostly fit into the science fiction genre. Modern-day realistic settings are too boring, and historical settings require a lot of research that I don’t feel like doing. I find it easier and more entertaining to create my own world. As far as the contents of the stories themselves go, if there’s a genre called “depressive contemplative fiction”, I guess most of it would be in there.

5) What is the most disappointingly predictable plot twist you’ve ever experienced?

This is a spoiler for Grandia II… but shit, that game’s been out for 20 years now, and you’ll see this twist coming too if you play it now for the first time anyway. The big twist involves the Catholic-esque Church of Granas. This massive church organization recruits the main character, the mercenary Ryudo, to escort the nun Elena as she seals pieces of the Devil away so they can’t go around causing a bunch of havoc and killing innocent people.

Well, this is an organized religion in a JRPG, so how do you think that will end? It would have been a far more shocking twist if the Church of Granas had turned out to be completely honest and transparent. While the simple priests and sisters like Elena are well-meaning, their Pope reveals himself to be a mad tyrant who actually wants to steal the power of the Devil to become a living god on Earth. The guy is even named “Pope Innocentius”. How could a character with that name possibly be a good guy? And the game also drops all this material near the very end, as if we’re supposed to be shocked by it. Grandia II is still a great game and a childhood favorite, but even as a kid reading the manual and seeing this guy’s character profile I knew he’d turn out to be a villain. Not much of a twist.

Official Grandia II promo art. The Pope is the guy all the way on the right.

6) What do you consider to be the strangest title for a work?

There are plenty of light novels with stupidly long titles, so any of those might qualify, but since that seems to be an industry standard for light novels none of them stand out. So my answer is the title of the album I mentioned in answer #2 above: the whole thing is H to He, Who Am the Only One. The first part refers to the hydrogen to helium fusion process that the Sun is constantly working on, so at least it makes some kind of sense, and one of the songs is about space travel so I’ll give them that. But the second part of it makes no sense at all. It’s not even grammatical. “Who Am”? What the fuck. I know it’s a dumb cliché but I have to assume some hallucinogenic drugs were involved and the title made perfect sense at the time. There’s no other reasonable explanation for that.

7) Where in a theater do you prefer to sit?

Near the back, but not all the way back. The last movie I saw I nearly got a neck sprain looking up because we were stuck in front and all the other seats were taken. I like to get to the theater early, but not everyone feels the same way (i.e. one friend who insists on doing everything at the last possible minute.)

8) Do you have any graphic novel/manga series you’re currently following?

I don’t usually go in for those, but I have been reading a manga series called Forbidden Scrollery, which as far as I know is the only officially translated and published Touhou Project manga series around. It’s pretty fun, and about what you’d expect from a Touhou manga adaptation if you know the series — cute girls drink tea, solve supernatural mysteries, and threaten to shoot each other with magical bullets and lasers.

I like it, but if you’re not familiar with the setting and background of Touhou before going in, I imagine Forbidden Scrollery could be kind of confusing because it does not really bother setting any of that up. If you’ve played one of the games and know something about the series, though, it’s worth looking up. It’s written by series creator ZUN himself, though the art is thankfully done by Moe Harukawa, who unlike ZUN can actually draw. She has a cute style that fits well with the light mood of the manga. If you like the idea of a slice of life/fantasy mix set in an Edo-era Japanese village, you should check it out (or just check out Touhou in general.)

9) When it comes to reviewing films, which do you feel are more effective – traditional, written reviews or video essays?

This is a hard one, because I have a natural bias as someone who writes reviews (not film reviews, but the bias is still there.) I like the written form of review better in general just because there’s less spectacle — it’s all words on a page, maybe with a few screenshots thrown in. There’s nothing to distract from the analysis itself. I do get why a lot of people prefer to watch a video review on Youtube, and there are a couple of reviewers there who I think are pretty effective. However, I think the aforementioned Youtube drama bullshit can draw attention away from the basic review/analysis element, which is the whole point in the first place. Not that that’s necessarily the fault of the creators themselves. Maybe it’s just an issue with popularity fomenting drama regardless of the medium.

10) What aspects of old-school game design do you wish would make a comeback?

The aspect where you’d get a full, complete game when you bought it without having to buy DLC. I’m not talking about cosmetic DLC, of course — that stuff is fine with me as long as it doesn’t affect the experience in a significant way. No, I mean having to buy the ending to a game separate from the base game itself. Or having to buy the 18+ scenes in a visual novel at the same rate the base VN sells for, making the full version double the price of the all-ages version. I get that we all like to make more money, but fuck these practices. To be sure, ripping players off has been something the game industry’s been doing since the 80s, so it’s not like this is a new problem, but it is a relatively new form of the old ripoff.

11) What aspects of old-school game design are you glad went away?

Cheap difficulty. That hasn’t totally gone away, of course, but it seems to have been a lot more common in the 80s and early 90s. I’m fine with a game that’s difficult because it presents a true challenge that can be worked out through strategy; that’s great. But a game that presents you with a complete crapshoot of a challenge that takes pure luck to beat, or one that barely even gives you a chance to learn the controls and layout because it only gives you a couple of hits before it kills you — that game is just a piece of shit. Sure, we had GameShark back then and Game Genie before it, but if you have to break a game with cheats to make it playable, its developer has failed.

***

Now it’s my turn to ask a question. But here’s the twist: it’s one multi-part question, and it’s one that I want to pose to everyone reading who cares to answer it. No specific nominations this time, because everyone is nominated.

Do you think the current worldwide health crisis will permanently affect the way people get their entertainment, or will we return to the “old normal” after it’s over? And do you think it would be a positive or negative if people decide in the future to stay home and play games or stream shows or movies instead of getting out to the theater or to concerts? I don’t think it would be a great loss, but I’m not the best person to ask about that because I’m a severe introvert who has no problem being shut in for days or weeks at a time. I have to force myself to go out and socialize, but I know that’s not the case for most people. Well, it might be more the case in the anime/game fan circles, but I don’t want to generalize too much. What’s your opinion?

Listening/reading log #6 (March 2020)

I’m hiding in my new apartment avoiding the coronavirus right now, just like most of the rest of you. It’s still outside stalking around, despite all the efforts of internet artists to anthropomorphize COVID-19 into a cute yandere anime girl (I don’t have a problem with that, understand — we all have to do our parts in this crisis after all.)

So let’s forget about Corona-chan for a while and listen to some good music. This time, we’re looking at two albums that feature Phil Collins. Are you shocked by that? Well, I’m serious, so keep reading and find out what the hell I’m talking about:

Live (Genesis, 1972)

Highlights: The Musical Box, The Knife

I was thinking about classic prog bands I haven’t covered in this feature yet — I got Yes, King Crimson, ELP, and Van der Graaf Generator already, so it wouldn’t be right for me not to cover Genesis. This live album might be a weird work of theirs to highlight, but for whatever reason it was the first Genesis album I ever heard, so it still has a special place for me. Proggy 70s Genesis was quite a different beast from poppy 80s Genesis, though they were both really good in their own ways (well, Invisible Touch on pretty much sucks but that’s a different post.) Under the artistic direction of singer Peter Gabriel, these guys were ultra-artsy, writing long epics about killer plants (“Return of the Giant Hogweed”) and evil landlords genetically engineering shorter people to take up less space in apartment blocks (“Get Em Out By Friday”). And their stage act was apparently nuts, with Gabriel changing costume between certain songs to dress up as Britannia, or a flower, or a crossdressing furry. Or as Pyramid Head, like you can see on the cover.

Naturally you don’t get any of that spectacle on this live album, but it’s still really good. Gabriel is one of my favorite singers, and all the musicians in the band do well — for those of you who hate Phil Collins for his solo career of mostly cheesy pop and sappy ballads that are on constant play in your local grocery store, you should know that he was (still is?) an amazing drummer. The music is excellent as well. My favorites are the bizarre “Musical Box” with Gabriel going into his creepy old man persona in the end, and the violent “Knife”, which sounds like something these guys wrote after reading a lot of Machiavelli at college. The energy in that song is amazing. Great album, though it really is weird that they didn’t make it longer. They didn’t even include “Supper’s Ready”, which would have taken up another whole side of a second record. How did that not happen?

Unorthodox Behaviour (Brand X, 1976)

Highlights: Nuclear Burn, Born Ugly

Peter Gabriel left Genesis in the mid-70s to start a long and successful solo career, though I don’t guess he made as much money off of it as Phil Collins did with his. But in the mid-70s Collins was still Mr. Hardcore Progressive Drummer Man, and in addition to doubling as the new singer for Genesis he also recorded jazz fusion albums with the separate band Brand X, of which this was the first. Brand X is totally different from Genesis aside from also featuring Collins on drums — Unorthodox Behaviour is instrumental fusion with a big emphasis on technical skill. For me, technical skill isn’t quite enough, but thankfully most of the pieces on this album are really catchy and entertaining. “Nuclear Burn” is the kind of thing I can’t play in the car because it would make me want to drive faster, it’s got so much energy and speed. The whole album is really good for studying or working to after one or two strong coffees, in fact — try it out.

And now the featured articles:

Keeping my blogging to myself — Kim at Later Levels talks about the feeling of not being able to tell real-life friends and family about your blog. This is something I can strongly relate to. The wall between our online and offline lives can be hard to maintain sometimes, but for some of us, there’s really no choice.

Fate/Extra — An insightful review of the PSP action RPG Fate/Extra by Neppy. I was too busy/lazy/drunk to actually get through Fate/Extra when I first played it years ago, but if you want a real analysis of it, check out this review. The only meaningful commentary on the game I can give is that Caster is cute, and you probably don’t even need me to tell you that.

Visual Novel Theatre: Ame no Marginal – Rain Marginal — Aether brings back his visual novel review feature to look at Ame no Marginal, a short VN about a depressed man and a girl stuck in a Limbo-esque world, and if you want to know the rest, go read his review. It’s interesting, even if the VN itself seems like a bit of a let-down from Aether’s analysis. His post still piqued my interest, though, so I bought the game on sale while digging around Steam today, along with Narcissu. I’m sure I won’t regret this decision at all. (Also, check out his latest entry in the Persona 3 retrospective series he’s writing.)

Weekend Reads: Japanese Non-Fiction & Islamic Epic Fantasy — Yon Nyan talks up some interesting recent novels, including one in the category of Islamic fantasy, a genre I didn’t even know existed outside of old stories from 1,001 Nights. Sounds interesting, though; I’ll have to keep an eye out for it. If you’re into fiction at all, Yon Nyan is also absolutely worth following.

[GAME REVIEW] Mega Man 4 — And as promised, linked here is Red Metal’s review of Mega Man 4, as in-depth as usual.

A bit shorter than usual this time, yeah. I had hoped to be more productive on the blog this month, but between the great plague and my recent house-moving, most of my free time’s been occupied. Now that I’m settled and working from home without having to worry about commuting at least two hours a day, I’ve been able to get deep into some of the games I wrote about last post, and you can be sure I’ll write about anything I find that’s interesting (or not, but you’ll have to be the judge of that.) And maybe I’ll finally get that god damn Disgaea deep reads series done. I can only hope.

Until next time, dear reader, all my best wishes and try to stay safe.

Listening/reading log #5 (February 2020)

End of the month, so it’s another one of these. I don’t have a good way to start the post this time, so I’ll just get right to business.

Tarkus (Emerson Lake & Palmer, 1971)

Highlights: Tarkus, Bitches Crystal, A Time and a Place

Continuing the tradition of covering one classic prog album per post, here’s one of my favorites from one of those bands with a name that makes them sound like a law firm.  Tarkus isn’t great all the way through (the painfully preachy atheistic anthem “The Only Way” and the boring “Infinite Space” suck pretty bad in my opinion, and I don’t like the album closer much either) but that doesn’t matter, because the main point of the album is the title track, a 20-minute multi-part piece about… well, according to the inside art, it’s about the “armadillo tank” on the cover hatching out of an egg and going on a rampage, fighting other weird monsters straight out of an old kaiju movie.  Not that the lyrics give any clue of this at all, but who cares when the music is this good?  Keith Emerson is a master on his piano, keyboards, and synths, Carl Palmer does a great job drumming, and Greg Lake delivers some of the best vocals on a prog album in the “Stones of Years” and “Battlefield” sections of the suite.  The songs on side two are supposed to be outtakes, songs that didn’t make the cut for “Tarkus” proper, but some of them are excellent as well like “Bitches Crystal” and “A Time and a Place”.

For me, this album is the ultimate proof that music and art in general don’t need to be about a damn thing to be entertaining. Tarkus is about fuck all and I love it, or most of it anyway.  And I still think it should be adapted into a game.

Argent (Argent, 1970)

Highlights: The Feeling Is Inside, Liar, Schoolgirl

This band’s name isn’t all that imaginative (it’s not even named after the country or the Latin word for silver or anything, it’s just the last name of founder/pianist/organist/producer/etc Rod Argent, who previously co-founded the Zombies aka the guys who did “Time of the Season”.) But they made some good music, and this debut has some fine songs on it. “The Feeling Is Inside” is a nice soulful tune about a guy who cries because his girlfriend is so hot, and she brings him coffee in a special cup, whatever the hell that means — maybe they got that line from Ray Charles’ “Hallelujah I Love Her So”?  But they’re both great songs. I also like “Liar”, a much harder-edged breakup song that might be the sequel to “The Feeling Is Inside”. Another highlight is “Schoolgirl”, featuring a guy reminiscing about his love when they were younger.

Hey, this whole fucking album is full of love songs, isn’t it? That’s not usually my thing — I prefer meaningless nonsense music like Tarkus — but these love songs are well-written, so it’s no big deal.

Adult (Tokyo Jihen, 2006)

Highlights: A Secret, Niigata

For the first and certainly not the last time, I’m writing about a musical act that I’ve already written about once. Sort of. Tokyo Jihen, or Tokyo Incidents, is a band formed by singer/musician/songwriter Shiina Ringo. I covered one of her solo albums just a few months ago, but I’ve been listening to some of her stuff again lately. So here’s Adult, featuring songs that don’t sound too different from her solo stuff. More of that mix of jazz, pop, and rock all done in a classy and catchy as hell way. I don’t like Adult quite as much as Karuki Zamen Kuri no Hana, but it has some excellent songs like loud jazz blast “A Secret” and somber piano ballad “Niigata”. Some of the album consists of more standard pop stuff, but Shiina’s amazing singing makes it all worth a listen.

And now the featured articles:

Sonic the Hedgehog (2020 Film) review — The consensus seems to be that the new Sonic the Hedgehog movie doesn’t suck, which is far more than most people expected out of it. I might even bother to watch it at some point. If you’re interested, check out this review of the film from Wizard Dojo.

Game Designer Spotlight – Sid Meier — From Caleb Compton of Rempton Games, an interesting look at a man who provided me with many hours of entertainment growing up: Sid Meier, creator of the Civilization series and a bunch of other good stuff.

Good Sexy, Bad Sexy — Aether explores the use of sexuality in games and how it’s used both effectively and ineffectively. This is a subject I’m extremely interested in (as you all probably know already) and I found Aether’s take on it to be very insightful.

Who — The Who put out a new album, a fact that was completely shocking to me considering the fact that they’ve been around for 55 years now and half of the original lineup is sadly no longer with us. Find out what Matt at Hi-Fi Adventures has to say about it.

[GAME REVIEW] Mega Man 3 — I’ll just keep posting links to Red Metal’s Mega Man reviews, since they’re all comprehensive and entertaining.

And finally, let’s welcome Nep back to reviewing games after a hiatus. I look forward to seeing what comes next!

As for me, it’s another grinding month of toil and bullshit.  I’ll do my best to finish out the Disgaea feature I’ve been working on, though.  Can you imagine that I originally intended it to only be one fairly short post about Disgaea 1, and now it’s grown into a four-part series.  Now I know how George RR Martin feels.  Still waiting for The Winds of Winter here anyway — the day it comes out I’ll be taking at least a two-week break from the site.