Listening/reading log #12 (September 2020)

No, I didn’t forget — the monthly recap is here. And this marks a full year of them. It’s weird to think, I had the idea for this post series when I was at the office, which is somewhere I haven’t been now for the last half-year since the work-from-home plan was put into place. But I’m okay with that. I would honestly be fine with never leaving my apartment again. In fact, I’ll just sign up for that Singularity thing where we get to become consciousnesses in a massive universal computer network or a simulated universe or however that’s supposed to work.

As usual, I’m going to highlight some excellent posts from around the community here, but first, here are short looks at a couple of albums. This time I wanted to do something more seasonal. Everyone likes Halloween and it’s October now, so here are two real classics that I like but also find to be spooky. Well, maybe more unnerving than spooky. I’d include that Boards of Canada album I covered in the very first one of these posts, but I already wrote about it. It’s pretty chilling too; check it out if you’re into that.

Duck Stab!/Buster & Glen (The Residents, 1978)

Highlights: not even going to try

The Residents might be the most bizarre band ever created. It’s hard to call them a “band” actually; the names and even the number of Residents have always been unknown, and some of what they do involves other media like film or falls more into the realm of performance art than music alone. And even though they tour and do live shows, the performers always wear various disguises, most famously giant eyeball-helmets, sometimes with top hats and full formal suits included. Maybe that’s where Daft Punk got their own helmet disguise idea from?

However, I didn’t pick Duck Stab to highlight because of any of that. It’s rather because this album creeps me the fuck out. None of it’s “scary” exactly, but it can be kind of unnerving in parts. The Residents are known for their deconstruction of pop/rock music, and you can hear that happening right here — most of these songs should sound pretty close to normal with beats, melodies, verses, choruses and all that, but everything is just “off” enough to sound completely bizarre instead. Some of the songs sound intentionally ugly, like the opener Constantinople that seems like it was made to try to get you to turn the album off in its first ten seconds. Or Semolina, which sounds like a Beach Boys song produced in Hell. Laughing Song and Birthday Boy are genuinely creepy as well.

Listening to Duck Stab, I get the feeling that the Residents could have easily made a good album full of regular rock and pop songs if they’d wanted to. Even though a lot of it’s ugly, this music is also interesting and even catchy sometimes. It’s very obvious that these songs weren’t just some shit they threw together but were written, probably with a lot of care. The Residents just chose to make the songs fucked up on purpose, with clashing instrumental parts and vocals and lyrics that almost make sense but not quite, resulting in something that I think resembles an Uncanny Valley effect for music. Captain Beefheart did the same sort of thing in the 70s; this reminds me a lot of his album Trout Mask Replica. It’s worth looking up Duck Stab if you’re into that kind of strange music (and if you haven’t heard it, look up Trout Mask Replica too!)

Mekanïk Destruktïẁ Kommandöh (Magma, 1973)

Highlights: no

More weird stuff from the 70s. And yeah, the title is meant to be written that way. Both the album and song titles, and even the lyrics themselves, are written in a fantasy language that sounds a lot like German but isn’t quite. Magma was a French band, however, and the only French prog band I know anything about. Like the Residents, these guys were known for their strange compositions, but Magma’s are different. Mekanïk Destruktïẁ Kommandöh has separated tracks with titles but feels like one full piece, almost like an old opera with characters singing and sometimes yelling and ranting in this fantasy language over organs, pianos, and pounding bass and drums.

There’s a story behind the whole piece that looks spiritual in nature, but I can’t tell what’s going on with it. Maybe it’s an extremely high-minded concept album like Yes’ Tales from Topographic Oceans about some esoteric religious ideas. But I just think the music is cool aside from whatever the lyrics might be about. The first parts sound ferocious and martial and can even get a bit frightening with the main singer’s ranting and yelping and more singers joining in, but the tone softens and gets more peaceful in the second half of the album. From the flow of it, I can believe there’s a story being told here, even if I don’t really get it.

In any case, Magma are some interesting guys, quite different from a lot of the British progressive bands I’ve covered. I like the fantasy language element of the music as well. Reminds me of the Hymmnos songs from Ar tonelico and the made-up futuristic English/French/Gaelic/Japanese lyrics in the NieR games’ tracks.

And now, the featured posts:

The Great JRPG Character Face-Off: The Results! (Shoot the Rookie) — pix1001 concludes the contest co-run with Winst0lf to determine the greatest JRPG character, and the result may surprise you! But I’ll say it’s a deserving win.

You are the main character of your own life. (Umai Yomu Anime Blog) — An introspective post from Yomu about how we think of our own places in our lives and how anime usually puts that in a different light. I can’t really do it justice here, so do yourself a favor and check it out.

The Last of Us Part II (Extra Life) — A massive and truly comprehensive review of the controversial The Last of Us Part II from Red Metal, digging into both the gameplay and the story. No matter how you feel about the game, this is very worth reading.

Introducing the Frosty Canucks Podcast (Frostilyte Writes) — Frostilyte is now co-hosting a game-related podcast! It’s good stuff, I’ll be following it from now on, and you should too.

Rozen Maiden (The View from the Junkyard) — From Roger Pocock, a review of the mid-2000s anime series Rozen Maiden, which is about a socially maladjusted kid who gets a harem of living dolls that fight each other. This is one that seems almost totally forgotten these days, but it was insanely popular back at the time it aired. Also not quite as weird as it might sound from how I described it, though it has been over a decade since I watched it so I might not be remembering something. I do remember Suigintou being a pretty good villain, though.

Divinity, demons, and decay (Kimimi the Game-Eating She-Monster) — Kimimi writes about her take on Shin Megami Tensei II, a game that until pretty recently was a pain in the ass to play here since it was never officially localized. Anytime anyone writes about SMT I’m interested, and especially about the older or lesser-known titles like this one.

Freaked Out Now and Dead on Arrival. The Persona 3 Retrospective, Part 6(a)- Characters (S.E.E.S. and Protag) (Lost to the Aether) — Speaking of Megami Tensei, Aether’s in-depth analysis series of Persona 3 continues with a look at the unusual school club SEES and the protagonist who joins it at the beginning of the game. Nothing is what it seems at first, and Aether has some great insights about the game once again in this post.

Final Fantasy: The 4 Heroes of Light – Review (Nepiki Gaming) — Check out Nepiki’s newly remodeled site for a great review of this Final Fantasy game. I’ve been off the FF train for a long time now, but it’s still a rich series and a good time to read about.

Why I Hate Fan Service in Anime (The Anime Basement) — Keni over at The Anime Basement puts forward some arguments about why fanservice can be a problem and how some anime series use it in a way that’s not very tasteful. I partly disagree with him, but he does bring up interesting points, and it’s always good to get a different perspective on these matters. (I do agree with him that Kill la Kill does fanservice really well and in a way that makes sense in the context of the show, but maybe that will be a subject for a separate post someday.)

Anime I like, but haven’t talked about yet: Maria the Virgin Witch (Mechanical Anime Reviews) — Scott writes about Maria the Virgin Witch, another anime series that doesn’t seem to get a lot of talk. It’s a pretty short series, so no reason not to take the time out to watch it — I’m halfway through it now and it’s very good so far.

Hololive English: Examining a Worldwide Phenomenon (MoeGamer) — I’ve admitted that I fell into that infamous Hololive/Vtuber rabbit hole recently, just before that English-language branch that started a few weeks ago (and you’ll know that for sure if you saw me talking up Gura’s great singing or Amelia’s interesting mix of chilled-out and weird on Twitter or in comments somewhere.) Pete here gives a history of the Vtuber phenomenon and a rundown of what makes the various personalities of Hololive special.

The Soul of an Online Community (ft. Vtubers) (Anicourses) — Sadly, though, the Vtuber thing is not all sunshine and roses, as we’ve seen recently with the suspension of popular streamers Kiryu Coco and Akai Haato over extremely sensitive international political matters (really, I’m not kidding.) Over at Anicourses, Le Fenette examines empathy and connections between fans and players in online communities, including the very active and sometimes volatile world of Vtuber fandom and how it may have contributed to cutting one Vtuber’s career short.

And finally, congrats to The Traditional Catholic Weeb and Dewbond on two years of blogging!

So let’s finally close the book on last month. These posts keep getting longer, just like my reviews. And I have plenty more coming up: I’m in the middle of a few visual novels that I may or may not finish soon, I’ve just started 13 Sentinels: Aegis Rim, and I’ve finished a few anime series I may write about soon (including even more Monogatari! So I hope you’re not tired of that.) Until next time.

Blogger Recognition Award pt. 2

No, I can’t think of a clever title this time. But I did get recognized again, which is always nice. This time the recognition comes from Yomu of Umai Yomu Anime Blog, which if you have any interest in anime you should be following without question. Yomu also posts some great insights about living and working in Japan as a teacher.

As before, here are…

The Rules:

Thank the blogger that nominated you and give a link to their site.
Do a post to show your award.
Give a summary of how your blog started.
Give two pieces of advice for any new bloggers.
Select at least 15 other bloggers for this award.
Let each nominee know you’ve nominated them and give a link to your post.

I’ve gotten through the first requirement and am currently working on the second, so now it’s time to take on the rest. I already gave a summary of my blog’s history in the first Blogger Recognition Award post I wrote a while back, so you can read that if you like. Here’s a summarized summary: I started this site seven years ago when I was looking for an escape from my routine after returning to get my last degree. Video games, anime, and music are my escape, so those are what I write about. For years I had almost no involvement with the community here just because I wasn’t really making the effort, but I’m happy that I am now. You’re all great people, and that’s not flattery so you’ll keep reading my site, I promise.

Twitter leaves me in despair, but the community here cures it. Thanks!

Since none of this information is new, here’s another fact about the site: for a few weeks it had a different name, which is why the URL is what it is. I use that name on Twitter as well, but other than that I should probably do something about the difference between the current name and address.

And now for two more pieces of advice for new bloggers.

1) Maintain a sustainable posting schedule

Another piece of advice that sounds obvious but that I’ve ignored at times. Burnout for writers is a real problem, especially if you’re taking on long hours at your job or at school on top of the work you’re putting into your site. There are people who make a daily posting schedule work, turning out great posts every morning or evening, but if you can’t manage that, it’s nothing to be down about. I can’t do it myself, which is why I usually post between once and twice a week. And I have to admit I can only keep up this schedule now because of the free time I have thanks to working from home and cutting out 10-15 hours of commuting time every week. I know this won’t last, not when I’m called back to the office.

I’m not actually Joker, I’m one of these depressed fuckers in suits in the foreground.

Do the best you can while keeping your limits in mind. When you’re starting out, you probably won’t know those limits yet, so don’t worry if you do end up feeling burnt out for a while: just take that time to readjust. And if you end up having to take a break, don’t worry about that either. It can be hard to do, but it’s just necessary sometimes.

2) Write about what you want, but try to target an audience

This advice only applies if you care about getting views and finding and keeping dedicated readers. If you don’t, then go nuts — write about the movie you saw last week, what you had for lunch yesterday, some relationship advice based on past experience, and maybe throw a few political rants in for good measure. I don’t think there’s anything inherently wrong with writing a blog like that, but the fact is that you’re going to be attracting such different audiences with all those sorts of posts, none of which are probably going to have much overlap, that you won’t retain many long-term readers.

My site isn’t the most focused in the world, but I do try to maintain my focus on anime, manga, and games that are in that general sphere — visual novels, JRPGs, platformers about shrine maidens fighting demon girls, that kind of stuff. That doesn’t mean I won’t write about a totally western-made and -styled game; I do that sometimes too (not lately so much, but it does happen, I swear!) I’ve also reviewed other forms of media outside the usual areas I cover like artbooks. But I also feel that maintaining a strong site identity is important, because otherwise people won’t know quite what to expect from the site.

Again, it’s not bad in itself to write a blog with a broad focus or no focus at all. Especially if you’re getting what you want out of it — if so, then forget about what I or anyone else thinks of your work. With regard to your site, do what makes you happy: that’s a more important rule to follow. But don’t expect to do very well with your stats if you don’t strategize a bit. I’m not even talking about SEO or using Google Analytics or any of that stuff here, just the basics.

If serious revenue is what you’re looking for, I can’t help you at all.

And now for even more nominations. Fifteen is a whole lot for someone as lazy as me, but I’ll give it my best try. I hereby recognize:

K at the Movies

Lost to the Aether

Frostilyte

I drink and watch anime

MoeGamer

Nepiki Gaming

Otaku Alcove

Mechanical Anime Reviews

Extra Life

Nintendobound

Mid-Life Gamer Geek

Crow’s World of Anime

Raistlin0903

The Traditional Catholic Weeb

A Geeky Gal

All of the above are great blogs to follow as well, which is part of why I’m recognizing them. Be sure to check them out! I’ll be back soon with a game review/retrospective idea I’ve had sitting around for a while now, one that I’ve wanted to complete for some time. Until then!

The Super Happy Love Award

Did you ever think you’d see such a title to a post on this site? It’s all thanks to Frostilyte, who nominated me for the Super Happy Love Award originally created by fellow anime/game blogger Pinkie to make the internet a happier place. That’s ambitious, but definitely a commendable goal, so I’m happy to do my part. Here are the rules, quoted in full:

  1. Thank the one who tagged you and if at all please tag the original post as well. This is my first blog tag and a bit of a passion project so I would like to see where it spreads! Oh and use Super-Happy-Love as a tag!
  2. Display the Super Happy Love Logo in your post Share the rules!
  3. Choose a minimum of 2 out of these 6 prompts to answer in this blog! More is always allowed! These six prompts are as follows:
    • Tell about a person you love, this can be a friend, partner but also a celebrity or even youtuber who means a lot to you. As long as they once took breath on this earthly realm you are allowed to pick them… Tell us why you love them.
    • Write something about a fandom or franchise you love. It can be your favorite game series or about just about anything that is bigger than just a single product! Tell us why you love this so much!
    • Tell us something about a character that you love. Do you have a Waifu, a Husbando, maybe a mentor or someone who taught you a valuable lesson. Tell us why you love them.
    • Tell us something about a piece of music that you love. Does a anime intro mean a lot to you? Did you have a special memory to a pop song, like your first dance at your wedding? Maybe a piece of video game music? If you love it, you should tell us why!
    • Show us why you love a piece of media so much! A Book, A Game, A Anime, A Movie maybe even a random piece of fan art, you are free to pick as long as you can show us why you love it.
    • Write something about yourself that you love! For those who like a challenge, there is a hard mode in this blog prompt as well. Tell us why you love a certain aspect of yourself
  4. Put on your rose tinted glasses. For once you are allowed to gush about the things that you love without having to balance it out with negatives so that you seem objective. In fact your are actively encouraged not to bring negativity into this tag. So no, “Nowadays is poopoo but back in my days…it was great”. Just say it was great! Love is blind after all!
  5. Tag 6 bloggers you love so they can take on this challenge as well.
  6. Everyone who comments something lovely about your post ALSO gets nominated (should they so choose).

Quite a challenge for me, but I’ll take it. Firstly, thanks to Frostilyte for the nomination. He runs a great blog over at Frostilyte Writes (now with a fancy new .ca domain, I’m jealous) featuring posts about video games and his original art. If you follow my site, you should follow his as well.

Now for the main event. I can definitely be positive about some of the stuff I like — I mainly write about stuff I like here, after all. So here we go:

1) My favorite franchise: Megami Tensei

In news that will be surprising to absolutely no one at all, I’m declaring that Megami Tensei is my favorite game series. I think I’ve declared that a lot, actually. But why do I like it? I’m thinking about writing a few more in-depth posts on the series in general and a lot of the themes in particular later on, but I can address that generally here.

It’s not what it looks like, really

One of the things that struck me first about the series when I first got into it with Persona 3 was its use of mythological, historical, and religious figures from around the world as demons (“demon” here being a neutral term for any supernatural being, not just the typically evil ones — even angels are included in that definition.) In Persona 3 and 4, these beings are the Personas, who are representations of the characters of you and your friends (and of a few of your enemies as well.) I loved Kazuma Kaneko’s unique designs, and when I discovered the mainline Shin Megami Tensei series through Nocturne I found some of the same and many more of these figures were fought as enemies and could be recruited into your party. There was a lot of novelty to that, but even after the novelty wore off I kept finding Easter egg-style bits of dialogue between related demons during combat that suggested the writers had really done their homework with regard to their stories and myths. So I was very happy to see Persona 5 include the same beings as enemies in its shadow worlds.

In that sense, Megami Tensei is a bit like the Fate series, which also makes use of both historical and mythological characters to tell its stories. Only Megami Tensei doesn’t take quite so many liberties, like making King Arthur a girl who the main character can get romantically involved with (Saber in the first route of the original Fate/stay night visual novel. If you know a better way to transfer mana, I’d like to hear it.) It also puts these figures into a very different context — instead of being purposely summoned like the Servants of Fate, the Personas are usually summoned entirely by accident or spontaneously (I know Saber was also summoned by accident in F/SN, but that’s an exception.) And in mainline SMT and some of its other spinoffs, the demons/angels/spirits/monsters/etc. typically decide to invade some place, usually Tokyo, without asking anyone’s permission, and then massive destruction usually follows that we humans have to deal with.

I just find that supernatural/human mix to be exciting. I like it enough that I wrote a whole daily Christmas series on some of my favorite demons in the series, and maybe I’ll even do it again this year.

Just because it’s the post-apocalypse and you got turned into a demon-human hybrid, it doesn’t mean you can’t get along and make friends

I could go on for many pages about Megami Tensei, and I probably will at some point not too far in the future, so I’ll save the rest.

2) A soundtrack I love: Sonic the Hedgehog 2

I guess this post is going to be all about games, but that’s fine, isn’t it? Video games have had a massive impact on my life, and probably on yours too if you’re reading my site. And a big part of that impact has been the music featured in those games.

Most games have pretty basic soundtracks. If you just need passable background music to fill the silence, it’s not too hard to create. There’s also some impressively and even entertainingly bad music to be found in games. But the soundtracks I remember are the ones featuring tracks that are both complex and catchy. The 90s childhood series that come to mind when I think of game music from back then are the ones you’d probably expect: Mario, Mega Man, Final Fantasy, but to me Sonic was the most memorable.

Almost all the classic Genesis/Megadrive-era Sonic games have great music, but Sonic 2 sticks in my head specifically for some reason. Maybe because that’s the game I remember playing most as a kid, but the soundtrack is absolutely top-tier as well, written by musician/producer Masato Nakamura. Some people prefer the Sonic 3 soundtrack with the rumored Michael Jackson contribution, and that’s an amazing one as well, but if I had to pick one to own in physical form, it would be 2 for me.

3) Bonus thing I love: this video of a virtual rabbit girl playing games and killing enemies while talking like a gangster

Look, I found out about Vtubers and now I’ve fallen down the Hololive rabbit hole. That’s an especially apt term to use in this case. If you want to know the deal with this stuff, check out Lumi’s post on the subject here. Or just ignore this and move on. That’s probably your best option. All my recommended YouTube videos are now Hololive clips and it’s an endless cycle of me watching one after another. Don’t do that to yourself.

Now for the nominations. I’ll nominate Lumi, since I’ve already taken the liberty to use his post above, and also:

Ace Asunder

A Richard Wood Text Adventure

Winst0lf Portal

Peak Weebing

KS Blogs

And as stated in the rules, whoever else is reading this and feels like it gets nominated too. And as usual, apologies if you don’t do these, feel free to ignore, etc. I still have one more of these tag posts to make, but in the meantime I’ll be watching more Pekora videos.

Listening/reading log #11 (August 2020)

As America gets closer and closer to becoming a mainline Shin Megami Tensei game and I start to consider how to maintain a Neutral alignment (still the best alignment, no Law or Chaos for me) I’m finding comfort in music. Today I’ll be presenting two works: another old classic and one of my favorite albums ever, and something new I discovered recently. And as usual, I’ll also be featuring excellent articles from around the community in the past month.

Red (King Crimson, 1974)

Highlights: Red, Fallen Angel, One More Red Nightmare, Starless (basically the whole album except for one track that’s just okay)

I’ve written these short album reviews for nearly a year, yet until now I haven’t talked about one of my all-time favorites: Red. This album was put together by the second (or third, or fourth, depending on how you’re counting) iteration of the prog band King Crimson, which has changed lineups about twenty million times since it started in 1969. Through the years, the only constant in the band has been guitarist Robert Fripp. The other two guys on the cover are bassist/singer John Wetton (formerly of Family and later of Asia) and drummer Bill Bruford (formerly of Yes, and who’s been featured the most out of anyone in these reviews so far, also on The Yes Album, Close to the Edge, and Larks’ Tongues in Aspic.)

Red is extremely heavy, precise rock, full of memorable songs. The atmosphere this album creates is something to experience — it’s dark but not trying to be “evil” in the way some of the 70s heavy rock and metal was going for. This is one to play late at night during a coffee binge. I love every track except for the improv-sounding piece Providence, and even that’s not exactly bad, just kind of messy-sounding and out of place. But then I know people who love 70s Crimson improv works found on albums like Starless and Bible Black as well, so you might love this too if that’s your thing.

Somehow these guys just broke up right after recording Red and wouldn’t return for seven years, reforming into a totally different-sounding (but still good!) early-80s New Wave band sort of like Talking Heads. Weird stuff, but then Robert Fripp is a weird guy. He’s also responsible for the startup sound in Windows Vista if you remember that thing. Anyway, this is an amazing album that you should check out.

Bon Bon Appétit!! EP (Sugar & Co., 2020)

Highlights: it’s only three songs long and they’re all good, but I love SWEETSWEETSWEET

If Red is too dark and stormy to suit your mood, here’s something completely different in tone and style, and something so sweet that it might be dangerous to listen to. Bon Bon Appétit!! is a short EP that I might never have found if not for Muse Dash, the rhythm game I reviewed last month. Ever since learning about future funk a couple of years ago I’ve really liked what I’ve heard of it, and this is in that style, made by Shanghai-based composer ANK and a few other people operating under this Sugar & Co. name. And the name, album title, and pink as hell anime girl cover fit the contents exactly: Bon Bon Appétit!! is all cute vocals over electronic disco/funk tracks.

There was a time long ago I’d have never listened to this kind of stuff, but not anymore: it’s catchy and addictive like actual sugar is, and I like it about as much. Really nice, and I’m looking forward to seeing what else comes out from ANK and the rest of them. There are a few other tracks in Muse Dash by the same group that I also like, so it seems like they’ve got more material around. I’ll also probably be listening to more future funk in general because of how relaxing I find it — I’ve already gotten a few great recommendations that I’m looking into further.

And now for the featured articles (more than usual to make up for my being too lazy to review more than two albums again, one of which is less than ten minutes long. Sorry!)

Mega Man 6 (Extra Life) — Red Metal completes his analysis of the original NES Mega Man series with his review of Mega Man 6, a game that gets maligned a whole lot but that maybe doesn’t deserve all of that hate. See Red Metal’s in-depth review for more.

Visual Novel Theater – fault (Lost to the Aether) — Another VN review from Aether, this time of fault, an episodic kinetic novel that I haven’t played. Sounds like an interesting premise, though I don’t think I’d be able to deal with the lack of an ending (at least there isn’t one yet, and it sounds like there might never be one from what Aether says.)

Exploring Miyazaki & Aoshima Island at Sunset (Resurface to Reality) — One day I’d like to visit Japan, but for now all I can do is keep reading travel posts like this one, a look at the Kyushu coast from browsercrasher.

Happy Birthday GoldenEye 007! (Mid-Life Gamer Geek) — A birthday tribute to GoldenEye 007. I remember the movie being all right, but the game was legendary, and Mid-Life Gamer Geek does it justice in this post.

Appreciating My Manga Collections More in a COVID-19 World (Objection Network) — Michaela reflects on the dire state of the US and the world as a whole and how it’s made her appreciate manga as a hobby. I’m all about buying physical copies too.

Fate/Grand Order Tierlist: Ranking all Caster servants! (Nep’s Gaming Paradise) — I don’t play Fate/Grand Order, but I do like what I’ve played/watched in the Type-Moon universe, so reading Neppy’s character rankings for the game is still a good time. He’s got a whole series of posts on the subject going, so be sure to check it out.

The Top 5 Animes That Made Me Want to Order Take Out (I drink and watch anime) — Anime often features food that’s incredibly detailed-looking and makes you hungry just seeing it. Irina here recommends five anime series featuring great-looking food. None of these are series you should watch if you’re fasting (also don’t watch Today’s Menu for the Emiya Family, speaking of great-looking food and the Fate series.)

The Uzuki-Chan Drama – Twitter imposing their morals on a foreign culture (A Richard Wood Text Adventure) — Having just gotten current on the anime Uzaki-chan Wants to Hang Out! I can say it’s fucking weird that this is the show of the season people decided to start fights about. Wooderon addresses the drama surrounding Uzaki-chan and the part moral and cultural superiority is playing in creating said drama, especially on Twitter.

Waifu Wednesday: Rorolina Frixell (MoeGamer) — Anyone with an interest in JRPGs that are a little out of the ordinary should be following Pete Davison’s massive series of Atelier posts covering what looks like the entire series. In this post, Pete highlights some of what’s great about Rorona, the protagonist of Atelier Rorona, one of the few in the series I’ve played so far. And I agree with his assessment — Rorona is easily one of my favorite game protagonists.

I Really Dig Disco Elysium’s Character Building (Frostilyte Writes) — Disco Elysium looks like it has a unique character creation system. I think I can easily get into the mindset of a sad drunken detective already, but Frostilyte’s post about the game got me even more interested in it.

The Plague of WordPress: AI Generated Posts (Umai Yomu Anime Blog) — Yomu delivers a warning about the rise of AI-generated nonsense posts on WordPress that are currently misusing the anime tag. We’ll have to stay one or more steps ahead of the jerks behind this garbage.

Surgeon General’s Warning: DO NOT WATCH ANIME (Mechanical Anime Reviews) — And finally, Scott delivers a warning about the effects of watching too much anime. Sadly, it came too late for me.

That’s all for this month. I have more anime reviews and a couple of game retrospectives coming up soon, but before that I’ll be taking on a couple of tag posts. Until then, stay safe as always.

Do your protagonist or leads have to be relatable?

Relatability is thrown around a lot in discussions about what makes good and bad fiction. If you’re creating any kind of fiction, it helps you get and keep an audience if they have some prominent character at least to connect with in the story — someone who’s sympathetic or is going through a relatable experience.

I thought about this recently when I read through the first few volumes of the manga Ijiranaide Nagatoro-san, officially published as Don’t Toy With Me, Miss Nagatoro. This manga caught my attention because 1) it’s been getting a lot of talk ahead of an anime adaptation planned for sometime in the near future, and 2) it’s apparently extremely divisive, with some readers loving it and others dropping it almost immediately. To me, something so divisive has to be interesting, so it’s probably worth checking out even if I end up not liking it.

And I can see why someone might drop this manga after reading a couple of chapters. Nagatoro-san is another one of those high school romantic comedies that are so common, but its sadistic element sets it apart from the others. Title character Nagatoro is a popular first-year student who fixates on a nerdy loner art-loving second-year, known only as “senpai” throughout, because of how strongly he reacts when she makes fun of him. People have compared it to series with similar setups like Teasing Master Takagi-san, but Nagatoro cranks the mockery level way up. Of course, as in that series, there are strong hints that she’s only messing with him because she likes him; we see later on that poor Senpai is the only guy she treats this way, usually only in private, and when her friends try to get in on the action and mock him a bit too much she gets pissed off and stops them.

After getting past the initially harsh, hard-going couple of chapters, I ended up enjoying the rest of what I read, I think partly because of how well I could relate to the Senpai character. All this guy ever really wanted was to be left alone to paint still lifes of fruit and draw his wish-fulfillment fantasy comics with his self-insert character. Shortly after Nagatoro wedges herself into that peaceful loner life he’s living, she asks him why he doesn’t fight back when she messes around with him, and his answer is telling: he says that when he’s bullied, he just closes up his heart and ignores it until it goes away.

Of course, again, the reason Senpai doesn’t just ignore Nagatoro in the same way is that he likes her too, and this is obviously one of those slow-burn romances where the two main characters will end up together, but will take a hell of a long time to do it because of their clashing character quirks (see also the now-infamous Uzaki-chan Wants to Hang Out!) But the way he handles all the other bullying he deals with, that really hit me in the gut. I shouldn’t project any of my feelings onto the author, but it reads just like it was written by someone who’s gone through the same sort of thing, or at least by someone who was a close-up witness to a lot of that treatment at school.

I’m in this manga and I don’t like it

The fact that the protagonist of Nagatoro-san is so relatable to me helped me connect with him and get into the story, which does get quite a bit lighter and nicer when it starts to become clear that Nagatoro is trying to help out and get closer to Senpai, albeit in her own weird, aggressive way. However, it also raised that question of relatability. Does relatability always have to be there to connect with your protagonist and leads?

I’d say it depends on what sort of story you’re trying to tell. A romantic comedy of this kind definitely needs some relatability, since it’s presumably trying to build an emotional connection between the main characters that it wants the readers to get invested in. To use an example from a very different sphere of fans/viewers, the US version of The Office did the same thing with Jim and Pam, two relatively normal, nice characters who many fans wanted to get together. These two were probably more relatable to most than a lot of the other weirdos working in that mid-sized Pennsylvania paper company branch, so it was easier to get invested in the story through their perspectives.*

However, there are works I’ve liked, and even loved, in which the protagonist was totally unrelatable, or in which he was even a complete asshole. For an example of the former, check out Mahjong Legend Akagi. The title character isn’t a bad guy at all, but not because he’s exactly “good” either. In some sense, he rises above basic ideas of “good” and “bad” in the course of his story. As a genius gambler, he knows how to utterly crush his opponents without remorse, and he does so, but what he’s really looking for is a challenge in which both he and his opponent put everything on the line, up to and including their lives. Other characters in the series, almost all crooked cops, shady fellow gamblers, and yakuza members, come to fear him and refer to him as a “demon”, not because he’s evil but because of his sheer talent and just how different and how much more terrifying his ways are when compared with those of the money-driven underworld.

This is a teaser for a future deep reads post, by the way. There’s a lot to say about Akagi, both the character and the series.

Even having an asshole or a plain old criminal for a protagonist can help make for great fiction, however. Up until it started to get stale around the fourth season or so, the US Netflix production of the political crime drama House of Cards did a great job with this, casting excellent actor and now-accused real-life criminal Kevin Spacey as the ruthless, coldblooded House Majority Whip Frank Underwood. Underwood is so ambitious that he’ll do anything for power, and he does a whole lot of evil things to achieve that power up to and including committing multiple murders. There are a few sympathetic characters who take part in the story, and most of them end up crushed and sometimes even killed by one or another of Underwood’s schemes.

While I watched the show, though, I was all in for Underwood. I wanted to see how he would make it to the Presidency, and then how he’d fall from that high office and end up ruining himself. Underwood’s occasional asides, addressed directly to the viewer, helped create this connection. But that’s not quite enough; you also need a compelling story to make this kind of evil protagonist work, and House of Cards managed that for a while at least. Underwood wasn’t relatable, at least not to me, but I was riding along and wanted to see how his ruthlessness and cruelty would play out.

The fact that the character Underwood ended up ruined because of illicit acts his actor was accused of having carried out is quite a weird thing in itself (and the subject for an entirely different post, and really a different sort of blog than mine) but it’s easy to imagine an alternate reality where that story could have played out much more effectively. I have heard that the original UK version of House of Cards told its story in a more effective and compact way, and it had a proper ending too. I might check that out one day myself.

All the Spacey stuff was obviously a problem, but I think the writers had stretched the show out way too long and kind of fucked it up by that point anyway. (Image source)

So when does a protagonist or a central character fall flat or annoy me to the point that I have to drop a series? If the work is trying to portray a shitty, or even a simply unremarkable, character as someone amazing but we the audience don’t see it, that’s when I get genuinely pissed off at it. To me, this is one of the hallmarks of lazy writing: “I want a cool protagonist but I don’t know how to effectively depict one, so all the other characters will say how amazing they are and the reader/viewer/etc. will see it too!”

But it doesn’t work that way. On the contrary, the harder a character like that is pushed without properly establishing why we should like them by showing and not telling, the more I’ll hate them. It’s part of that “Poochie Effect” I wrote about a while ago. Though she has her fans, Marie from Persona 4 Golden was an example of such a character for me. She didn’t really hurt the game, since she was more or less a side character, but the way the game tried to push her was a bit annoying — the temperamental teenager act came off as simply grating, even if there was a lot more behind the character than was evident at first. At the very least, I didn’t feel too compelled to learn about what was behind Marie until I was forced to by the game, and a big part of that had to do with her irritating character traits that I was apparently supposed to find endearing. Or maybe I wasn’t and Atlus are a bunch of sadists too.

So as you can see, I’m no expert. I’m a shitty hack writer myself, so I have to try not to make the kinds of mistakes I’m talking about here when I’m working on fiction. So please tell me if you feel like it: what kinds of characters can you relate to, and what do you think makes for an effective or ineffective protagonist? Do you need to be able to relate to the protagonist or at least to someone in the story to enjoy a work? Do you think this was just an excuse for me to post a review of Don’t Toy With Me, Miss Nagatoro while pretending I wasn’t doing that? I’m interested to know your opinions. 𒀭

* Kevin is still my favorite character, though. At least before they changed him from secretly smart to just plain stupid. It wasn’t quite as bad as what The Simpsons did to Homer, but still noticeable.

Seven years on

It’s been seven years since I started this blog. When I first created it in 2013, I didn’t have any plans beyond writing about games I liked and a few places I’d been to and complaining about everything else I hated. As I’ve written before, it was a way for me to manage things while returning to school and a rigorous and stressful program of study.

Sometimes I think, if I had millions of dollars and didn’t have to work or stress over other issues, I’d play games, watch anime, listen to music, and write all day. But I wonder if I’d even bother writing under those circumstances. I probably would, just because that’s something I like doing. But it wouldn’t be the same, because beyond just being a hobbyist sort of thing, this site is also a way for me to cope with bitter reality. It’s part of the escape I need from life — that’s the reason for the site’s tagline.

For its first five years, though, I didn’t make much of an effort to connect with fellow writers here on WordPress. I didn’t even really know about the loose-knit communities of video game and anime fans here. It was only after leaving a lousy job and improving my situation that I had a little more time to sit around and explore the platform relatively free of worries. I’m grateful for that opportunity, because finding and connecting with other writers and fans has given this project new life. To everyone who follows my site, leaves comments, or even just reads what I write on occasion, I want to say thanks. It may not seem like much, but all that continues to make a big difference in my life, and all for the better.

And always remember Flonne’s words: friendship power beats anything. Even shark dragon monsters.

So what’s next for the site? I haven’t made an update post in a while, but nothing much is changing here. I plan to continue writing reviews, commentaries, opinion pieces, the usual stuff. I will probably be putting more of an emphasis on anime and visual novels for the rest of the year, since those are more of what I’ve been taking in lately, but I won’t be abandoning traditional video and PC games.

In fact, I was planning to make another “here’s my backlog” post, but it seems like every time I make such a post I curse myself never to actually finish the games I list. If you’re really curious, following me on Twitter is a good way of finding out some of what I might be playing and watching, because I’ll post about it sometimes (without spoilers, of course, so don’t worry — I’m not that kind of jerk.)

In the meantime, best of luck and health to everyone, and I’ll write again very soon.

Listening/reading log #10 (July 2020)

Last month was one of my most prolific ever. Between the Atelier and Monogatari stuff and my Sim series retrospective, I managed to say more than I thought I had to say, which might be a sign that I need to edit. But I’m too lazy to edit. I’m a bit tired now, but don’t worry: I still have several anime and game review drafts sitting around and even more to come after that, so there’s no end in sight.

For now, let’s do the usual end-of-month thing and check out some good music and writing from fellow bloggers. I didn’t get much of a chance to hear any new music in July that wasn’t part of a soundtrack, so this time I’m pulling two old classics out, both by groups that I covered a long while back:

Maggot Brain (Funkadelic, 1971)

Highlights: Maggot Brain, Hit It and Quit It, You and Your Folks, Me and My Folks

I guess I haven’t actually talked about Funkadelic before but rather Parliament, but they’re sort of the same thing. They were musical groups with a lot of overlap in membership, both led by musician/composer/producer George Clinton, and are often referred to together as P-Funk. There were differences, though: while Parliament’s releases tended towards dance-oriented stuff, Funkadelic was more of a psychedelic rock/funk group as their name suggests.

Maggot Brain is also one of their best albums. It has a lot of great energy and emotion, even in cases where it’s hard to tell if the music’s about anything — see the excellent title track for some of that, with guitarist Eddie Hazel playing his heart out. I really like some of the shorter songs as well. The only song I don’t like is the closer Wars of Armageddon, which I would describe charitably as “a fucking mess” but then it sounds like that was the intention anyway. The rest of Maggot Brain is good enough to still made it a personal favorite.

And no, I don’t know why that lady is buried up to her neck in dirt on the cover. She doesn’t look like she’s having a great time, though.

Emerson Lake & Palmer (Emerson Lake & Palmer, 1970)

Highlights: Take a Pebble, Knife-Edge, Lucky Man

At first glance, ELP and Funkadelic might not look like they have much to do with each other. But both of the albums I’m looking at today have a lot of energy and a nice degree of weirdness to them, even if stylistically they’re very different. This is the debut album of the prog group Emerson Lake & Palmer, three guys who were already well-established when they joined together in 1970. So despite being a debut album, it sounds very confident right out of the gate.

My favorite here is “Take a Pebble”, which doesn’t feel its length at all. It’s relaxing and mellow in parts but also builds a lot of tension near the end with Keith Emerson’s great piano-playing and Greg Lake’s dramatic vocals. ELP swiped the tune to the classical-rock piece “Knife-Edge” from Czech composer Leoš Janáček without crediting him until they were called out for it, but it’s still a great song. And “Lucky Man” was supposedly a song Lake wrote when he was a kid, a nice simple guitar ballad about a guy who isn’t really so lucky.

I don’t know if I prefer this over ELP’s followup Tarkus, so I’ll just say they’re both classics. Maybe I’ll also take on their later album Brain Salad Surgery one day, though my feelings about it are more complicated. I do love its insane-looking cover. If you’re a fan of H. R. Giger, look it up.

Now for some great posts from the past month:

The Persona 3 Retrospective Part 5 – Plot and Themes (Lost to the Aether) — I’m not putting the whole long title of this article here (those are “Mass Destruction” lyrics, right?) but you can and should check it out for yourself above, in which Aether continues his multipart analysis of the excellent JRPG Persona 3. There’s a lot here I never considered even after playing the game through a few times in different forms, with Aether going into depth about its connections to the Tarot and the Fool’s Journey.

The Great JRPG Character Face-Off! (Shoot the Rookie) — If you’re looking for a blogging community event that’s also an excuse to talk about your favorite JRPG characters, check out Pix1001’s post above detailing the rules. I’ll probably be taking part myself — it seems like a waste not to since I’ve been playing JRPGs for over 20 years now. Can’t waste all that valuable experience.

A perhaps biased opinion on Disgaea (Nep’s Gaming Paradise) — Neppy played through the first Disgaea game and gives his thoughts on it. He says his view is biased, but it’s not any more biased than mine — I love Disgaea 1, but this post brings up some weaknesses in the game that are worth talking about. We may not agree in our analyses of the game, but Neppy’s take on it is very interesting and worth reading.

Steam’s Inconsistency is Hurting Visual Novels – How We Can Help (MoeGamer) — Valve has been up to their old tricks with the visual novels on their game platform, removing an all-ages version of the VN Bokuten from Steam without warning. Pete Davison addresses the matter and raises the option of buying digital copies of VNs from alternative platforms and stores to try to break Valve’s virtual monopoly.

Anime Review #40: Little Witch Academia (The Traditional Catholic Weeb) — Here’s a Trigger series that passed me by completely. I was planning to watch their newest show BNA, but I’m now also interested in Little Witch Academia thanks to the Traditional Catholic Weeb’s very positive and thorough review of it.

Senko-san and Japan’s corporate culture (Reasons to anime) — From what I understand, some companies in Japan work their employees so hard, often without overtime compensation, that the Japanese language had to invent a new word. The word is 過労死karoushi, meaning death from overwork — not a figure of speech, but rather literal death caused by work-related stress. Casper examines the anime series The Helpful Fox Senko-san and how effectively it addresses corporate culture and workers’ quality of life.

The Toxic Side of Fanbases (Lex’s Blog) — Being part of both the Persona and SMT fanbases, I can say for sure that we have some crazy in there, with more than our share of infighting and weird feuds that probably look like total nonsense from the outsider’s perspective. Lexine raises some of the issues with fanbases, particularly with the minority of people in most every fanbase who are hostile to newcomers.

What I Learned from Watching the Ghost Stories Dub (I drink and watch anime) — The English-language release of the series Ghost Stories is legendary among a set of western anime fans because of its intentionally bizarre dub. The original work was pretty mediocre, but the dub turns it into an ultra-offensive comedy of the kind that probably wouldn’t fly today. Irina analyzes the ways in which this dub completely changed the feel of the series into something uniquely western.

I finally played “Da Capo” (Baud Attitude) — And from Baud Attitude, a look at the romance visual novel Da Capo and a comparison with its anime adaptation. Anime versions of VNs really do always go with the most boring, safest routes, don’t they? I bet if a Tsukihime anime were made, it would do exactly the same thing. Good thing that hasn’t happened.

And here’s to yet another month. Good luck and health to everyone, and please look forward to more of my nonsense posts to come. I might even review a banned-from-Steam VN or two if I can get them.

Listening/reading log #9 (June 2020)

If you feel like we’re living in a TV drama about an alternate history timeline, I do too. In which case I’d ask why I’m stuck playing the role I am, but that’s probably my fault for making poor life decisions. At least no matter what happens, short of the world actually ending in an apocalypse, we’ll be able to listen to music and read blogs, and that’s what I’ll be covering in this post as usual.

Ege Bamyasi (Can, 1972)

Highlights: Sing Swan Song, Vitamin C, Spoon

Maybe Can is a weird name for a band, and maybe a can of okra makes for a weird album cover, but this is absolutely one of my favorite albums ever. Can was a German band with an amazing rhythm section and a Japanese singer who sang bizarre nonsense lyrics. The effect is really striking on their best albums like Ege Bamyasi. I could have put most of the songs up in the highlights list really; they’re that good, though it’s a bit hard for me to explain why aside from saying… they’re good. I’m a pretty useless reviewer as it turns out.

This is another album that doesn’t feel like it means anything at all (though I could be wrong, maybe it’s really just about okra?) but that doesn’t matter when it’s so memorable and hypnotic. Very good music for studying because of those beats, though Damo Suzuki’s yelling can maybe be distracting sometimes. Tago Mago and Future Days are also great albums by Can to check out.

Touhou Explosive Jazz 7 (Tokyo Active NEETs, 2014)

Highlights: 六十年目の東方裁判, フラワリングナイト 〜紅霧夜華2014

I’ve already written about Tokyo Active NEETs once before, specifically a review of album #6 in this series, but they’re still one of my favorite doujin music groups out there. Active NEETs are a jazz ensemble that plays a lot of music derived from the Touhou Project series of shmups, already known for its excellent BGM.

And they totally do it justice. Just like 6, Touhou Explosive Jazz 7 is energetic, catchy, and full of great takes on songs this time from the game Touhou 9: Phantasmagoria of Flower View. Active NEETs also put up a lot of great videos on Youtube — be sure to check out the links above, the first of which is a live studio recording of one of the pieces from the album, and the second of which is an MMD animation of characters from the game in a band playing the various parts. Makes a little more sense if you’re familiar with the series (for example, the guy dancing around with a sack over his head, and two sort of friend/rival characters Reimu and Marisa cutting each other off during their performance in the animation) but they can still be enjoyed without knowing anything about Touhou, just like the music itself.

Close to the Edge (Yes, 1972)

Hightlights: Close to the Edge, And You And I

And finally, another repeat artist because I guess I’m getting lazy. Close to the Edge was one of those mind-blowing albums for me when I was young, though I discovered it thirty years after it came out, so I can only imagine the effect it had back then. Yes’ music sometimes gets accused of being weird and emotionally detached, and I think this album is part of why some people feel that way — some of it is very strange stuff, and the lyrics on it are seemingly 100% meaningless even though they do feel like they’re supposed to be about something. It also only features three songs, and the first one lasts 18 minutes.

But it’s also almost all just as catchy as good pop music, and with the added bonus of being played by astoundingly great musicians. If something is boring the shit out of me, I’ll stop trying to listen to it, but Close to the Edge holds a lot of energy and excitement. “Close to the Edge” is still one of my favorite songs ever, and the other two have some fine moments as well, though I do think the quality drops off in the closer. Even so, it’s still a great album. I also want to highlight this 8-bit version of the title track made by a guy on Youtube with the name EvangelionUnit06, because it’s also fantastic.

And now, the featured posts:

Let’s Get It On: Why Sex Scenes In Video Games Is One Experience I Can Live Without (simpleek) — Right out of the gate featuring a post about sex of course. Simpleek sets out an argument for why game developers might hold off on putting sex scenes into video games at least until the technology improves.

The Evolution of My Views on the CGDCT Genre & The Dangers of Positivism (I drink and watch anime) — Overly enthusiastic fans can sometimes raise expectations for their favorite works a whole lot, maybe too much. In this post, Irina explores how this has affected her experience with the “cute girls doing cute things” anime genre.

Visual Novel Theatre: Go! Go! Nippon! ~My First Trip to Japan (Lost to the Aether) — Aether continues his look into visual novels with a review of a VN about a dopey weeb visiting Japan for the first time, where he’s unexpectedly hosted by two cute sisters, and it sounds like embarrassing situations also occur as a result. Who would have guessed such a thing would happen in a visual novel?

System Mastery is my Jam (Frostilyte Writes) — A game with mechanics that are harder to master can lead to a more fulfilling experience. Frostilyte explores this idea by contrasting indie games Dicey Dungeons and One Step from Eden.

12 Random Japan School Life Tidbits (Umai Yomu Anime Blog) — Yomu, who’s currently teaching at a school in Japan, gives some real examples of Japanese school life and how it’s both similar to and different from what we’ve seen in anime and games.

MOTHER Gallery at Shibuya PARCO (Resurface to Reality) — Those who are into the Mother series should read browsercrasher’s post about a Mother-related gallery exhibit in Japan. When things open up again, we should push for video game-related public exhibits here in the States.

Mega Man 5 (Extra Life) — I never got around to playing Mega Man 5, but Red Metal’s review of the game got me interested in it. It’s always amazed me how they were able to take the series all the way to six entries on the NES anyway.

The Vita’s Not Dead Yet! Three Reasons Why You Should Still Own A PS Vita In 2020! (Down the Otaku Rabbit Hole!) — From loplopbunny, a post about why the Vita is still a system worth owning even after the recent Persona 4 Golden release on Steam. I got a lot of use out of my Vita, so I don’t agree with the many people I’ve heard say it “didn’t have any games.” For a complete argument, check out loplopbunny’s post.

Ghost in the Shell SAC_2045 – Part 1: Welp…. (Mechanical Anime Reviews) — It was rough to see the SAC_2045 series on Netflix. I really like the character designer (I’ve even written about one of his artbooks here, really a great artist) and the original Stand Alone Complex was excellent. But read Scott’s review to find out where and how this new series went.

That’s it for June. I have a lot lined up this month, including more of those short “summer cleaning” reviews, an extra-long game review, and another massive commentary/analysis/series of complaints, so I hope you look forward to those. Until then.

Listening/reading log #8 (May 2020)

I don’t have anything funny to open with this time (assuming I ever did anyway.) You don’t need me to tell you; if you live in the US just open a window and you’ll hear it. Between the righteous fury of the people, the imminent threat of military forces occupying the streets, and the coronavirus that hasn’t gone away, we’re living a fucking apocalypse over here.

All the more reason for you to put on relaxing music to get away from a while, even if only for an hour. So let’s do that: in contrast to the instability, lack of leadership from the top, and total political incompetence going on right now in my country, I’m focusing this month on music to wind down to.

Getz/Gilberto (Stan Getz & João Gilberto, 1964)

Highlights: The Girl from Ipanema, Doralice, O Grande Amor

In my very first listening/reading log post back in October, the first album I highlighted was Antonio Carlos Jobim’s Wave. If you liked that, you’ll probably like Getz/Gilberto as well, because it’s a similar style of nice relaxing bossa nova and it also features Jobim as you can read on the cover. The main players here are naturally the guys the album’s named after, however: American saxophonist Stan Getz and Brazilian guitarist João Gilberto. These guys were already both quite famous when this album came out, and for good reason, because they’re good at what they do.

“The Girl from Ipanema” is one of those songs you’ve definitely heard even if you don’t recognize the name — it’s been covered probably hundreds of times by now. It also features Gilberto’s wife Astrud on vocals, alternating his own lines in Portuguese with hers in English. There are plenty of nice lesser-known tracks on Getz/Gilberto as well, especially the short, catchy “Doralice” and somber-sounding “O Grande Amor”. This is the kind of music that sets a certain mood, and it’s very good at doing that. As with Wave, put it on when you get a drink and sit out in the warm summer night (well, maybe not right at the moment depending on your location, but you know what I mean.)

Dummy (Portishead, 1994)

Highlights: Sour Times, It Could Be Sweet

I don’t know about listing Dummy as being in the “relaxing” category. It’s very chilled out but also very downbeat — like Getz/Gilberto it does well at setting a tone, but this time the tone is depression. Singer Beth Gibbons sounds like she’s really emotionally beaten down in some of these songs with her subdued tone — I don’t know if she actually was, but it sounds real enough if it’s an act.

But Portishead is the kind of music that I sometimes put on to relax, which may say more about me than about the music. Really, this is music to listen to after you have a bad break-up and you’re sitting in an old-fashioned cafe at 1 in the morning drinking coffee and wondering why the hell you stuck with it for so long, what were you thinking all that time letting her just do that to you.

Sorry, this got a little personal. Maybe I just found this album at a weird time in my life and now I associate it with that. Anyway, forget about my personal issues and look up Dummy, it’s good.

Neon Impasse (City Girl, 2018)

Highlights: Ji-eun’s Sunset, Neon Impasse

If you liked that lo-fi hip hop girl YouTube channel I linked a few weeks ago, you should also check out City Girl. All her (his? their? I guess I can’t just assume from the name but whatever) albums seem to be listed on YouTube as well. I’ve recently been listening to some of it while working, and it puts me in a very nice place while I’m digging through stacks of horribly tedious documents. It’s chilled out electronic with jazz and that lo-fi stuff mixed in. A couple of tracks don’t quite do it for me, but I think the above-linked ones give a good impression of how most of the album sounds.

And now, featured posts made by my fellow writers. Ten of them, which is a lot, but chances are you have the time to read all of them now:

Blogging in Quarantine Times — Irina addresses the ways in which the global quarantine has been affecting her experience writing online. I can relate to a lot of what she brings up in this post, and I’m sure many other blog writers and hobbyists like us can as well.

On Making “Good” Content — Why do we write blogs about the media we like? Lethargic Ramblings gives his own opinion on the value of simply writing what you feel like without worrying about whether it seems any good to other people. I firmly believe that if you write about your own interests with feeling, it will naturally attract at least a few readers who pick up on your passion, and I think Leth’s post illustrates that view very well.

Miru Tights: A Down-to-Earth Ecchi Devoid of Discomfort — I really appreciate people who take on the more erotic and/or pornographic sorts of works without any reservations, and so I liked Inskime’s review of Miru Tights, an ecchi anime with a focus on girls’ tights, socks, and legs in general. Inskime gives some excellent insight on why this is a series worth watching even for those who don’t share its very specific interest in girls’ legs and legwear. Not something I would have ever imagined, but Inskime is quite persuasive, so give it a read if you’re interested.

Evercade: The Case for Curated Retro Gaming — As the title suggests, Pete Davison in this post makes a case in favor of curated retro gaming by looking at the Evercade, a new cartridge-based handheld designed to run collections of old Atari games [edit: and NES, SNES, and Genesis/Megadrive games as of this writing — thanks to Pete for the correction.] It’s quite a convincing case as well, considering the questionable legality of ROMs and emulators and the sheer abundance of garbage games that clog up those massive catalogues, drowning out some of the real gems that may have been forgotten if they weren’t given new life by being put into these kinds of compilations.

『GRATEFUL IN ALL THINGS』art gallery by Osamu Sato & Deconstructing LSD — Browsercrasher recounts a visit to an exhibition of art by Osamu Sato, the chief mind behind the weird PS1 classic LSD Dream Simulator. It looks as bizarre and fascinating as you’d expect if you’ve played or seen footage of that game.

Artbook Review – FF DOT: The Pixel Art of Final Fantasy — In this post, Krystallina takes a look at FF DOT, a collection of Final Fantasy sprite art. We need more artbook reviews, so I’m always happy to see new ones. In fact, I have a few new ones I might write about myself now.

Visual Novel Theatre- Analog: A Hate Story — We also need more visual novel reviews. I’ll keep doing my part, but here’s Aether with an insightful review of Christine Love’s VN Analog: A Hate Story.

Super Mario Bros. (all versions) — Here’s a concept I like: a side-by-side review of three versions of one game, in this case the classic Super Mario Bros. by Neppy. Maybe I’ll do one of these comparing the original Sonic the Hedgehog to its horribly botched port on the GBA. Well, never mind, I just gave away the ending. I’m still pissed off about Sonic Genesis though, even today.

New Super Mario Bros. 2 — Continuing the Mario review theme, be sure to check out Red Metal’s review of New Super Mario Bros. 2 and of many of the other games in the series.

Character Analysis: Misaki Nakahara — And finally, from the Overage Otaku, an in-depth analysis of Misaki Nakahara from the anime version of Welcome to the NHK! Misaki is not what she seems at first, and this post does a fine job at examining what makes her interesting.

That’s all for this month. Let’s hope some good things happen in June, though the odds don’t seem to be great for that. Until next time, my best wishes to all of you, no matter where you are on Earth. Or why stop there, even if you’re in space right now and somehow reading this.

YouTube channels to watch during the quarantine

Well, it sure as hell doesn’t feel like things are “opening up.” At least not where I live, despite what our leaders are insisting upon. Very likely you’re still stuck inside for much of the day at least, so why not check out some free entertainment on YouTube? The kind you can passively watch from your couch or bed, or from your computer chair when you’re procrastinating at work. Because yeah I’m a writer, and there are other far better writers to read here on WordPress, but sometimes you just don’t want to read anymore. I get that.

If you can bear to read a little more, though, then here are some channels I like broken down by style/subject matter:

1) Technology/computer stuff channels

Even though I write a blog that’s mostly about games and that could possibly fall into the tech category if you’re really stretching it, I barely know a damn thing about coding, programming, or any of that. I still find videos on the subject fascinating, though. LGR has made a lot of interesting videos about 90s computer technology and games. I’m also a fan of danooct1, who records the effects of viruses and worms on virtual machines. And if you were curious about what happens when you install one of those fake antivirus programs, check out rogueamp. It’s a dead channel, but there are plenty of videos in the backlog that are worth watching.

Also, it’s not a tech-exclusive channel, and he sure as hell doesn’t need my help, but I like Ashens. One of the funniest channels on the platform, especially when he reviews weird old obscure electronics and game systems.

2) Documentary channels

In some ways I grew up at the same time as the internet did. Anyone who’s around their late 20s to 30s probably feels the same way. And for that reason, we know all the drama and insanity featured online is nothing new. Internet Historian runs a channel dedicated to various bizarre stories that either directly involve “internet culture” or intersect with it. Some of the guys who cover this area also get weirdly political, but Internet Historian doesn’t as far as I can tell, so no worries there if you don’t want to get mixed up in all that shit, and I don’t blame you if you don’t.

I’m also required to bring up Fredrik Knudsen and his excellent Down the Rabbit Hole documentary series. It covers some similar ground as the above, but also gets into more general unusual history like the Austrian wine-poisoning incidents of the 80s and the Mouse Utopia Experiments. Fascinating stuff, and Knudsen presents it in a professional but still entertaining way.

And if you’re looking for someone who can make quarterly reports and profit and loss statements entertaining, check out Company Man’s case studies on corporate rises and declines. I would not have guessed a video about disposable cup companies could be that interesting.

3) Space/astronomy channels

Ever since I was a kid, I wanted to travel into deep space. However, until a full-scale recreation of the universe is made in VR, my travels are restricted to space sim programs like Universe Sandbox and to astronomy YouTube videos channels like SEA and SpaceRip. These feature nice-looking animations of planets, stars, galaxies, and the like with narrative voice-overs, covering subjects such as newly discovered exoplanets, the life cycles of different kinds of stars, and the possible ultimate fates of the universe (that last subject is good if you’re feeling some existential dread and need to put your place in the universe into perspective. Though it might just make your dread worse too. Be careful.)

I like the feeling of knowing I don’t matter on the grand scale anyway. That’s not why I made this my background on Twitter, though. I just like this photo.

If you’d rather relax with a livestream of the International Space Station orbiting Earth, here’s a link to that. I like to play this on my TV sometimes so I feel like I’m part of mission control or something. Yeah, I could never fully get rid of those childhood dreams, even if they just involve me sitting on Earth and watching other people in space.

If you want a livestream of a recording of a lunar orbit, see here. This one isn’t actually live because the Japanese orbiter SELENE (better known as Kaguya, for reasons you’ll get if you know who Princess Kaguya was and how crazy she drove a bunch of guys in folklore) was driven into the Moon’s surface in a planned impact after its mission was done.

If you want to see what it would be like if the ISS were replaced by the Moon, see this video. If giant looming astronomical bodies freak you out, you might not like it.

And finally, if you want to see what it would be like if the ISS were replaced by a Moon-sized disco ball, watch this video collaboration between Yeti Dynamics, the guy linked above, and that Michael guy from the old popular Vsauce channel. It’s also terrifying.

4) Megami Tensei channels

Did you really think I could go more than a few posts without bringing up Megami Tensei? Of course not. There are a few channels that produce a lot of SMT/Persona/other spinoff content. Fither isn’t exclusively about Megaten, but a lot of his stuff has to do with the series, and he has some good analysis videos. I’d also recommend Nyarly for more exclusively Megaten content, including challenge runs of Persona and SMT games that are way too god damn hard for me to even think about trying (like beating Nocturne on hard mode without buffs or debuffs. Pure insanity.) Strain42 is another good Megaten-based channel that covers some of the more obscure games in the canon. Unlike the channels in sections 1 – 3, these ones don’t have nearly enough subscribers. Maybe because they’re so fandom-centric? But that’s what I like about them.

5) Lo-fi hip hop beats to relax/study to

You might have already seen all the jokes or memes or whatever about the girl in the looping gif above studying forever while listening to lo-fi hip hop beats. But this is really a nice stream that you can relax/study to. I recommend it. If the link to this stream happens to be dead when you come across it, just put “lofi hip hop radio” into YouTube’s search bar and you’ll find it, or check the profile of user Chilledcow — he’s doing God’s work.

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These aren’t the only YouTube channels I follow, but if I got into the rest we’d be here for a while. What are your favorite channels to watch during your downtime? Or do you have more productive things to do?