Listening/reading log #29 (March 2022)

Usual apologies for the extremely late post. Otherwise, as far as the news goes, the world is even more fucked than ever. With impending doom coming ever closer, let’s relax once again with good music and good writing.

Pig Views (Regal Worm, 2018)

Highlights: Rose, Rubus, Smilax, Vulkan; Revealed as a True Future Tyrant; Rose Parkington, They Would Not Let You Leave (all found here)

All this time I’ve been listening to progressive rock from the 1970s, and mostly the early 70s back during the peak of that genre. But there’s some damn good prog around these days too, and not simply made by guys who sound like pale imitations of ELP and Yes and the like (who I love, but I don’t need modern copies of.) I came across the band/project Regal Worm more or less by chance after getting a recommendation and then following a rabbit hole down Bandcamp. All the music on Pig Views is written and recorded by one guy from Sheffield, England named Jarrod Gosling who apparently plays every instrument known to man, accompanied by a host of guest singers and musicians.

That’s impressive in itself, but Mr. Gosling has written some fine songs as well, though the best ones are shoved onto the front of the album. I have no idea what the fuck the above three songs I linked are supposed to be about with their obscure lyrics in typical overblown prog fashion. But they’re catchy and have great atmosphere, so their meanings if they even have any don’t make a difference to me (though I’m admittedly a big fan of 70s Yes, and you can’t beat them if you’re looking for convoluted lyrics.) I’d much rather listen to music with no meaning or obscure meaning that I enjoy than music with a clear meaning that I don’t, but I suspect that’s true of anyone who likes prog at all. Regal Worm/Gosling seems to have a sense of humor as well, and I get the feeling that some of this music is meant to be playing on the more self-important aspects of the genre — see “Pre-Columbian Worry Song”, about concerns of falling into the ocean and off the edge of the world.

My only problem with Pig Views is that a couple of the songs drag on too long, and sometimes without much purpose — I’m thinking mainly of the epic-sounding “The Dreaded Lurg” which I feel doesn’t really justify its length. But there’s nothing bad on this album, even if the second half of it falls off a bit. If you’re looking for some weirdo modern prog in the vein of Gentle Giant or Van der Graaf Generator (and I’ve read comparisons to 70s Canterbury rock guys like Henry Cow too, who I haven’t really listened to (yet)) I’d highly recommend Regal Worm, and I may look into more of their/his work and more good modern prog in general.

Ambient 1: Music for Airports (Brian Eno, 1978)

Highlights: 1/1

More weird shit! But this one is a classic, sort of. At least it’s a classic in the ambient genre, and I’ve looked at ambient a bit in these posts, usually on the darker side, so why not go to the source? Music for Airports was created by legendary musician/composer/producer Brian Eno for exactly the purpose you’d think from the title: this album contains music made to be played at airports. It’s been years since I’ve been on an airplane or in an airport, so I had to imagine what it was like back when I had to haul ass through those long concourses. It might sound weird since air travel is so often seen as a hassle, but I actually miss that typical airport atmosphere, especially when it’s not crowded.

So I’m fine with the concept of “music for airports”, but even though Mr. Eno was a key figure in the development of the ambient genre and this is considered a great ambient album by a lot of people, I’m not in love with it myself. The big problem I have with the album Music for Airports is most of it doesn’t feel right for an airport. The only piece that seems to fit very well out of its four tracks is the opening “1/1” with its pleasant repeating piano loop — that one really makes me feel like I’m walking through one of those extremely long hallways with the massive windows looking out to the planes taking off and pulling in. But the following “2/1” features a vocal tone that makes me think of a synthesized chorus of angels, which is not a mental connection I want to be making at an airport, and especially not before boarding an airplane. “1/2” contains the same vocal synth tone but has more going on, though it still doesn’t relax me. The closing piece “2/2” is all right, but “1/1” is the only standout here in my opinion.

Still, again, Music for Airports is considered a classic in the ambient genre, so check it out yourself — maybe you’ll like it more than I did if you’re more inclined towards ambient. It’s also historically important, so if you’re deep into 70s and 80s musical movements beyond the most obvious pop/punk/disco/etc stuff this is an album you have to hear in any case. Eno made a whole series of these albums as that Ambient 1 title suggests, though the later volumes of Ambient seem a little vaguer in their purposes (like his following album Ambient 2: The Plateaux of Mirror, which I don’t even know the meaning of. The Plateaux of Mirror just sounds like a James Bond movie to me.)

That’s all for the music. Yeah, both albums were bizarre progressive/experimental stuff this time, but if you want some more potentially satisfying music, check out my last post in which I went on at length about my favorite Touhou tracks. Now for the featured posts from around the communities:

While My First Impressions Were Tepid, I’m Warming Up to Night in the Woods (Adventure Rules) — I started Night in the Woods a few years back and only got an hour or two in before being annoyed out of the entire experience by the protagonist and her college freshman-ness, for lack of a better term. But I think I wasn’t being fair. For one, I was kind of like that when I was that age, so she might have just been reminding me of myself too much, but it looks like her attitude and the hometown she’s returned to are all tied into a pretty interesting story. Read Robert’s post for more insight on all that. I might have to give this one another shot one day.

Anime Review #77: Chuunibyou – Take On Me! (The Traditional Catholic Weeb) — Traditional Catholic Weeb brings his usual depth of analysis to the film Take On Me!, which is not about the 80s synth-pop group A-ha as you might think but rather a followup to the first two seasons of the anime Love, Chunnibyou & Other Delusions. I liked the first season back when I watched it last year, but not quite enough to watch the rest, so I can’t make any comment on this movie myself. But be sure to check out the above review if you’re interested (and I agree that Nibutani is the best girl in the series — her fighting with Dekomori was also a highlight of that first season.)

Winter Anime 2022 That Froze Over For Me (LitaKino Anime Corner) — With so many anime series airing every season, some of them just aren’t going to stick with you. Lita here gets into some of the less impressive anime of the past season and why they didn’t work for her so well.

Slow Loop Finale Impressions, Whole-Series Review and Recommendation (The Infinite Zenith) — After my extremely positive experience with Yuru Camp (and more on that soon once I finish the second season — I’ll also be checking out the film once it’s out/available!) I’ve been thinking I shouldn’t be so closed to the slice of life genre. I don’t know whether Slow Loop would necessarily be my thing (I was bored by the first episode of the extremely acclaimed slice of life Non Non Biyori if that tells you anything) but as with many of these series, there seems to be more to it than just “several girls hang out and do things together/shoot the breeze/etc.” Though a show just about that could be all right as long as it’s done well. I liked all the endless conversations in Monogatari after all, so I can’t just count a show all about banter out either.

Anime Corner: The Great Jahy Will Not Be Defeated! Review (Never Argue With a Fish) — From Chris Joynson, a review of The Great Jahy Will Not Be Defeated!, a comedy that I thought was a bit overlooked last season and the season before (or was it before that even? Time is moving too quickly.) His take on the series is pretty different from mine, but it’s always interesting to see different angles on anime and other sorts of works.

Willy Wonka & the Chocolate Factory: Sweets & Psychedelia (Professional Moron) — Mr. Wapojif sets out his thoughts on the classic children’s film Willy Wonka and the Chocolate Factory. I say children’s film, but though I haven’t seen the whole thing in a while I suspect it would still completely hold up today, maybe even better than it used to for me, thanks in part to Gene Wilder’s excellent performance as the title character. It’s a good thing no one ever made an updated film version that didn’t live up to the first or the original novel at all, isn’t it?

Day Sixteen: Don’t Look Up (March of the Movies 2022) (The Visualist’s Veranda) — Kapodaco spent the month watching and writing about films, but unfortunately one of them was Don’t Look Up, a film that seems to have pissed a whole lot of people off with its general approach. I agree with Adam McKay’s message and agenda and all that, being someone who doesn’t want to see all of human civilization burn itself to fucking ashes. But I don’t get the impression that this sort of movie is going to help the situation.

There’s More to Dress-Up Darling Than Marin (Side of Fiction) — A look at last season’s big romantic comedy hit My Dress-Up Darling, focusing on the perhaps less noticed part of the central pair in that series, the male lead Gojo. He’s an interesting guy for sure (I say only four episodes in now, but I’ll probably be writing about him and the series in general at some point too.)

The 94th Academy Awards’ “Best Picture” Nominees Ranked from Worst to Best (Extra Life) — I really, really don’t give a fuck about the Oscars — the most I’ve cared about it ever was when Will Smith famously slapped Chris Rock in a move that made the ceremony relevant again for a lot of people, at least for a while. But Red Metal’s film analyses are always worth reading. There are at least a few on this list I should make an effort to see.

Look at these Preposterously Long Videogame Titles! (Arcadia Pod) — Some game titles are stupidly long for no reason at all, and Stephen K. gives us some of his favorite examples here. I thought that Summertime High School one was a joke, but knowing how lengthy some light novel titles can get I can believe it. My own favorite is still Shin Megami Tensei: Devil Summoner: Raidou Kuzunoha vs The Soulless Army for its double colon title (though of course that “Shin Megami Tensei” was only shoved into the NA and I think EU titles for us westerners who didn’t know what Devil Summoner was, but they only ended up confusing us more — that’s just the way with these poorly localized titles.)

Two Years in Japan Review (Umai Yomu Anime Blog) — Yomu expresses his feelings about leaving Japan after two years spent there teaching. It sounds like it was a moving experience, and certainly one worth reading about.

Politics, as Usual, and My HOT Take on Rushia (The Unlit Cigarette) — This is yet another big case of VTuber drama, but one that says a lot about the whole performer-fan dynamic (that I got into purely by chance in my Needy Streamer Overload review about a week before this story came out.) The short version is that a popular Japanese VTuber named Uruha Rushia was exposed for potentially having a boyfriend, maybe, possibly, during a stream in which she received a message from a fellow online performer — a male one. Truly a horrible thing, isn’t it? If you’re wondering what the big deal about that is, you’re certainly not alone, but despite a lot of support from her fans, Rushia ended up terminated from the agency Hololive after its company Cover claimed she’d broken her contract by exposing certain information she was legally bound to keep quiet about.

It sounds like Cover is probably on solid ground with that claim, at least judging by the reaction from Rushia’s now-former colleagues (though Rushia’s role in that is up for debate too considering a possible betrayal of confidence made against her that led to the breach this post also gets into.) But this mess also raises a lot of questions about where the boundary lies between a VTuber’s online persona and their private self. The Unlit Cigarette featured a look at the Rushia situation last month that’s well worth a read, even if you don’t have a general interest in VTubers. There are plenty of weird social implications to get into here, after all, and those are relevant to a lot more people than just us weebs.

That’s all for last month. Almost nothing about games this time. Usually I try to keep a balance going there, but sometimes it just doesn’t work. But I’ve got a couple of games I’m probably going to finish soon that I’ll certainly be writing about, not this month but maybe in May, along with some anime I’ve got lined up, and maybe even the start of another deep reads series depending on how things shake out. My sense of impending doom isn’t going anywhere in any case, no matter what I do, so I may as well do whatever I want within reasonable boundaries, right?

On that note, I’ve started writing fiction again and have two short stories done in extremely rough draft form. I think I’ll be sticking to this format, at least until I retire in one hundred years assuming I live that long. A novel is just out of the question with my schedule. But I’m finding the short story format to be a pretty interesting and rewarding one, even if everything I’m writing is still terrible fucking hackwork. It will probably never see the light of day unless a relative finds them all on a hard drive one day after I’m dead and bothers to try publishing them. But until then, they’re safe and hidden where they belong (for now, at least.) Until next time, anyway.

 

Listening/reading log #27 (January 2022)

Well, that wasn’t the start to the new year I wanted. But work piled on as usual. Fuck all this talk about “work/life balance” and de-stressing. As far as I’m concerned, that’s seven days off, living in a villa on Capri.

But that’s not happening this year at least, so time to keep toiling and doing our best to take our minds off the fact that God cursed us for all eternity when Adam and Eve ate that fruit off that stupid fucking tree. Thanks for that (and sorry for this blasphemy — another reason I’m mostly anonymous on this site.) In the meantime, here’s more great music and great writing from around the communities.

Yellow Magic Orchestra (Yellow Magic Orchestra, 1978)

Highlights: Firecracker, Simoon, Tong Poo

For the longest time I didn’t know anything about Yellow Magic Orchestra beyond their name (which I connected in my head with Electric Light Orchestra, though I don’t think they have that much in common otherwise) and the song Kimi ni Mune Kyun, which I first heard in its Yuu Kobayashi cover version as the ending theme to the anime Maria Holic. What a damn weeb, I know. (edit: also see this Hatsune Miku cover; YMO would probably approve.)

“Kimi ni Mune Kyun” is a catchy song, but I didn’t have quite the right impression of YMO from it — I thought they were New Wave synth-pop sorts of guys, which they apparently were on their later albums. But their debut sounds very different, taking a lot more inspiration from mid-70s electronic experimenters like Kraftwerk. It’s almost entirely instrumental aside from a few vocal samples and some very distorted singing on “Simoon”, which sounds a lot like an old 40s standard filtered through 70s synths. My other favorites on the album, “Firecracker” and “Tong Poo”, are just jazzy funky instrumentals with still more electronic sound over them.

Not what you’d normally think of as big hit material, but it seems this album did pretty well. Maybe not a surprise, though, since all the members of YMO were already well-established musicians/composers before starting this project. And according to the comments under “Tong Poo”, that song was apparently played on loop in an Okinawa fish processing factory? (There’s an unexpected link with my previous post as well, nice. I still want to go to Okinawa.)

Finally, if there’s a bridge from that original mid-70s electronic music to the video game BGM of the 80s and on, it sounds to me like it starts here with YMO’s debut. There are even very short themes to computer games on the album titled as such (though I don’t know whether these were real games; maybe some actual music/game historian can clarify that.) The whole album feels very ahead of its time, maybe in part because of this connection — seems a lot of the big-time game composers were influenced by YMO and this earlier work of theirs in particular, and I can hear it. So if you’re into video game music in general, and if you read my site it’s fairly likely you are, you should really check YMO out.

Remain in Light (Talking Heads, 1980)

Highlights: Born Under Punches (The Heat Goes On), Crosseyed and Painless, Once in a Lifetime

Okay, well I guess I’m not being too adventurous this month. Remain in Light is still another late 70s/early 80s New Wave album acknowledged by pretty much everyone as extremely important even if they’re not into the sound. And I am into the sound, so it’s one of my favorites and has been for a while.

I’ve already brought up Talking Heads once before in one of my early month-end posts when I looked at The Name of This Band is Talking Heads, one of the best live albums ever made as far as I’ve heard. But then it didn’t seem right to just skip over their studio work, since it’s also excellent and has a pretty different feel, thanks in part to the work of legendary producer/musician Brian Eno and to the several great guest musicians who played on the album including the future soon-to-be-reformed King Crimson guitarist Adrian Belew (and you can hear him on Discipline, which I’ve also covered before.)

But the greatest credit goes to the four members of the band proper. Most visible and famous of these four is singer/guitarist David Byrne, the extremely nerdy-looking guy in that “Once in a Lifetime” video linked above. Byrne was and probably still is a strange guy (see his film True Stories for more insight into that weirdness, which also had a Talking Heads album attached as a sort of soundtrack — it’s not bad!) I’m not totally sure what the fuck he’s singing about on any of these songs, but Remain in Light has a paranoid atmosphere that wasn’t unusual for the band, even starting with their early work back when they were playing alongside a bunch of punk guys in NYC in the mid-70s.

I don’t have any particular comments to make about the songs themselves other than that. It’s all good. You’ve probably heard some of it before if you grew up in the US during the 90s or 00s like I did (even though Talking Heads’ more “normal” sounding mid-80s music gets way more play, “Burning Down the House” and the like.) But this album really is as great as they all say, and you should hear it too.

Now for the featured posts:

The Aquatope on White Sand: Whole-Series Review and Recommendation After The Finale (The Infinite Zenith) — Starting with an article written in December, but that I couldn’t appreciate until January when I’d finished the anime. Read Zenith’s series review and other in-depth posts for more insight into The Aquatope on White Sand, a unique anime series that I liked a lot but that a lot of other people seem to have had some problems with. What’s new with anime, anyway — one of the fun (?) aspects of this medium is how nobody can fucking agree on anything about it.

Subs or Dubs: A Futile Argument And Yet We’ll Just Keep Having It (100 Word Anime) — Speaking of aggravating arguments, here’s one of the longest-running in the western anime world. Do you only watch dubs? Then you’re a filthy pleb! Only watch subs? You’re a snobby elitist! No, you can’t just watch anime the way you prefer and acknowledge that it’s nice we have both sub and dub options more often than we used to, with higher-quality English dubs than before. You have to fight about it. But thankfully Karandi has some great points to make about this tired debate.

Anime Review #73: New Game! (The Traditional Catholic Weeb) — From Traditional Catholic Weeb, a review of New Game!, another anime that’s on that long watchlist I have. And that’s just my Crunchyroll watchlist mind you. This post got me interested in the series again, so it’s one of those I might actually get around to this year — I’m a fan of these professional job-setting anime series.

Newer Anime I Enjoyed in 2021 (Mechanical Anime Reviews) — A good list to reference for newer anime to check out from Scott of Mechanical Anime Reviews. I’m shifting to my older backlog for a while myself, but if you’re more interested in recent anime, be sure to read this!

Donkey Kong 64 (Extra Life) — Red Metal takes on the classic Donkey Kong 64. I have some vague memories of playing this, though I never got into Donkey Kong the way I did other old platforming series like Mario and Sonic. But that makes it more interesting to read about than a game I already know inside and out, anyway. DK64 seems to be a divisive one for good reason.

Extensive Analysis of Bakemonogatari: What makes it so unique? – Hitagi Crab 1 (Convoluted Situation) — In addition to all the old and new anime series I need to get around to, I also need to continue Monogatari, a task I’ve been planning for months now. And again, speaking of divisive — I’ve seen Monogatari described by some as one of the greatest and most beautiful anime series ever made and by some others as a disgusting, self-indulgent mess. If you’ve read my reviews of each “first season” series up through Nekomonogatari Black, you know which side of that divide I fall on. It’s a nuanced series, in any case (as I got into myself with my look at Nisemonogatari a bit — protagonist Koyomi Araragi is clearly not meant to be a role model in every way, but I think a lot of people see the character in a different light than I do.)

This long and unnecessary preface is my way of directing you to Edy’s in-depth analysis of the first episode of Bakemonogatari. Check it out and see what makes this series so special. (And yeah this is another cheat on my part: this post was put up in November, but I just saw it now so I see this as a correction. I’ll try not to make a habit of it.)

Trails of Cold Steel: Great from Start to Finish (The Gamer with Glasses) — I never got into the Trails series myself, but it seems to have just as fervent fans as other JRPG series I know better like Megami Tensei. Gamer with Glasses here gives us some thoughts on the first Trails of Cold Steel.

Best Games of 2021 (Frostilyte Writes) — Unlike me, Frostilyte actually played and wrote about some games that were released in 2021, so his look at the best of the past year is worth reading. It’s also a reminder that I still need to play Huniepop.

Shoot from the Hip – Belle (Shoot the Rookie) — A look at the new film Belle from famous anime director Mamoru Hosoda. Looks like it’s my sort of thing, and I’ve heard enough about Hosoda’s work to be interested in seeing some of it, so it’s still another film to check out if I can find it on a streaming service.

All ‘Encanto’ Songs: Ranked (Jon Spencer Reviews) — Something different for my site — I don’t usually look at western animation at all, and I don’t have any plans to watch Encanto, but I’ve heard it’s a good film with a good soundtrack. So if you like animated musicals in the old Disney tradition, be sure to read Jacob’s ranking of Encanto songs. I know nobody will shut up about this Bruno guy, so I assume that song is the new “Let It Go”.

A Collection of Anime OPs/EDs I Actually Like (Volume Three) (The Visualist’s Veranda) — More my style, here’s a look at some excellent anime OPs and EDs from Visualist’s Veranda. Some great songs here, and even if it were the only one on the list, any article that talks up “Real World” from Jinrui wa Suitai Shimashita deserves the unrivaled honor of a place in my month-end post.

My Blog Search Criteria are Bumming me Out (I drink and watch anime) — Finally, anyone who runs a blog will understand the feeling you get when you see your stats and wonder how the hell people are finding your work through those bizarre Google searches. Even with the very meager crumbs we get from the free stats WordPress provides, a few questionable results can slip through. Irina writes about this issue in her annual look back at her search results for 2021.

That’s it for this month. A little shorter than usual again, much too late, and again I didn’t have the kind of engagement here I’d like. But work continues to pile on top of me, and unless Mr. Biden decides to cancel my student loan debt (and I believe he won’t, and it’s debatable whether he even can — but the situation here will continue to be a horrible mess either way) I’ll have to toil harder to start repaying those again soon. But I’ll keep escaping through anime, games, and music as I always have, count on that — and I’ll keep writing here. I have a few anime series in particular I want to get to very soon, and a game that I’m nearly done with that should probably be up next for review. Until then!

Listening/reading log #26 (December 2021)

Sorry for the late post again; work has been drowning me, but every time this kind of rush happens it gets easier to deal with. Maybe this is part of being a “responsible adult” like I refused to be for most of my 20s.

Anyway, how about that omicron or whatever. It’s getting tiring, isn’t it? Everyone’s already talked about how 2021 was more or less a replay of 2020, and between the virus and the first anniversary of what might have been a massive political disaster in my country that people here are now constantly on edge about (and climate change and nukes of course) the mood still feels apocalyptic. I unintentionally saw the last five minutes of the Netflix production Don’t Look Up and decided I didn’t need to see the rest, partly because something about the general tone and feel of that ending got under my skin, but also because I don’t feel like watching a movie about the end of the world even if raising awareness of our problems was the whole point of it. That’s a worthy goal, sure, but my awareness was raised well enough already.

On to the usual business, sorry. Starting with the music, two classic 60s albums this time:

Odessey and Oracle (The Zombies, 1968)

Highlights: Care of Cell 44, A Rose for Emily, Time of the Season

Damn, that misspelling in the title really gets on my nerves. I want to call it Odyssey and Oracle, but that’s not its title, and you don’t get to just correct mistakes like that. To be fair to the Zombies, the spelling of the word is a bit weird, but couldn’t they have looked it up first? Nobody had a dictionary in the studio to spellcheck?

But once I get beyond my obsession over proper spelling, it’s okay, because Odessey is a fine album. The Zombies were a British group that spent the 60s making pop-rock music with a big emphasis on vocals and keyboards, both piano and organ. The big hit was “Time of the Season”, which is one of those very classic-sounding late 60s songs you’ve definitely heard on oldies radio if you’re old enough to even remember that being a thing. It creates that trippy atmosphere perfectly, and the song is broken up by some cool extended organ solos. I’m a big fan of it even if the lyrics are a bit weird (especially that famous “what’s your name / who’s your daddy / is he rich like me?” What are you up to, guys?)

But there are other notable songs on Odessey, like the extremely depressing “A Rose for Emily” that has a nice upbeat sound to go along with the lyrics about crushing loneliness. And the extra upbeat “Care of Cell 44”, so damn upbeat that I’ve heard the first several bars in commercials — though of course they always cut the song off before you realize it’s about a guy waiting for his lady to get out of prison. And while it’s not quite up there with the other I mentioned, I also like This Will Be Our Year. Will this be our year finally? Let’s hope.

Before I finish with Odessey, though, I should note that I’ve covered one of the band members before: Rod Argent, who would start his own band called Argent after the Zombies broke up the year this album came out. Apparently Odessey as a whole was a flop at the time, which I’m sure didn’t help. Too bad, though like quite a few other deserving works it was later rediscovered, which is something to be thankful for.

Let It Bleed (The Rolling Stones, 1969)

Highlights: All of it

Okay, so maybe I’m being lazy this post. But I’ve written 25 of these already, covering about 60 or 70 albums I think, and yet until now I haven’t brought up the Rolling Stones, who are way more than deserving of at least one mention.

It’s hard to say which of the Stones’ classic albums is my favorite. There are six or seven probably that could try for that spot, musically speaking at least (more on that below) but Let it Bleed is certainly one of the highest on my list. The Stones made a lot of excellent music throughout the 60s and 70s, and though they fell off pretty badly in the 80s, they’ve been somehow active all the way up until now. Quite literally; you can see them on tour this year, though I’m not sure how advisable that would be with COVID still going. I guess Mick Jagger and Keith Richards in particular have survived so much that they’re not too worried about a pesky virus at this point.

But going back 53 years to Let It Bleed — it’s a bit hard to even bring up highlights, because I like pretty much every song on the album a lot, starting with the opening gospel-inspired Gimme Shelter and ending with the choral-inspired You Can’t Always Get What You Want. There’s a lot of country music inspiration here as well carried over from the previous year’s Beggars Banquet — see Love in Vain and Country Honk, the latter of which is better known in its less country and more rock-sounding form as a single, Honky Tonk Women. And if you’re more about blues, see Midnight Rambler. Though the Stones were from London, they got these mostly American styles down very well, though it’s also worth going back to hear the sources of their inspiration.

Maybe the real reason I chose to feature Let It Bleed instead of a different Stones album is that it means I don’t have to talk about songs that are musically great, despite their extremely uncomfortable lyrical subject (like say “Under My Thumb” on Aftermath, or “Brown Sugar” on Sticky Fingers, or “Stray Cat Blues” on Beggars Banquet — these guys would have been immediately canceled today for any one of these songs and might have had the cops called on them for the last one.) But I leave that for people who make a living off of writing about music. I don’t, so I don’t have to address this material myself, which is nice. I can at least say that Let It Bleed is a must, especially for fans of 70s hard rock, because 60s Stones is where those guys got a lot of their own inspiration from.

I’ll be a little more current with the music next post probably. I just wish people wouldn’t dismiss the lot of it as “dad rock” as I’ve heard it called — the great stuff from the era holds up and shouldn’t be thrown out as dated (though there certainly is plenty of dated music from that classic late 60s/early 70s period as well.) Or maybe “dad rock” refers to later guys like Journey and Boston now. Or hell, maybe at this point it’s Radiohead and Nirvana. I don’t have much of a point of reference myself; my childhood music was the late 90s/early 00s technically but I’m not really a big fan of that period in popular music, or not when compared to the late 60s through the early 80s and the early 90s anyway.

Now on to the featured posts this month:

Mieruko-chan (Anteiku Anime Reviews) — Mieruko-chan is a series I’d planned to watch this season, except I don’t feel like paying for more than one anime streaming service, so I couldn’t. But I have it on my list, because it seems like an interesting one. Have you wondered what your life would be like if you were the only one who could see all sorts of terrifying spirits and monsters around you? Read Will’s review for more on this comedy/horror anime.

Tawawa on Monday 2: An Anime Short Review and Reflection (The Infinite Zenith) — An exceedingly in-depth review of the second season of anime short series Tawawa on Monday. Be sure to check out Zenith’s post on it, especially if you’re a fan of exceedingly well-endowed anime girls. Maybe I should pick it up myself…

The Best Stories in Wildermyth Are Told by You (Frostilyte Writes) — Wildermyth looks like one of the most interesting games released in 2021, at least if Frostilyte’s take on it here is any indication. I won’t try to describe the game here since Frostilyte has already done a great job of it on his blog, so please check out his own look at the game there. Wildermyth is another one to add to my increasingly long list.

Shin Megami Tensei V is a Great Return to the Series (The Gamer With Glasses) — I’ve read both positive and negative opinions of the much-anticipated SMT V, but this review at The Gamer With Glasses gives me some hope that the negatives are blown a bit out of proportion (or resulted from specific expectations that were disappointed, which is always the case with these kinds of long-awaited releases.) I still don’t have a damn Switch to play it myself, but I’m hoping my tax refund this year is large enough to justify the purchase finally. Just waiting for that W2 and hoping for the best.

The Return of the Obra Dinn (Nintendobound) — And Matt brings us a review of still another game that I know I have to play at some point. I’ve heard how unique and engrossing The Return of the Obra Dinn is, and Matt’s post on the game gives me one more reason to look forward to it whenever I get around to picking it up.

New Year’s Is for Lovers (I drink and watch anime) — Irina says at the beginning of this post that she’s not much of a romantic. I’m not either, as you might know, but I can still appreciate her presentation of her favorite anime couple from Durarara!! which I shamefully haven’t watched or read. Though now I’m thinking about what it would be like to date someone without a head. I won’t rule out a dullahan, anyway — I’m not that narrowminded (or I’ve just read and played enough weird fantasy to prepare me for that extremely remote possibility.)

Urobuchi December: Fate/Zero (Mechanical Anime Reviews) — Scott at Mechanical Anime Reviews dedicated the last month to the works of Gen Urobuchi. A worthy subject — Urobuchi has come up with some of the most creative and innovative stories in anime and visual novel form, including Madoka Magica and Saya no Uta. In this post, Scott takes a look at his Fate/stay night prequel Fate/Zero, an anime that some consider to be even better than the original work.

One Hour Photo (2002): One of the Finest Works of Cinema I’ve Ever Seen – Film Review (BiblioNyan) — I don’t feature live-action film reviews here too often, but here’s one that I’ve actually seen, though only when it was released 20 years ago. BiblioNyan provides insightful comments on the film One Hour Photo, in which Robin Williams showed he could act just as effectively in a tense dramatic thriller about murder as in a comedy.

Senri Kawaguchi: The Mighty Jazz and Fusion Drummer (Professional Moron) — From Mr. Wapojif, a look at young up and coming Japanese jazz/fusion drummer Senri Kawaguchi. I’ve been getting into Japanese fusion, but mostly the 70s and early 80s work — maybe it’s time to get more modern and see what Kawaguchi and her colleagues have to offer. I need to hear what the “Princess of Many Strokes” as she’s called is capable of.

And finally, thanks to Aether for the excellent answers to the questions I imposed on him a while back with the Let’s Blog Award (and also his answers to Red Metal and Alex of Alex’s Review Corner — Aether did a lot of answering questions this month.) If you want more insight into the man and the legend in his own words, you can’t do better than reading these posts.

It’s a somewhat shorter post than usual this month, but since I’ve been flooded with work and personal concerns lately, I’ve been a bit less engaged than I’d like. I also have pending anime series I’m watching that I feel I have to finish before reading anyone else’s takes on them. I don’t usually make resolutions because I don’t generally believe in all that new year new you or whatever stuff, but I have resolved to finish certain series and at least one game (and probably two) before the end of January. I have a few weeks, so I should be able to keep those. Until next time, all the best.

Listening/reading log #25 (November 2021)

Turns out 2021 was a fucked year too. How about that. Just as we get to the end of it, we’re beaten down by yet another virus variant. So thank God Mark Zuckerberg is here to save us with his complete dogshit watered down VR platform! Also, people are buying NFTs. Apparently this is the utopian future we were promised. Is it too late to go back and try all this shit over again?

As you can see, I’m not happy. But that’s usually the case anyway, so it’s okay. And maybe my mood will improve now, since December is one of my favorite months thanks to the holiday season. Despite my hating some Christmas music that gets way too much play this month (if I never hear those particular songs by Mariah Carey, Wham!, or Paul McCartney again I’ll be happier for sure. And no, Paul doesn’t get off the hook because he was in the Beatles and did some decent-to-good solo stuff in the 70s either. You know what you’ve done, Paul.)

So let’s start by looking at some albums that have no Christmas music on them whatsoever:

Time Out (The Dave Brubeck Quartet, 1959)

Highlights: Blue Rondo à la Turk, Strange Meadow Lark, Take Five

Yeah, more jazz. I know I lean hard on the typically snobby/nerdy stuff like jazz and prog in these posts, but hey I don’t care, so here’s more. Maybe I’ll put up a punk album or something for once to balance the rest out.

But that day hasn’t come yet, so here’s Time Out by Dave Brubeck and his Quartet. This is a landmark jazz album, one of those that has music you definitely know even if you don’t know its title. Namely “Take Five”, a cool piece with an uneven rhythm that gives it a unique character — I guess the “five” in the title refers to the 5/4 time, but despite that unusual time signature (and despite a drum solo that I’m not a big fan of — never was a fan of drum solos honestly) it flows along nicely. “Blue Rondo à la Turk” is almost as well-known, another complex piece with great flow. Speaking of prog, I think ELP covered this one, nice piece for them to show off their skills. Shoved up in the front along with them is my other favorite on here, “Strange Meadow Lark”, a slow, relaxed piece.

The whole album is nice, though. Time Out makes for an excellent mood-setter, especially if you need something classy to play at a dinner party or something. But then, it’s also not boring like a lot of other “mood-setting” music tends to be — there’s a lot here to actively enjoy too. In that sense, I’d put it in a similar category with the bossa nova I’ve also looked at here like Wave and Getz/Gilberto. And the latter had a piece of modern art on the cover too. Not sure what that’s about, but at least it’s more creative than the band photo covers albums in the late 50s usually got.

The Faust Tapes (Faust, 1973)

Highlights: ???????

Warning: still more weird shit here. Faust was a German band in roughly the same artsy rock category as Can and Amon Düül II. But this band is a lot less listener-friendly than Can, and maybe even less so than Amon Düül II? I haven’t heard their whole catalog, so I can’t say that for a certainty, but I have heard The Faust Tapes, which consists of one track with a bunch of seemingly disconnected weird percussion and sounds stitched together with a few pieces that sound almost like normal songs but not quite. From what I understand, Faust was in this real hardcore avantgarde territory throughout their career, which would explain why they might not be better known today — nothing here makes sense exactly.

But does it have to make sense? I don’t think it does, as long as the end result is interesting. It’s easy to dismiss all this avantgarde stuff as pretentious, meaningless bullshit, but I don’t get that feeling from Faust here. Firstly, because they actually can and do play their instruments properly and put together some catchy songs, like the nice folk one starting around 1:20 and the stretch of almost funk-sounding music transitioning to more acoustic folky French poetry recitation (or maybe he’s reading out of a user manual for a vacuum cleaner, not like I’d know the difference) around minute 35 to the end.

And secondly, because even the more nonsensical parts of the album do work if you’re in the right mindset. I don’t know if this is what the band was going for, but The Faust Tapes sounds to me like a normal album filtered through a dream; everything sounds sort of off and strange. It reminds me of Yume Nikki in that way, maybe because that game is literally about dreams and consists of a lot of disconnected pieces that run into each other in a similar way. Like Yume Nikki, it’s not always pleasant, more like a nightmare than a nice dream in parts, but it still works for me somehow.

So not exactly a broad recommendation this time, but if you’re into the really weird artsy side of rock music, Faust was at the core of all that. And The Faust Tapes even reportedly sold well, hitting the charts in the UK in 1973. Though that definitely had to do with it being sold for the price of a single to get their sales numbers up. A nice marketing trick, but how many people do you think regretted that purchase right away?

Adventure (Momoko Kikuchi, 1986)

Highlights: Adventure, Night Cruising, Mystical Composer

Since I had a look at something as bizarre as The Faust Tapes just now, let’s go to the opposite end of that spectrum again with something ultra-commercial: more city pop! On top of that, Adventure might be the most aggressively 80s-sounding album I’ve featured in these posts until now. Lots of those very 80s-sounding synths and drum machines and all the other musical trappings of that decade.

Normally I don’t go for that stuff too much, but I like a lot of this album anyway. Adventure is another album with a perfectly fitting cover: singer Momoko Kikuchi wading in what looks like the ocean under a pink sky, with the water lit up like the whole ocean is a massive swimming pool. The album itself is just as relaxed and luxurious-sounding as that, and Momoko’s nice soft voice fits and adds to that vibe as well. The title track sums up that feeling nicely, as does “Night Cruising” (even the title reminds me of Kingo Hamada’s “Midnight Cruisin'” — they were doing a lot of cruising in Japan in the 80s I guess.)

But the real standout on Adventure is “Mystical Composer”, a song that I’d bet did a lot on its own to inspire the vaporwave movement. Both because of its general sound and because I’d heard it quite a few times remixed before finding it in its original form here. Makes sense, because that chorus is catchy as hell.

As an aside, and since I’ve looked at a few city pop albums on the site, it’s interesting to see how this musical movement that died off at the end of the 80s, when Japan’s real estate bubble popped and its economy fell into shambles, has come back in such a big way on the internet — and now, when the whole fucking world seems to be on fire. Maybe it’s all driven by a desire for escape from reality, the same one that I theorized gave a boost to VTubers (and that might partly explain how one in particular exploded, as a VTuber known for singing city pop?)

But I’ll leave that to the people actually qualified to talk about it, or at least until I write another dedicated bullshit post of my own on the subject.

And now as usual for the featured posts:

Shoot from the Hip – Gravity Rush (Shoot the Rookie) — pix1001 gives Gravity Rush some well-deserved attention in this look back at the game. I maintain the series didn’t get nearly enough of the praise it should have, so I’m always happy to see it getting more.

Wrapping up 13 Sentinels Aegis Rim – waffling about a game I love (Video Games And Things I Write About Them) — From skyraftwanderer, a piece on another game that got far too little attention. I loved 13 Sentinels, and this post and the other posts on this blog about the game sum up everything I loved about it.

Mega Man 7 (Extra Life) — Red Metal examines Mega Man 7, Capcom’s first throwback to its original Mega Man series on the NES (or Rockman on the Famicom if you want to be more of a weeb about it, sure.) I was always lousy at those old NES titles, though I liked them for the most part, but I never had the chance to play 7. Find out above whether it’s worth a try.

The Power of Two: Princess Jellyfish (Confessions of an Overage Otaku) — I’ve heard a bit about the anime Princess Jellyfish, and the more I read, the more I’m interested in seeing it for myself — and this post might have tipped the scales finally.

Chihayafuru: An Objective Review (Mechanical Anime Reviews) — From Scott, an “objective” review of Chihayafuru, an anime about students who compete at karuta games, or Japanese card games. Scott also shows here just how hard it is to write an objective review. Please check it out (and maybe Chihayafuru as well? I haven’t seen it, but it sounds interesting.)

Return of the Destined Battle! Aether vs. Yandere Simulator, Round 2 (Lost to the Aether) — Yandere Simulator has become the prime example of an indie game in development hell, with its developer known for putting off work on the project. Shockingly, a new playable beta or something recently came out, and Aether in this post saves us the trouble of having to play it by enjoying/suffering through it himself and giving his thoughts on it. Thanks, Aether.

Give Ever Oasis another chance on the Switch (Nepiki Gaming) — From Nepiki, a look at Ever Oasis, an action-adventure RPG now on the Switch. Nepiki gives plenty of great reasons to take notice if you’re a Switch-owner (which sadly I’m still not, but hopefully soon!)

Shin Megami Tensei V First Impressions (The Gamer with Glasses) — Speaking of not owning a Switch, here’s a first look at SMT V from someone who does. A great post to check out if you’re interested in the game. I hope I can join in the fun soon enough.

Moonglow Bay – A cute, cosy and flawed game about Fish (but not necessarily always chips) (A Richard Wood Text Adventure) — A review of an inviting-looking but seemingly flawed indie game. Too bad, but hopefully the makers will improve on their mistakes next time — and you might still find something to like here, so be sure to check out Wooderon’s post.

The Best Games I Didn’t Play This Year (Frostilyte Writes) — Frostilyte writes a post that I should probably try out myself, considering I’ve only played a single game released this year. Some interesting-looking stuff, though God knows if I’ll find the time for any of it myself with my damn schedule.

Uniformity With God’s Will In Anime #4: Yuuta Togashi (The Traditional Catholic Weeb) — Our fellow Weeb highlights an anime high school romantic comedy protagonist with more depth than usual through a religious lens. An interesting angle, and one I hadn’t considered, but it sheds more light on why I liked Yuuta from Love, Chunibyo & Other Delusions (and my shared confusion at why he ended up being so into Rikka, but who knows about the mysteries of the heart I suppose.)

Asterisk War vs Chivalry of a Failed Knight: Showdown! (Crow’s World of Anime) — This is a joint project, a comparative look at two anime series with similar story setups. I haven’t seen either of these and I’m not sure I have any interest in either — these sorts of stories aren’t really my thing. But I like the idea of putting two similar series head-to-head like this. Might be something to try in the future!

1000th Post. 10 Quick Tips for Anime Bloggers. (Otaku Orbit) — Congrats to Jiraiyan on one thousand posts (and shit, that’s a whole lot — not a landmark I expect to reach anytime soon!) To mark the occasion, he’s posted some excellent advice for those looking to get into anime blogging.

A Look Back On ‘Harry Potter and the Sorcerer’s Stone’ – 20 Years Later (Jon Spencer Reviews) — I was born about a year too late to care that much about Harry Potter, at least as a kid — I have seen some of the films since, and my thought was that they were pretty good adventures (and anything that included the late Alan Rickman will be naturally elevated by his presence anyway — my favorite character for sure, especially when he was acting like a dick.) Author J. K. Rowling has fallen out of favor among a lot of fans, but her work seems to have kept its popularity. Jacob over on Jon Spencer Reviews has a look back at the first film in the series 20 years on.

Why You Should Pay Attention to EDs and OPs (I drink and watch anime) — Irina gives us some good reasons to care about anime openings and endings. While they can’t make or break a series, good openings and endings can add a lot to their entertainment value (and also possibly prevent me from skipping intros/endings, which I admit I sometimes do.) And I’ve found a few really good bands through them as well.

Exploring Anime Fictophilia (I drink and watch anime) — The rare double feature this post, but for good reason: I couldn’t go without highlighting this insightful piece also from Irina about the strange love some fans have for fictional characters, bordering on and sometimes even crossing the border into romantic sentiment. Strange, but is it unnatural? Maybe not. Be sure to read Irina’s post for her thoughts on the matter.

You’re Missing Out – if You’re Not Watching Enna Alouette, the Songbird of Nijisanji EN (The Unlit Cigarette) — I can’t end this post without fulfilling my self-imposed VTuber mention quota. Thankfully I have some help from @valsisms, who here takes a well-deserved look at Enna Alouette. Enna is part of Nijisanji’s third wave of English-language streamers with a special talent at singing, but that’s not all she does.

These days, in the very rare moments I have the chance to watch a stream, it’s almost always a Nijisanji one. These girls have stolen my heart completely, though I still have a lot of respect for the talent over at the rival Hololive group. But despite their great chemistry, they haven’t caught on quite as much in the West as Hololive has (and don’t forget the stiff competition from the western-based agency VShojo — mostly not my thing, but they’re formidable as well, and I admit I do appreciate the talents of Projekt Melody that… well, go beyond the usual VTuber skill set, to put it mildly.) But if you have the spare time and the inclination to do so, I’d highly recommend giving Enna and her friends a shot.

That’s all for this month. I don’t have anything special planned for Christmas or any of the other stuff going on, just the usual possible reviews and features coming up. I haven’t even drafted anything yet, so I know exactly as much as you do at this point. Until next post, then!

Listening/reading log #24 (October 2021)

Late again. I’ve been going through shit as usual, but that’s no excuse. All the more reason for me to post. First up: music.

Juice (Ryo Kawasaki, 1976)

Highlights: Raisins and Bamboo Child are great, but again it’s all very even

Even more Japanese jazz recommended by YouTube. The damn site finally understands what I actually like; fucking took it long enough. The interesting album cover also pulled me in — a healthier theme than Camel’s on last month’s entry Mirage, though I don’t believe that electronic orange is made for eating.

Not that it has much to do with the subject of the album, which is really nothing but music. Specifically jazz fusion funk kind of music made by legendary guitarist Ryo Kawasaki and played by him and a bunch of his friends. I had never heard Kawasaki’s music before, but based on Juice I want to seek out more, because pretty much every piece on the album is a hit.

If vocals are a must for you, you might not care much for Juice, since it’s entirely instrumental. But I’d still give it a chance, because at least some of these songs are just as catchy as any good pop or rock song might be, the biggest standouts for me being “Raisins” and “Bamboo Child”. Some of the others are more jams or grooves than song-like compositions, but those have their place too after all. And when the musicians are this good, plain old jamming can be entertaining in itself. In terms of the energy on this album, it reminds me a lot of Casiopea released just a few years later — I wouldn’t be surprised if those guys were listening to this album in 1976 in fact. (Actually, they may well have been listening to Camel as well, since that album also has plenty of fusion flavor.)

I also wouldn’t be surprised if Shoji Meguro had listened to this album, because I can say with plenty of confidence that if you liked the soundtrack to Persona 5, you’ll like this — it’s just the kind of 70s fusion/funk that game’s soundtrack draws from for influence, at least in the instrumental parts.

An Empty Bliss Beyond This World (The Caretaker, 2011)

Highlights: It’s not that kind of album really

Early this year I wrote a review of Everywhere at the End of Time, a six-album project by The Caretaker, a.k.a. British artist Leyland Kirby. While that massive series is his most visible and now best-known work, Kirby has been at work for a long time creating ambient albums.

Like Everywhere, An Empty Bliss Beyond This World makes use of slowed and sometimes distorted 20’s-40’s ballroom music and even older orchestral work to try to simulate the experience of an Alzheimer’s patient. Unlike Everywhere, however, An Empty Bliss isn’t a very difficult listen despite its heavy subject matter. Partly because it’s a single album only around 50 minutes long, but even the journey the listener is taken through here isn’t nearly as harsh or jarring as that on Everywhere — no hours-long stretches of distorted mangled songs mixed with noises, no “Hell Sirens”, none of that. I was struck by just how peaceful this album felt in comparison after getting through the ordeal of Everywhere.

Even so, it’s not all sunshine on An Empty Bliss, not even close. The mood still gets pretty low, especially around the middle of the album, where the initially pretty clear-sounding pieces get a bit more stretched out and slowed down and buried in parts under static and droning. Parts of the album feel to me like a milder form of Stage 3 of Everywhere, though that may be partly because they have at least two source songs in common (the title track, with the same title on Everywhere but sounding quite different, and “Libet’s Delay”, which shows up on Everywhere as “Back there Benjamin” and then again a few more times in increasingly distorted forms.)

I’d recommend An Empty Bliss to those who might not want to take the dive into Everywhere at the End of Time, or at least not yet. This album doesn’t have quite the impact of Everywhere — it feels more like a blueprint for that much more fully realized work, which makes sense considering this album was put out five years before the first stage of Everywhere.

But An Empty Bliss is still a downer, appropriately for its subject matter, and it still stands on its own pretty well in addition to giving new listeners a hint of what to expect if they decide to take that plunge later on. Not a bad idea, because I can’t emphasize just how emotionally taxing that six-hour-plus experience is (but again, it’s worth it if you can make it through.) Certainly not everyone’s cup of tea, though — I don’t suppose it’s meant to be anyway.

Sonic CD OST (Naofumi Hataya, Masafumi Ogata, and others, 1993)

Highlights: Considering the length, I’m too lazy to pick but it’s all good — all 4+ hours of it

And I’m cheating yet again with another game soundtrack. But not really cheating, because I was listening to this last month after all. Anyway, game soundtracks still deserve more respect than they sometimes get, and especially in this case. Despite losing out in both popularity and overall quality to its Genesis sibling Sonic 2, CD absolutely didn’t lose out in its backing music. In fact, a lot of collective effort was put into the game’s soundtrack: the whole thing when collected together is four and a half hours long.

Here I’m obligated to note, just as everyone is when they bring up this subject, that Sonic CD really has two soundtracks: the JP/EU version and the NA version. All my memories of the game, up through owning it myself for the first time on the Gamecube-exclusive Sonic Gems Collection (which was otherwise almost devoid of gems — thanks Sega) were with the NA soundtrack, so that’s the one I’m most used to. However, both versions of the soundtrack are excellent; they just have slightly different vibes (for example, with a lot more vocal samples in the Japanese version.) I’ve heard a lot of people say the Japanese version is the better one, though, and maybe you’ll agree? I don’t have a strong opinion on the matter. I couldn’t imagine starting the game without the NA-only “Sonic Boom”, but again that might just be that stupid nostalgia working on my brain.

The Sonic CD soundtrack is further lengthened by each stage getting four separate, dedicated themes, three types of which are also separated into their JP/EU and NA versions. If you’ve played the game, you already know that its defining mechanic is time travel: when Sonic hits a Past or Future post, he can warp through time accordingly to a past or future version of the stage as long as he keeps his speed up (easier said than done in most cases.) In addition to altered stage layouts and decorations/color schemes, each past and future stage also gets its own theme. Not only that, but the future stages and themes are divided into “good” and “bad” variations depending on whether Sonic has fulfilled certain optional goals. For some reason, the past themes are shared between the JP and NA soundtracks, but otherwise they’re each different as well.

So you get a hell of a lot of music in your Sonic CD no matter which version you’re playing, and it’s all quality. Some of my favorite stage themes include the various Stardust Speedway themes (especially the normal JP version, 90s funk as hell), the final stage themes, and the chilled-out bonus stage themes that don’t match that well with how pissed off I got because I kept failing the harder ones.

Sonic CD is a unique game. Not perfect, but it’s still well worth a play. And its soundtrack is unique as well, which is fitting: just like the game, while the music has some resemblance to the also excellent Genesis soundtracks (aside from Spinball, which I don’t count anyway) it very much does its own thing. It’s also had a lot of impact on some of the newer Sonic soundtracks — just listen to Tee Lopes’ work on Sonic Mania and you’ll hear the influence.

Now on to the featured articles:

Some Yuri Recommendations (KS Blogs) — One game I’ve just started (yes, it’s the Blue Reflection sequel, of course) has me thinking about yuri a bit. If that subject is on your mind as well, why not try out some of these recommendations on KS Blogs for good yuri manga? I’m not much for manga, but there are a ton of translated titles out there for every palette.

Halloween Movie Review — Godzilla (1998) (A Richard Wood Text Adventure) — aka “that really bad one with Matthew Broderick.” But there might be a little more to the film than you think, so be sure to read the linked review!

Donkey Kong Land III (Extra Life) — Red Metal continues his look through the Donkey Kong series with another Game Boy title. Does it improve on the first two handheld games in the series? Red Metal delivers his usual insight in this review.

Metroid Dread (Nintendobound) — Matt gives his thoughts on Metroid Dread, the new entry in the long-running series. Maybe once I get a damn Switch I’ll try it out too!

Anime Review: School Babysitters (Lex’s Blog) — Sometimes you need a break from all the bullshit, and maybe anime dealing with serious dramatic subjects or featuring a lot of fighting, explosions, or death gambles won’t help. School Babysitters seems like a good choice in that case. Shit, maybe I should watch it too. Thanks to Lex for the review!

How a Realist Hero Rebuilt the Kingdom Review (Umai Yomu Anime Blog) — Or maybe a fantasy isekai is more your thing. Yomu has been reviewing a ton of those on his blog lately, among them How a Realist Hero Rebuilt the Kingdom. Compelling concept maybe, but does it hold up? I’ve become pretty numb to all these new isekai series that are constantly being released, but Yomu’s analysis is still interesting, and it’s a must-read if you’re into the genre.

Like Mom’s Chicken Soup: Bravely Default II (Eating Soup with Trailing Sleeves) — From Trailing Sleeves, a review of Bravely Default II with a look at its comfortable aspects through a chicken soup analogy. Also, I like those chibi character designs, but I get why some people wouldn’t. The styles do clash a bit.

Stop Quitting Early (Frostilyte Writes) — From Frostilyte, some thoughts about when quitting in a competitive game is called for and when it isn’t, with a particular look at the popular MOBA Pokémon Unite. A good read for any competitive gamer.

Reflections on That One Scene in Peter Pan (Lost to the Aether) — Aether here takes on the heavy subject of racism in old films, with a look at a scene in Peter Pan featuring a lot of Native American stereotyping, and some insight into the importance of considering historical context in such cases. (And returning to the subject of Godzilla, Aether is also continuing his long-running Godzilla movie review series, so please check that out as well if you’re interested.)

Zak Starkey: Ringo Starr’s Son & The Importance Of Being Idle (Professional Moron) — I didn’t know Ringo Starr’s son was also a high-profile drummer, but apparently he takes after his father in that way, having filled in when needed on tour for other giants like The Who. Mr. Wapojif also focuses here on Starkey’s drumming on a particular Oasis track that showcases his talent. (And hey, a good place to note that his dad also released a ton of solo albums post-Beatles… none of which I’ve heard. Maybe I’ll try one out for the hell of it. The guy wrote a few fine songs when he was a Beatle, even if he was overshadowed by the other three in that department.)

Shin Megami Tensei V Hype Train (The Gamer with Glasses) — And finally, a post from the Gamer with Glasses rightly hyping up the much-anticipated Shin Megami Tensei V. No, I still don’t have a Switch, but I do have my copy of SMT V preordered. I look forward to finally getting to play it (at some point.)

Apologies if I missed anything else especially good last month, but I wasn’t entirely myself through most of October. Or maybe I was, which was the real problem. Either way, I wasn’t so engaged, but I hope to get back to more writing and exploring around the community this month.

I also have a ton of running anime and games on top of the work I actually get paid to do, including the above-mentioned Blue Reflection: Second Light, which is holding up very well so far. Also, Atelier and Yakuza are still happening, and I still have three games in particular that I need to get done at some point soon if I can. Also anime. Is it possible to sleep one hour a night and not suffer horribly for it? No? Shit.

Well, I hope the afterlife will allow me to catch up on whatever I’ve missed, assuming I’m deemed deserving of that privilege. Until then, I’ll still be writing, so see you next post.

Listening/reading log #23 (September 2021)

I’m tired. Do you ever feel like you keep walking even though you have no strength left, just because you have to? Maybe that’s the human condition.

But I don’t want to get too philosophical and/or bullshitty here. I already did that this past month. For now on to the usual, starting with this month’s music:

Mirage (Camel, 1974)

Highlights: Parts of Nimrodel/The Procession/The White Rider and Lady Fantasy stand out

Digging a bit deeper into the progressive rock bin once again, this time for a band that’s totally new to me. Camel is yet another British prog band, but unlike the others I’ve looked at in these posts, they’re generally grouped in with a “second wave” of prog bands along with overseas contemporaries like Rush and Kansas that got their starts a few years after those original boys did.

But just because its influences are pretty obvious doesn’t mean Mirage isn’t worth listening to, because it’s pretty damn good. I love Camel’s sound here; they mix those softer, more acoustic parts with plenty of flute (some Jethro Tull feel in those parts, maybe for that reason) together with the hardcore jazz fusion-sounding stuff skillfully, and both flow into each other nicely through the album without clashing. In fact, the only real drawback to Mirage that I can see is the relative weakness in the vocals. The singing just isn’t that great, and I can’t even make out the lyrics sometimes. I think “Nimrodel” is supposed to be about Gandalf? Those 70s rock guys and their Tolkien.

But the band seemed to realize this as well, because most of the album is instrumental. That’s fine by me, because these guys are at their best for me when they’re shredding along at 300 mph (ex: the part starting at 3:44 in “Nimrodel”.) Though “Lady Fantasy” does have some nice sung sections as well.

Finally, because the subject can’t be avoided: yeah, the album cover looks like a pack of Camel cigarettes as seen through the eyes of a profoundly drunk man. Otherwise the art is the same; even the lettering they use is identical to the brand’s logo. At first I thought it might have been part of a sponsorship deal. However, according to this interview, my reasoning was backwards: Camel the band came up with the parody cover on their own, and Camel the tobacco company tried to make a sponsorship deal with them after seeing it. But the band didn’t want to associate themselves with lung cancer and the deal was canceled. So much the better, though I’d say the tobacco executives got a decent deal from the publicity alone.

Utamonogatari (Various, 2016)

Highlights: Renai Circulation, Kimi no Shiranai Monogatari, Perfect Slumbers, Mousou Express

I don’t feature soundtracks in these posts very often, so when I do they’re special cases, and this one definitely qualifies as special. I bought this two-disc set a while back and only now got around to really listening to it, probably because I was already so familiar with some of its songs — but it is absolutely worth a listen on its own.

Utamonogatari is a collection of opening and ending themes from the Monogatari anime series, from Bakemonogatari through Nisemonogatari, Nekomonogatari Black and up to the end of the stretch of short series under the Monogatari Second Season umbrella. As far as I’ve watched it, I’d say Monogatari has a lot to recommend it, and its music is one of its strongest points right up with its great characters and unique visuals and dialogue. A lot of work was obviously put into the soundtrack, especially considering the fact that not just every season or sub-series but rather every story arc throughout the series has its own opening theme.

These openings also double as character themes, being tied in as they are with the stories of specific heroines like Hitagi up there on the cover, Tsubasa, Mayoi, and all the rest. And it’s all the more impressive that the singers are also the voice actors for these characters — even to the point that the artist on each track is listed as the character herself with her VA in parentheses.

But even if you haven’t seen a single episode of Monogatari, you can still appreciate its music, because it is extremely well done. Pretty much every song is a hit here, but some I’d bring up specifically include the closing “Kimi no Shiranai Monogatari” by Supercell, an accomplished band in its own right, and two of Tsubasa’s themes, “Perfect Slumbers” and Sugar Sweet Nightmare. Maybe the latter choice partly has to do with Tsubasa being my favorite character in Monogatari so far (I’m only up to the beginning of Nekomonogatari White now, hoping that doesn’t change) but I also like how these two tonally very different songs express aspects of the same character, with “Perfect Slumbers” being softer and more somber and “Sugar Sweet Nightmare” having more of an edge (complete with a butt rock guitar solo near the end, nice.) I also like Hitagi’s Fast Love, which sounds like it owes a lot to city pop somehow. Or maybe that’s just me. Maybe I’ve just been listening to way too much city pop lately?

My absolute favorites are still Nadeko’s themes, however. The most famous of course is “Renai Circulation”, which most people have probably heard at least once if only in one of the many parody videos it’s been used in. There’s a good reason “Renai Ciruclation” is still so popular — it’s one of those earworms, only the good kind, because who the hell wouldn’t want Kana Hanazawa stuck in their ear all day. And the same is true for Nadeko’s later but also tonally very different theme “Mousou Express”, which is arguably even better.

But these distinctions don’t matter much when all the music in this series is this good, including all the background and scene instrumental pieces that aren’t featured on this album. So be sure to check the soundtrack out at least, and all the better if you can find a more complete version. I plan to pick up Monogatari again soon after a year away from the series, and listening to Utamonogatari was a nice way to get me primed for it.

TOWERS (TOWERS, 2019)

Highlights: I guess “TOWERS IV”, but it all feels like one piece really

After all these years I’m still torn over some of the bigger “subculture” internet music trends like vaporwave and future funk. I like the strange part-fantasy 80s/90s aesthetic of it, and some artists really get creative with the samples they use. On the other hand, some just seem to slow down and add reverb to an old city pop or American 80s hit or a track off of a Genesis game, and that feels too low-effort to me to give much credit.

But TOWERS feels different, even if it does technically sort of (?) fall into the vaporwave category. I found this one while digging around for new music on YouTube, and I was drawn in by the strange album cover depicting a man either floating through or falling into a dark cityscape (and bonus points to the first person who can identify where that cityscape comes from, because it’s very likely you’ve seen it in its original form.)

TOWERS really seems to fall more into the dark ambient genre along with the Caretaker’s work, because even if the sound is very different, the effect is similar: it’s ambient, but instead of being nice chillout music something like City Girl, it creates a dark atmosphere. The hour-long album is broken into four pieces of roughly similar length titled “TOWERS I” through “IV”, but it’s hard to tell where one piece ends and another begins, since they mostly blend into each other — the sound is minimalistic, mostly a drone in the background with some other synths in the mix and occasionally electronic and acoustic instruments and other sounds playing over it.

That description might make the album sound boring. And maybe it would be if you were trying to actively listen to it, since there aren’t really any songs to speak of. Even so, it made a strong impression on me: I could see myself in a large empty-feeling city in the middle of the night, maybe with just a few streetlights or neon lights around to break up the darkness. This impression seemed to be what the makers were going for, and if that’s really the case, then they succeeded.

That said, TOWERS is probably about as minimalist as I can get without actually getting bored. Too much minimalism in art and I can’t even draw a vague impression from it. To give you an example, I don’t understand the appeal of Mark Rothko’s color field paintings, even though so many people love them and call them masterpieces. But maybe I’m just a dumb ignorant philistine. Tell me what I’m missing.

Now on to the featured articles:

Opinion: Sony’s Pricing Model is Fucking Dumb (Frostilyte Writes) — Opening with something I’m equally annoyed about, Frostilyte expresses his feelings about Sony’s new approach towards its customers and fans, specifically with regard to its pricing model for PS5 owners who want to play their PS4 games on the new console. If there’s any time to just switch to PC, it’s probably now.

Phoenix Wright: Ace Attorney − Justice for All (Nintendobound) — Matt at Nintendobound reviews the Ace Attorney game Justice for All. At least one Ace Attorney game is on my to-play list just because I feel it really should be, but it probably won’t be this one based on Matt’s review. But is it worth a look for series fans? Check out Matt’s review to find out (and also follow his site if you aren’t anyway.)

Donkey Kong Land (Extra Life) — I never had a Game Boy growing up, though I did borrow friends’ at times — but that’s not quite the same of course, and so I missed out on a lot of Game Boy games that are fondly remembered today. It doesn’t seem like I missed much out of the Donkey Kong Land games, however. Red Metal goes into detail in both this and his review of the sequel here.

Returnal Is Everything I Love About Metroid (Gaming Omnivore) — I know I’ve been dumping on Sony and the PS5 in general, but not for the quality of its games necessarily — and Returnal sounds like one that’s well worth checking out if this piece on Gaming Omnivore is any indication. If you’ve got a PS5, be sure to read it!

Anime Review #64: Rebuild Of Evangelion 1.0/2.0 (The Traditional Catholic Weeb) — I haven’t seen anything Evangelion-related since watching the original way back in 1998 or 99, long before “weeb” was even a term anyone used. But my interest has been raised again by the recently completed new run of Evangelion films. I’ve heard a lot of conflicting opinions about them, and Traditional Catholic Weeb has added his own as usual perceptive thoughts on Rebuild 1.0/2.0. One more to add to the list!

My Favorite Summer Series: The Detective Is Already Dead (Otaku Post) — I think I might have missed out not watching the summer anime series The Detective Is Already Dead — all my interaction with this show so far has been “hey, the premise looks interesting and I also like white-haired kuuderes” and that was it. Johnathan’s overview of the series makes me feel like picking it up (or at least adding it to my long to-watch list.)

Miss Kobayashi’s Dragon Maid – Sometimes Ecchi Bugs me (A Richard Wood Text Adventure) — Ecchi and fanservice are always controversial subjects in the context of anime — for every ten fans you might hear fifteen opinions on the matter. Wooderon here gives his own opinion on the subject, using the popular series Miss Kobayashi’s Dragon Maid as an example of when ecchi works for him.

ActRaiser – Cupid at day, hardcore stone statue at night (Nepiki Gaming) — A review of ActRaiser, an interesting-looking SNES 2D action platformer/simulation hybrid that I totally missed out on as a kid. Nepiki goes into his usual incisive detail and depth in examining the game.

If Left is Wrong I Don’t Want to be Right. The Left-Handers of Video Games, Part IV! (Lost to the Aether) — Aether continues a series of posts about left-handed video game characters. It’s something I never really noticed — not being left-handed myself, it’s probably just not something I think about. Also, I agree that Strega kind of sucked. The only weak part of the Persona 3 story I think.

In defence of Haru (Eleanor Rees Gaming) — Speaking of Persona, this one is a bit of a deep cut for those who have played Persona 5 and know who Haru Okumura is and why she might need a defense. I was confused myself, since I liked Haru and felt she got short-changed with how little screentime she received in the game (outside of her own Confidant Link anyway, which came so late in the game a lot of people missed out.) But apparently some fans hold that and a couple of dumb plot occurrences against her, which is bullshit, because Haru is great. And Eleanor does a great job defending her, so read her piece above if you’re deep enough into Persona to know what it’s about.

Atelier Firis: The Alchemist and the Mysterious Journey – The Second Quest (MoeGamer) — Pete Davison at MoeGamer is continuing his extremely long-running Atelier feature with the fairly recent Atelier Firis. He gets into great depth with a series that doesn’t quite get the attention it deserves here in the West, so be sure to check his work out. I’m going to be playing Firis once I get to that point in the Mysterious trilogy myself, so I’m already fully onboard the Gust train; see the end of this post for more on that.

Some More Unexpected Aspects of Living in Japan (Umai Yomu Anime Blog) — Yomu’s thoughts about life in Japan are always interesting, and he’s written more of them this month. Humidity really can be a killer, though I didn’t realize Japan had that issue. It’s one of the many reasons I will never live in Florida.

Tuna in the Workplace: Laws on Business, Fish, and Smells (Professional Moron) — The human side of me loves tuna and fish/seafood in general, but the lawyer side of me can appreciate the many laws restricting the consumption of tuna at the workplace cited by Mr. Wapojif above. The human side as well, I guess, because it still astounds me how many grown adults either don’t care for the comfort of their co-workers or lack self-awareness to the extent that they still bring fish to have at work for lunch.

How to Convert People to Anime Without Really Trying (I drink and watch anime) — And finally from Irina, a comprehensive guide on how to convert every one of your friends into anime-binging weebs like yourself. If you read my site, there’s at least a two-thirds chance that that describes you, so please read her guide. I endorse 100% of her advice absolutely and without qualification.

So what’s coming up? My next post will most likely be a review of Atelier Ryza, the fourth Atelier game and fifth Gust-developed game I’ve completed this year. And since the sequel to Blue Reflection is coming out near the end of the year, I’ll probably cap 2021 off with a Gust game as well. And I just started Atelier Sophie DX… maybe I’ll get tired of Gust in 2022 and go back to Atlus for a while?

I also have more anime lined up to watch, including the rest of Monogatari or at least the Second Season stuff. I’m still not sure how to break that series and all its sub-series up when I almost certainly write about them later. Maybe it will come to me after I’ve watched it.

Whatever happens, anyway, see you next post.

Listening/reading log #22 (August 2021)

Another month spent watching the world fucking burn. I mostly spent it working, and the parts I didn’t I spent mostly watching anime and doing other degenerate kinds of things. What else is there to do? At least for now, while we’re still trapped indoors (not that I really mind, of course. Actually my state is completely open, but hell if I’m taking chances.) For the time being, let’s just get on to the usual thing: music and great writing from around the communities.

Animals (Pink Floyd, 1977)

Highlights: Dogs, Pigs (Three Different Ones)

Yet another set of guys who don’t need any introduction — I think even kids today know who they are thanks to YouTube (and TikTok? I don’t go there, so I have no idea.) But in case you don’t know them, Pink Floyd were another English art/prog-rock band that got their start in the 60s and went on to massive popularity with heavily concept-based albums in the 70s before breaking up soon into the 80s and suffering through legal battles over the rights to the band name. Look those up; they’re fun in a morbid way.

Animals gets a little overshadowed by two of Pink Floyd’s other big projects, Dark Side of the Moon before it and The Wall that came directly after, but I think this one deserves just as much if not more praise. Because for me, Animals is where both the music and the concept it’s based around come together to create a really cohesive and entertaining album.

Not that the concept is all that complicated. I think Roger Waters read George Orwell’s Animal Farm and just decided to adapt the idea of dogs, pigs, and sheep representing different classes of humans in an unfair, unjust societal structure (the dogs being the enforcers for the rich/ruling class pigs, and the sheep being the rest of us I think.) Maybe it works just because it’s pretty simple and straightforward, but then Waters’ lyrics thankfully aren’t so straightforward that they’re battering us over the head with the message.

And most importantly, the music totally fits the theme. Pink Floyd were great at creating atmosphere especially between Dave Gilmour’s guitar and Rick Wright’s keyboards, and Animals creates a pretty oppressive, dark one appropriate to its theme. “Dogs” is an excellent example of this, probably my favorite song on the album; doesn’t feel its 17-minute length at all. “Pigs (Three Different Ones)” is also catchy, and likely the one song from Animals you’ve heard if you’ve only heard one of them. Out of the three big pieces on the album, Sheep is a little less memorable, but it still works well in the concept and puts a nice cap on it with an ending that reminds me a lot of “The Knife” by Genesis with that “kill them all!” vibe.

So I’d recommend checking out Animals. Especially if you want to feel depressed about the horrible uncaring bullshit society we live in. Don’t look to Pink Floyd for happy positive funtime music, but you already know that if you’ve heard or seen The Wall. And best of all, Doug Walker will never get his hands on this album, since it never had a film adaptation.

Siren of the Formless (City Girl, 2020)

Highlights: “Serene Tears, Elysian Eyes” and “Devote Ember” are nice, but it’s all very even

Well, maybe you don’t want to meditate on how fucked society is and how we’ll probably destroy ourselves sometime this or next century because of faults inherent in human nature that have existed since the Stone Age. If that’s not your thing and you’d rather relax instead, here’s a better option. I’ve covered City Girl once before, but she (at least I guess she, though again I’m not sure; could be a group for all I know) has put together quite a few albums that are posted in full on YouTube and are also available on Bandcamp and other platforms for sale.

Siren of the Formless is another nice album for chilling out and sitting back in your chair on a rainy morning, full of smooth, slow lo-fi tracks. I especially like the combination of acoustic and electronic instruments; there’s plenty of synths together with what sound like piano and actual strings being played, and they blend together well.

As for the songs themselves, there are a few that I especially enjoy like the ones listed above, but the whole album itself sort of blends together when I listen to it. In some cases, that would be a bad thing, but here it works, and it feels intentional as well. The album cover fits the contents perfectly — it feels like I floated through the whole album, like that girl floating in that lake. Not sure how to describe it in a less artsy pretentious way, but that’s just the feeling I get from it.

If you’re not generally a fan of “easy listening”, I’d still give this a try, because it’s the tasteful and well-thought-out kind rather than the artificial-feeling plasticy kind. I’ll keep following City Girl myself, and I’ll be on the lookout for similar stuff coming out on YouTube and Bandcamp and elsewhere.

MSB (Masahiko Satoh & Medical Sugar Bank, 1980)

Highlights: Ridin’ Out, Fly, May Fly, Overhang Blues

And finally, Japanese jazz, yeah. Why not. YouTube keeps dropping these recommendations in my sidebar and I’ve started listening to them. It seems Japan was really big on fusion in the late 70s and 80s (see my very first one of these posts featuring Casiopea) which makes sense when you listen to say the OutRun or one of the early Sonic soundtracks. There has to be a web connecting this jazz/fusion stuff with city pop and new jack swing and leading to that music I heard so much of in my childhood.

This particular album was created by pianist Masahiko Satoh and the strangely named band Medical Sugar Bank. MSB is a fully instrumental jazz album, though it varies a whole lot in tone from piece to piece. I only like part of it, though thankfully the larger part that falls into the more fusion-sounding funky category like “Ridin’ Out” and “Fly, May Fly”, songs that remind me a lot of the really good stuff off of Casiopea. I’m also pretty all right with the ending free jazz freakout “Overhang Blues”, probably because it’s just short enough to make that controlled chaos really work for me.

The rest of the album roughly falls into two categories: more sections of dissonant avantgarde horn wailing that I can only take in small amounts, and “heavenly” sounding pieces like Saga Unknown that I don’t care for in any amount at all. The latter gets too close to standard smooth jazz for my taste, just the kind of easy listening I don’t like as opposed to the kind on the album just above this one. It also probably doesn’t help that some of these tracks sound like they feature a lot of soprano sax (see Nebulous Suspicion for example.) Not that the soprano sax did anything to deserve its reputation — it’s a fine instrument, but Kenny G has kind of defined its sound after all, and he didn’t do it any favors in my opinion. Though if you want to hear it really done well, check out John Coltrane’s My Favorite Things.

But before I sound like way too much of a snob (forget it, I’m years too late for that) I’ll mention that all the playing is extremely professional and I can see even those tracks I don’t care for much working as nice mood-setting music. Maybe especially if you’re trying to set a romantic mood. See, I’m no romantic, so I don’t have any sense for this stuff. I’d end up playing some crazy shit like Amon Düül II and scaring the woman off (or discovering she’s exactly as weird as I am — maybe this is actually a great idea?)

So take what I have to say with a grain or a handful of salt, or sugar, or whatever. I basically like the greater part of MSB, and if 70s/80s fusion is your thing and you don’t mind a little sap you’ll probably like the whole thing more than I did. And even those sappier pieces have some cool parts in them, albeit ones that I don’t feel like pulling out and hearing again myself.

Now for the featured posts:

Let’s Get this Roadshow on the Road: SHIROBAKO the Movie (OGIUE MANIAX) — I liked Shirobako a lot, but the fact that it had a sequel movie slipped my mind until I read this review. Another one to add to the list along with the Youjo Senki movie that I need to see anyway in preparation for season 2 of Tanya the Evil. There’s so damn much to watch… but this one looks like it’s well worth the time.

Uma Musume Pretty Derby: Whole-Series Review and Reflection (The Infinite Zenith) — I have to admit that the concept of Uma Musume came off as weird to me at first — a bunch of horse girl idols who race against each other in derbies and also sing in concerts and do typical idol stuff. However, this review got me interested. P.A. Works already has a pretty good track record with anime as far as I can tell, and honestly the idea behind Uma Musume isn’t any weirder than that in say Nekopara, or those shipgirl games like Kantai Collection or Azur Lane (which in a way are quite a bit stranger.)

Commander Keen in Aliens Ate My Babysitter! (Extra Life) — Red Metal has done something I could never do myself and played through and reviewed the whole Commander Keen series in depth, ending with this sixth installment. Do yourself a favor and read them all if only to understand what kinds of platformers PC-only players had to choose from in the early/mid 90s, before emulators were a thing. Feel some of that pain. I was one of those kids back at the time who had to sponge off his friends and relatives to play their SNES and Genesis, so I can relate.

Yakuza 0 – Punching human pinatas for mad cash (Nepiki Gaming) — That title says it all, really. I’ll probably be writing a review myself whenever I manage to actually finish it (which could be anytime this or next year, lacking discipline as I do) but in the meantime, you should read Nepiki’s review of Yakuza 0. I will also agree that the game provides poor explanations of mahjong and shogi — I already knew how to play mahjong so I was all right there, but I gave up on that old man’s shogi challenge two minutes in. There’s a sidequest I’m guaranteed never to finish. Good thing I don’t care about 100% runs.

In Search of… Kaiji, the Ultimate Survivor (In Search of Number Nine – an anime blog) — Kaiji is easily in my top few (top three/five/whatever, I don’t really count them) anime of all time, so I’m always happy to see other bloggers writing about it. Iniksbane has some interesting points to make about the first season of the series here, with observations that I hadn’t really considered before. Be sure to read it (and also watch Kaiji if you haven’t!)

The Great Ace Attorney Chronicles (Nintendobound) — All I’ve played of Ace Attorney was some of the very first game on the DS so long go that I don’t remember much about it. Perhaps shameful to say for a hybrid lawyer/gamer like myself, but that’s the fact. However, The Great Ace Attorney Chronicles sounds just like the thing for me to try to get into the series again if I ever take the shot. Matt gives the game a comprehensive review here.

A Guide to Soloing Alatreon in Monster Hunter World (Frostilyte Writes) — While I’m in the process of degrading my serious gamer status or however that works, I’ll also mention that I’m not into Monster Hunter. Frostilyte is, however, and he’s written an in-depth guide to soloing a boss fight in Monster Hunter World. I really like seeing these kinds of narrow-focus but extremely deep guides, though I haven’t written any myself — they remind me a lot of the old days on GameFAQs. Those were the days. No bills to pay or any of that shit. Before I start complaining about my life again, I’ll just recommend that you check out Frostilyte’s guide if you have an interest in this game.

The Summer of Love III: Final Thoughts on Fate/Kaleid Liner Prisma Illya (Shallow Dives in Anime) — Dewbond gives his concluding thoughts on the magical girl-themed Fate spinoff Prisma Illya following a series of posts on the anime. I was already thinking about picking it up myself — I’ve already covered one Fate spinoff series, so why not another? Dewbond makes it sound well worth the watch in his post.

Shangri-La – Let’s Watch a Random Anime (#6) (Side of Fiction) — Every month, Jacob spins a wheel full of anime hosted at randomanime.org and watches whatever comes up. This is a brave undertaking, and not one I’m equal to (when I went to randomanime.org, I got a painfully generic-looking harem comedy, and fuck if I’m watching that. Not my thing.) But Jacob here writes about his sixth randomly selected anime, Shangri-La. Sounds like a mixed bag but possibly an interesting one for some people; I might just check it out for the concept and because it’s another Range Murata-involved project like Cop Craft was. Murata being a character designer, that’s no guarantee of the story’s quality — I just like his designs (though maybe Last Exile is a better bet than this?) I also look forward to seeing what random anime comes up in this post series going forward.

Uniformity With God’s Will In Anime #1: Sakura Kinomoto (The Traditional Catholic Weeb) — And speaking of magical girls, Traditional Catholic Weeb in this new post series features Sakura Kinomoto from Cardcaptor Sakura with a focus on the challenges she faces. The magical girl genre seems a lot heavier than I used to think it was, and that’s even setting aside the famously dark Madoka Magica.

Should Nintendo Fire Game Freak from Pokémon? (A Richard Wood Text Adventure) — I’m not a particular fan of Pokémon, but I have noticed a lot of the discontent among fans over recent entries in the series. and the role of original development team Game Freak might have a lot to do with that. I’d argue the same about Sonic Team and the Sonic series myself, but that’s another matter. (Just give the keys to Christian Whitehead for God’s sake; he actually knows what he’s doing. But I’ll save those complaints for later.)

Olympic Gold (Shoot the Rookie) — Pix1001, in honor of the recently ended Tokyo Olympics, has put together a set of predictions for which game characters would dominate in a hypothetical video game version of the competition. No arguments from me about these picks; I’d put money on all of them. Watching Bayonetta try the pole vault would be entertaining as well.

Fry Force and How to Use Anime Influences For Marketing (Mechanical Anime Reviews) — Commercials tend to be hated, and for good reason: they’re trying to sell us things we usually don’t need, and they’re often doing so in the most irritating, mind-numbing ways possible, with “wacky” characters who make me wish I lived on a desert island with no access to goods or services at all (see GrubHub, Liberty Mutual, those horrible McDonalds spots that play on Soundcloud for some of the worst offenders.) However, Taco Bell has somehow gotten it right with an ad that takes serious influence from anime as Scott sets out here. Credit to the Taco Bell ad people for putting actual effort into their advertising, even if I’m not much of a fan of their food (and points for the Gawr Gura cameo — of course I couldn’t go without mentioning that.)

Cooking with Testosterone: Ahi Tuna Steak (Lost to the Aether) — While I’m not about to start cooking myself anytime soon (too busy, or lazy, or dumb, make your choice) watching Today’s Menu for the Emiya Family did make me wish I could cook like Shirou if only to be surrounded by dozens of women constantly like he is. Fortunately we have Aether, who has brought back an old series of cooking posts with his method of preparing an ahi tuna steak. I had this once; it’s good as hell. Maybe I’ll even try my hand at this one day. Can I really afford not to under the circumstances?

And from the same blog: Disgaeadventures — I don’t usually feature two posts from the same blog, but Aether also recently gave his thoughts on Disgaea 1 for PC and brings an interesting angle both on the characters and gameplay and on some aspects of them that might not be obvious at first glance. I’m always happy to see more people picking up Disgaea of course, so I had to feature this as well. (I also still promise I’m not a Nippon Ichi shill.)

Blogging Banter: Blogger Boundaries (Ace Asunder) — And finally from Solarayo, a reminder that we can see online conflict even in our usually civil blogging communities along with suggestions for trying to avoid it. One of the nice things about online communities is that you don’t really have to deal with people you don’t get along with, a luxury that we generally don’t have when dealing with family or work colleagues. Setting personal boundaries is always important in any case.

And that’s it for the month once again. Work has been especially busy for me recently, but I still intend to keep making progress through the long-haul games I’m playing. More anime reviews are also on their way. And I haven’t forgotten about those indie games in the summer bundles I bought from itch.io. And I just bought Long Live the Queen… shit. Anyway, there’s more coming. Until then.

Listening/reading log #21 (July 2021)

Another month has passed. Two months in this case, since I skipped June. But I guess I picked a good time to return. Since many of us are once again confined to quarters thanks to this shitty mutation of the coronavirus that’s ravaging the Earth, you might have time to listen to all this music and read all these excellent posts from around our communities.

First to the music, as usual. Next month, I plan to cover some very modern music, but this time around I’ll be going way back and listening to two old classics that I remember hearing in my childhood and high school years — but they’re not from my childhood, rather from my parents’. I’d actually quit listening to all of these guys years ago because I’d heard their music so much, but lately I’ve been going back, and it’s been an interesting experience. On to it:

Rubber Soul (The Beatles, 1965)

Highlights: Drive My Car, Norwegian Wood, Nowhere Man, Girl, In My Life

Yeah, these guys really don’t need me talking them up, do they? Everyone knows about the Beatles already. But that doesn’t mean their music isn’t still worth talking about. These four dudes from Liverpool, England were massively influential and changed popular music with their work, which spread throughout the decade of the 60s, moving from somewhat sugary pop/rock in the early part of that decade to artsy and even experimental pop/rock by the end.

I like both of these well-known early and late periods of the Beatles’ music, but what happened between them? These guys started shifting their tone in 1965, most noticeably with Rubber Soul, widely known as their “transitional album” and sometimes as their first “serious” album. At first, it might be hard to spot the difference, since the album is still full of short catchy songs that are mostly about love and relationships and all that old stuff. However, the tone is very different and often darker here than you’ll find on something like A Hard Day’s Night. You still have peppy upbeat songs like the opener “Drive My Car”, which I’ll forever remember from my childhood as the song the local morning news played over the traffic report. And there are still fairly straightforward love songs like Paul McCartney’s Michelle, just the thing for playing under some girl’s window to win her affections (you know, as long as she’s named Michelle — if she’s not, you might just piss her off even more than you have already.)

But then there are songs about disappointment and wrecked and even toxic relationships, starting with John Lennon’s “Norwegian Wood”, maybe the most famous song about blue balls ever recorded, and ending with a pretty big overreaction from the protagonist (at least according to the popular reading of the lyrics.) Lennon’s “Girl” is even darker in a way, describing a bad relationship that’s hard to escape, and Run For Your Life goes so far as to have the singer promising his girl won’t escape their relationship alive. What the fuck, guys. It’s hard to imagine all those girls screaming over the Beatles playing that song, isn’t it? And now there’s even a non-love song with “Nowhere Man”, which is just kind of depressing as shit, but still excellent of course.

Rubber Soul is an interesting look at how the Beatles changed their sound and approach, capturing that sound right in the middle of its shift — with Revolver in 1966 they’d be almost completely in that later “art” period. But aside from the historical interest it holds, it’s also just a really good album in its own right. Also yeah, George Harrison plays a sitar for the first time on “Norwegian Wood”; there’s your bar trivia fact for this post.

Live at Leeds (The Who, 1970)

Highlights: the whole thing really, but listen to Heaven and HellAmazing Journey/Sparks, Young Man Blues

Another band that doesn’t need a lot of talking up. But I listened to this thing so much in high school that I damn near wore the CD out (yeah, dating myself here once again.) The Who were another one of the British Invasion groups back in the 60s along with the Beatles and the Rolling Stones — like the Stones, they had a harder edge, playing their take on old American RnB and blues, but like the Beatles they also delved into some more artsy/ambitious work later on, writing the famous rock operas Tommy and Quadrophenia.

The Who were also by all accounts an amazing live band, one that I regret I was never around to actually see play. But at least we have great live albums like Live at Leeds. This album captures these guys at a high point, just coming off of the success of Tommy, and it gives us a listen to the wide range of their work — from short singles from their earlier days like Substitute to medleys of their then-recent work with “Amazing Journey/Sparks”. Most of these are originals, but they also cover a few old classics; see “Young Man Blues” and Summertime Blues, which most people probably know better in its original Eddie Cochran version.

It’s easy to tell from this album alone why this band was and still is so revered. All four of these guys were excellent performers: Roger Daltrey’s vocals, Pete Townshend’s guitar (and writing, since he did write most of their music/lyrics), John Entwistle’s bass, and Keith Moon’s drumming, all of it. Moon famously used to go nuts on his drumkit (and in his life generally speaking) but it fits well with the band’s style — it’s easier if you actually see them in action as you can here, playing “Heaven and Hell” live one year later.

But even without the visuals, there’s a lot of energy and talent on this album and it all comes through. The Who also recorded some great studio albums that I might get around to looking at later on.

And now on to the featured posts:

Catherine: Full Body Review (WCRobinson) — Catherine is a PS3 puzzle game classic that started a few debates back in the day over its frank depiction of relationships and both their emotional and sexual aspects. The PS4 remake Full Body adds a new character to the story along with some other interesting features. Be sure to read WCRobinson’s review for an in-depth look at the game.

The Awesome Combo Trainer of Them’s Fightin’ Herds (Frostilyte Writes) — I am absolute trash at fighting games, but I still like reading Frostilyte’s thoughts on them. The animal-themed fighting game Them’s Fightin’ Herds certainly seems like an interesting one to check out if you’re into the genre.

Visual Novel Theatre: Idol Magical Girl Chiru Chiru Michiru (Lost to the Aether) — Dipping back into June for this one, but it’s well worth the trip back for another of Aether’s visual novel reviews. Idol Magical Girl Chiru Chiru Michiru might sound like it’s not made for manly men, but Aether absolutely destroys that misguided idea in his review of the game. Also, the art on that title screen is familiar — I’m positive I know that artist, but I can’t place the name and it’s driving me a bit crazy.

Donkey Kong Country (Extra Life) — Red Metal gives his thoughts on the classic SNES platformer Donkey Kong Country in this extremely in-depth review. How does it hold up after all these years? Check his post out to find out.

AILBHTAY: Kino’s Journey (2003) (Mechanical Anime Reviews) — Scott reviews the classic Kino’s Journey, one that I somehow haven’t watched yet. Now I have yet another old series to add to my backlog, because Kino seems to be well worth a look.

3 Episode Rule – The Aquatope on White Sand (A Richard Wood Text Adventure) — I’m watching the currently airing anime The Aquatope on White Sand, and it’s promising so far, with very high production values and an interesting premise. See this post for more on why you might want to pick it up as well.

Full Dive: This Ultimate Next-Gen Full Dive RPG Is Even Shittier than Real Life! – Well this name is quite the mouth full. (Natural Degeneracy) — Normally I’m down for a good ecchi/fanservice-filled series; you know me. This one doesn’t sound like it quite lives up to its potential, but you might find something to like — see this review for more. Also, one of the characters looks a lot like Etna from Disgaea.

Hyouka – Review (KSBlogs) — Hyouka is an anime I’ve been thinking of picking up just because of how damn good it looks, and this detailed review of the series has gotten me even more interested in it.

Trying Out My New “Positivity” – Pomu’roll at the End (The Unlit Cigarette) — From Valsisms, an account of trying to be positive even in the face of absurdity. If you’ve ever had a bad or bizarre job interview, and who hasn’t, you will likely be able to relate. (I also want to second her plug of Nijisanji EN at the end — I’ve already admitted to falling down the VTuber hole long ago, and since writing that post back in December mostly about Hololive talents, rival agency Nijisanji has introduced two sets of new English-language VTubers. And they’re all entertaining, so be sure to check them out if you’re into that. (I 100% simp for Rosemi Lovelock and I’m not ashamed to say it. But God, what’s happened to my life.))

The VTuber Bachelorette: Mori Calliope (Pinkie’s Paradise) — Speaking of VTubers, Pinkie is putting a select few in the spotlight on her blog, including everyone’s favorite rapping grim reaper Mori Calliope. I like Mori’s down to Earth attitude, and while I’m not much for rap she’s obviously a talented singer/musician as well. But how would she make for a girlfriend? An interesting question, but there are some serious complications involved that Pinkie gets into (and it’s not just the fact that she’s a 2D anime girl — not that that stops some people!)

MY TAKE ON MOST FAMOUS ANIME WAIFUS – Thiccness Alert (FreakSenpai) — And speaking of waifus, FreakSenpai gives us some personal thoughts on a few popular anime characters that many fans pine for. All I have to say is: good taste!

How Square Enix Ripped Out My Heart & Then Stomped On It: Final Fantasy XV (Eating Soup with Trailing Sleeves) — I lost track of Final Fantasy many years ago, so I can’t comment personally on the subject, but Trailing Sleeves gives a personal account of the Final Fantasy XV experience here, along with some thoughts about how effectively (or ineffectively) it tells its story.

Summoning Salt: Ode to Speedrunning Docu Excellence (Professional Moron) — Summoning Salt runs an interesting YouTube channel, producing documentary-style pieces about the history of speedrunning. His videos usually focus on one game each, or even on an aspect of a particular game, and how their challenges are taken on by the most skilled speedrunners in the world. Mr. Wapojif highly recommends this channel, and so do I!

Having a Tea Party at the Umineko Manor (Kyu-Furukawa Gardens) (Resurface to Reality) — I love the visual novel series Umineko no Naku Koro ni. But what I didn’t know for a long time was that the Ushiromiya mansion featured in the game is based on a real place, and apparently you can have a tea party there, just like Beatrice the Golden Witch sometimes did while she was tormenting Battler in the meta-world or however that went (it’s complicated.) A good idea if you can make it when things open up a bit once again.

What’s (In My Opinion) the Worst Parts About Anime (Side of Fiction) — Our friendly overlord Jacob loves anime, but he also has a few problems with the medium as it stands today. I’m partly but not totally on board with him, though I do get his reasoning, and he raises some issues that are worth talking about.

I’m Having Trouble Adapting to the Anime Community off WordPress (I drink and watch anime) — Irina brings up a new trend among anime bloggers of shifting off of WordPress and onto other platforms, talking about what she sees as the pros and cons of this shift. I do use Twitter sometimes, but I’m more or less of the same mind — WordPress is where I’ll stay, even if/when Automattic forces us to use their new extra-shitty text editor. I’m just waiting for that axe to fall.

Anonymity on the Internet is Slowly Dying (Umai Yomu Anime Blog) — Anonymity on the internet is indeed dying, and Yomu gets into detail in this post about how that’s happening and how we might fight against this trend and protect our own privacy online.

Nestle and Cargill financing child slavery for their chocolate industries, yet SCOTUS rejects a lawsuit to stop them from getting sued by those formally enslaved. (Ospreyshire’s Realm) — Finally, apologies for getting heavy here at the very end, but this is an important subject that hasn’t gotten much talk. Nestle is well known for being one of the evilest companies on Earth, even worse than Activision-Blizzard (which yes, I am following that case, and possibly more on it later.) So it’s not a great surprise that major food-producing corporations Nestle and Cargill were sued in the US over allegations of using child labor and essentially promoting slavery in Cote D’Ivoire for the purpose of chocolate production. The lawsuit was thrown out by the US Supreme Court on jurisdictional grounds, which basically means that the case might have merit but still can’t be heard for technical reasons. Ospreyshire here writes about how this was a bad ruling and why these companies should be held to account for their actions.

And that’s all for this month. I hope I’ve acquitted myself for skipping the last one. As for what you can expect from me moving forward — more anime reviews are certainly on their way, and I have a couple of other features I’m planning, including the next deep read post (probably up next unless I decide to revise it a whole lot.) Until then, all the best.

Listening/reading log #20 (May 2021)

Damn, 20 of these posts. This feels like a landmark somehow, though that should really be marked at 24 instead, shouldn’t it? I don’t have anything special planned anyway — just the same old great writing from around the communities and a look at some of the music I’ve had on recently. On to it:

Sunshower (Taeko Ohnuki, 1977)

Highlights: Kusuri wo Takusan, Tokai, 振子の山羊

Hey, it’s more city pop. This smooth Japanese style has been winning me over a lot lately. Well, it already had me ever since hearing “Plastic Love” like everyone else, but I’ve been listening to more lately anyway, probably to help with de-stressing. And it does the job. Sunshower is the perfect title for this album, because it sounds like the sort of music that goes along perfectly with driving along a coastal road in the summer breeze with the top down, or maybe hanging out at a rooftop pool in the middle of a city thirty stories in the air. One day with nothing to do and nothing to worry about, that kind of feeling.

Taeko Ohnuki’s singing contributes a lot to that feel — she has a really nice voice, soft and smooth, that goes along with this style well. Most of the songs are catchy as hell too — “Tokai” is the one that pulled me in, and I can see why both this song and “Kusuri wo Takusan” were put out together on a single in 2015, nearly forty years after the album’s release. There’s also a very obvious strong fusion influence here I really like (and maybe even a bossa nova one as well, though that might just be me.) And apparently a lot of these upbeat-sounding songs deal with dark subjects, like “Kusuri wo Takusan”, about the overprescription of drugs — and this was in 1977! Not much has changed, apparently.

My only problem with Sunshower is that it indulges a bit in some stupid synth tones. For example, about 20/30 seconds in the middle of “Tokai” unfortunately has a dumb as hell sounding synth gooped onto it that wrecks that section for me. Maybe you don’t mind those wacky synth tones, in which case you’ll be fine. I mind them, but I still like Sunshower a lot.

Octopus (Gentle Giant, 1972)

Highlights: The Advent of Panurge, Raconteur Troubadour, Knots (yes, really)

Shit, have I really gone 19 of these posts going on about prog and not bringing up Gentle Giant at all? Today I fix that. This English prog band didn’t quite reach the commercial success of colleagues like Yes or Genesis (and they tried but failed to make that leap into 80s pop those bands managed) but they had their own unique style — as far as I know, no one else came close to even trying to sound like Gentle Giant. Understandable, because it wouldn’t have been easy. These guys were really talented, some of them playing a load of instruments each, combining rock sometimes with a kind of medieval or Renaissance European sound, sometimes with orchestral or dance hall music, and occasionally with… Gregorian chanting or something? I know that probably sounds weird, but I can’t think of a better way to describe Gentle Giant than that.

Octopus seems to be considered their peak by some fans, and I can see why; it’s pretty damn out there while remaining grounded enough to enjoy. The opener “Advent of Panurge” combines those rock and folk styles really nicely, and I’m a big fan even if I have no idea what they’re singing about (I think Panurge and Pantagruel are characters from some Renaissance-era novels or plays; shows you how far back these guys go for their influences.) “Raconteur Troubadour” is more old folk/medieval-sounding but still a great time, and I’m also partial to Dog’s Life. Just a nice song about a dog and his owner, and who can’t like that? Though I’ve never had a dog, so I can’t exactly relate. And come to think of it, this song has some out-of-place synth fart sounds in the middle too (or maybe it’s some obscure old instrument? Probably, knowing these guys.) Maybe that’s the hidden theme to this post, irritating sounds in sections of otherwise good songs.

And then there’s “Knots”. This seems to be a controversial one — some really hate this song, and I can’t blame them for feeling that way. But I like it. At first it sounds like a complete fucking mess, but it does come together at times in a satisfying way, and I get the feeling that even the messy-sounding parts are extremely precisely and purposely written. As for the lyrics, God knows what they mean or if they mean anything at all. The song could be an avantgarde retelling of Macbeth for all I know. But it could just as easily be nothing more than a weird joke on the listener. Either way, “Knots” does have a practical use as someone in the comments of the video mentions — it’s great for clearing out a party when you want those annoying stragglers to go home.

Now for the featured posts:

Itch.io Indies: Jam and the Mystery of the Mysteriously Spooky Mansion (nonplayergirl) — A review of a game that I haven’t yet played in that itch.io bundle I keep going on about. It sounds like a very quick one, so there’s no excuse for me not to check it out. Sounds like a nice time from what nonplayergirl says, especially if you like some irreverent humor, and I’m sometimes up for that.

What I Would Like to See in PlayStation’s Future (The Gamer with Glasses) — I still don’t plan to buy a PS5 (my future console money is still set aside for the Switch alone, which no I still don’t have one yet) but it’s still interesting to read the Gamer with Glasses’ hopes for the new console, including some much-needed improvements and fixes from the PS4 era.

MagiCat – If a Christmas Calendar was a game (Nepiki Reviews) — Nepiki takes a look at MagiCat, a nice-looking old-school-style platformer available on Steam. I’ve never played a game that includes a transcription into katakana of its title on the opening screen that I didn’t like, so MagiCat looks like a safe bet for me.

Commander Keen in Invasion of the Vorticons – Episode One: Marooned on Mars (Extra Life) — PC games were a big part of my life as a kid in the 90s, but somehow I never played a Commander Keen game. This is without doubt a historically important series, but how does the first title in the series hold up? Read Red Metal’s review to find out.

East Meets West #5: Vatican Kiseki Chousakan .vs. Father Ted (The Traditional Catholic Weeb) — Traditional Catholic Weeb here continues the series in which he examines and compares works from both East and West, this time putting up the Catholic-themed mystery thriller anime Vatican Kiseki Chousakan against the Catholic-themed Irish comedy Father Ted. Incidentally, this is maybe the one time I can say that I’ve seen the live-action show but not the anime.

Fragile Packages Don’t Exist: Totally Reliable Delivery Service Review (The Below Average Blog) — None of these apply to me, but if you have an Xbox Game Pass subscription and a few friends who do as well, Totally Reliable Delivery Service sounds like a great game to pick up. Though the repetitive soundtrack might be a dealbreaker anyway in my case.

Anime Reviews: Demon Slayer: Mugen Train (Lex’s Blog) — People are now going out without fear after over a year of quarantine. I’m continuing my quarantine for as long as humanly possible because I hate the outside and everything associated with it. But if you’re actually a healthy and well-adjusted person who doesn’t feel that way, taking in a movie is a good way to pass time with friends or even alone if you prefer, and Demon Slayer: Mugen Train sounds like a good one to watch if Lex’s review is any indication. (Also, watching a movie in the theater alone is fine and to hell with anyone who says otherwise.)

It Takes Two to Break Me (Frostilyte Writes) — It’s not easy for an artistic work to elicit real emotion, but Frostilyte talks about his experience with the new co-op game It Takes Two and how it manages to achieve an emotional response using elements that are unique to the game medium. Interesting as always — check it out!

Visiting Ureshino, the Cheerful Hot Spring Town from Zombieland Saga (Resurface to Reality) — If you liked Zombieland Saga and you’re in Japan or are planning to visit, be sure to read here about the attractions in Ureshino. One day I will visit a hot spring inn, I swear to God. It’s on my lifetime to-do list.

Rhyme like a Rolling Stone! The Persona 3 Retrospective, Part 6(e); Characters-Koromaru, Ken, and Shinjiro  (Lost to the Aether) — Aether continues his excellent analysis of Persona 3, covering one of the worst and one of the best characters in the game in this post. Can you already guess which is which? Neither of them are Koromaru, though he is a good dog (in fact he could easily be the subject of “Dog’s Life” linked above.)

On Writing: Female Representation in Video Games (Meghan Plays Games) — Meghan here takes on the hotly debated issue of female representation in games. I agree with much of what she has to say in general, though not on some of the specifics — her piece might provide some counterargument to the one I wrote on fanservice a while back, but interested readers can judge for themselves. I don’t feel any differently now than when I wrote that post, but it’s still great to read different and well-reasoned points of view. More civil discussion, fewer bullshit kneejerk-reaction fights on Twitter, that’s what I say! Though we’re always civil here anyway from what I’ve seen.

Reflections: Am I too old for anime high school? (In Search of Number Nine) — And finally, Iniksbane reflects upon his feelings towards anime set in high school (i.e. a whole lot of them) at the age of 44, far removed from that stage in his own life. It’s an interesting question to consider and quite a personal one, whether you can (or should?) still relate to characters 20 or 30 years removed from you in life experience — I’ve had some similar thoughts before, but I think different people will come to their own conclusions on it. Either way, a very insightful and interesting post, so be sure to check it out.

And that’s it once again for the month. I’m in the middle of a lot of games at the moment, but a minor but annoyingly slow-healing injury to my hand has forced me to set aside some of the more action-oriented ones (most frustratingly NieR Replicant, which I was really enjoying up until then.) It is healing at any rate, but until it’s all right, I’ll probably be looking at a few of the visual novels I’ve had piled up. It was about time to get to those anyway. You can also expect the usual anime reviews — there’s at least one this month I hope to get to.

Before closing here however, I want to draw attention to yet another massive 1,000+ game bundle being sold on itch.io for $5 or more if the buyer wishes. This is the Indie Bundle for Palestinian Aid, the proceeds set to go to the UN Relief and Works Agency. I admittedly have a personal bias as I owe a lot to UNRWA by extension since they’ve helped a lot of my family out in the past, but they continue to do great work for the sake of Palestinian refugees. I don’t get political here all that often, but this is a major human rights issue and one that I care about a lot, so I thought I’d do a bit more than a simple retweet. (And I certainly have gotten political here before on occasion, so not like it’s unprecedented anyway.)

And of course, you also get a metric fuckton of games if you donate, so there’s that too. If you’re interested, the deal is running until 6/11. As with last year’s bundle, most of the games in here don’t look interesting to me, but a few do, so I’ll be digging through this haul at some point to find those gems. Until next time!

Listening/reading log #19 (April 2021)

Another month gotten through somehow. And no matter how much else I have to do, I’ll keep going here on the site.

For now, let’s get to the business: more music and more great writing from around the communities here. This time I’m covering another set of two albums that are extremely different in tone and execution, so depending on your taste or just your mood right now hopefully you’ll like at least one of them.

Yeti (Amon Düül II, 1970)

Highlights: Hard to pick one out considering the nature of the music, but Eye Shaking King kind of sums the album up. Cerberus is also catchy

If an album cover ever gave me a first impression that the first minute of listening confirmed as true, the cover on Yeti sure as hell did. This album was recorded by Amon Düül II, a German band that came out of a late 60s Munich artistic and political commune called Amon Düül. The history of this commune and the projects that came out of it is interesting — there was apparently an Amon Düül I as well that operated alongside II as a separate group, but it seems like all the musicians with talent joined II, and they ended up being the ones remembered as more than a footnote.*

And these guys certainly deserve to be remembered. Yeti is a classic German rock album that I just got around to hearing. Quite a rough listen, especially the first time around — it’s a double album that runs for 70 minutes, and the entire second part of it consists of improvisations that wear me down a bit. A lot, even. From what I understand, at least some of the members of Amon Düül II had LSD habits, and you can kind of tell from the music here. But they also clearly had more than enough talent to make some really memorable music, mainly on the first record, which features some great tracks like “Cerberus” and “Eye Shaking King”. I also like the multipart Soap Shop Rock that opens the album.

A lot of the music on Yeti feels apocalyptic, which certainly fits some of the song titles and that Grim Reaper swinging his scythe on the cover. Great stuff if you’re in the mood for it (or if you’re consuming a certain substance maybe, but I don’t advocate that at all. The only psychoactive drug I use is caffeine anyway.)

Midnight Cruisin’ (Kingo Hamada, 1982)

Hightlights: Dakare ni Kita Onna, Midnight Cruisin’, Machi no Dorufin

And now for something on the opposite end of the spectrum, from rough to smooth. Kingo Hamada is one of the big names in city pop, a popular Japanese style from the late 70s/early 80s that I’ve covered here a bit before, and Midnight Cruisin’ seems to be one of his best known albums — or it is now after “Machi no Dorufin” (also listed as “Dolphin in Town”) blew up online recently for some reason.

It is a really catchy song, though, so much like the even bigger newly popular “reborn hit” “Plastic Love” I can see why this song got new life on the internet. But the same is true for the title track, as well as “Dakare ni Kita Onna”, a slower song that really makes me feel like I’m sitting in a Tokyo bar in the early 80s (even if the closest I’ve ever been to doing that is playing Yakuza 0. Close enough, right?)

I’m not such a fan of some of the other slower songs — there’s a little too much sap for me in places. But the good stuff here is really good, and if you have a higher tolerance for sap than I do, you might love all of Midnight Cruisin’. Much like Aja, it’s a good nighttime listening album, only it’s a lot less depressing than that one.

So those are two albums that I only like about half of each, but those combine to make one great album at least. I don’t see any need to ignore the good parts of these albums just because there are parts I don’t like so much, you know? Maybe one day I’ll feature a few albums that only have one song each I like. But for now, the featured articles:

Getting the Read: Fighting Game Literacy (Frostilyte Writes) — I was never able to get into fighting games, and I think this piece identifies exactly why I had such problems with the genre. Frostilyte clearly knows and cares a lot about fighting games — I highly recommend checking this out no matter how you feel about the genre to get some insight on it.

I Can’t Review Vivy Fluorite Eye’s Song (Crow’s World of Anime) — Vivy Fluorite Eye’s Song is a beautiful-looking anime currently airing. While acknowledging that, TCrow here also sets out reasons he can’t review it, and they are reasons I completely understand, having to do largely with its approach to future technology.

The Trial of the Chicago 7 (Extra Life) — Red Metal reviews Aaron Sorkin’s new historical courtroom drama The Trial of the Chicago 7 as part of his look at the Oscar Best Film nominees. I don’t watch a lot of live-action stuff in general, but this film is one I absolutely want to see. Both as a lawyer and as a citizen (edit: and just as a human for fuck’s sake) the treatment of the defendants in the proceeding pisses me off, but it sounds like Sorkin also brings some much-needed optimism into the story (no surprise considering his other work.) At the very least, we can say we’ve progressed somewhat from 1969.

Azur Lane: Slow Ahead! (Otaku Post) — Johnathan of Otaku Post does what I said I probably wouldn’t do myself and reviews the short fanservice comedy Azur Lane: Slow Ahead! Sounds like it’s just what I expected from what I saw of it — something very comfortable and fun if you’re into the game. Anything with more of that drunk bunny girl destroyer Laffey is worth it to me.

On the Necessity of Character Growth in Anime (I drink and watch anime) — As usual, Irina brings a lot of insight to an issue in anime and other media that gets argued about all the damn time — how much does a character need to grow in a story to be interesting? Her argument might go against the grain a bit, but I find it interesting (and I pretty much agree as well anyway.)

Anime Review #54: Angel’s Egg (Or, WTH IS THIS: The Movie) (The Traditional Catholic Weeb) — From Traditional Catholic Weeb, a review of Mamoru Oshii and Yoshitaka Amano’s famously strange anime film Angel’s Egg, and he brings his own interpretation to it that’s well worth reading.

The Unique & Sad Dynamic Between VTubers & Translators (Anicourses) — VTubers don’t exactly have easy jobs, and for the vast majority outside the giant agencies like Hololive and Nijisanji, it also seems difficult to get a lot of attention. Translators on YouTube can help bring these streamers to an international audience, but Le Fenette here explores the relationships between VTubers and translators and how they can get complicated.

Top 7 Characters That Fans Are Reluctant to Call Blatant Ripoffs (Iridium Eye Reviews) — In the comments of my review of Perfect Blue, Ospreyshire brought up Darren Aronofsky’s borrowing without acknowledgement of elements from that movie in his own Black Swan, along with some other examples of such “borrowing”, which are all explored in this post on the subject. I knew about the Kimba the White Lion/Lion King connection, but some of these I had no idea about.

A Grinding Pain (Lost to the Aether) — Aether brings up a subject that many gamers know all too well, especially those of us into JRPGs: the grind. And hell, I agree with him, even if I like JRPGs in general too. I don’t have time for that shit. It’s also more interesting to feel like you’ve beaten an enemy through good strategy rather than raw strength through killing common enemies and that kind of busy work leveling. But if I keep going I’ll be writing my own post about it, so be sure to check Aether’s out.

Nepiki Gaming 2.0 is here! Update + Roadmap (Nepiki Gaming) — Nepiki has established a new self-hosted site, so be sure to update your bookmarks/browsers. And congratulations are in order! Self-hosting is something I don’t have the courage to even bother thinking about, because I’m sure I’d make a mess of it. Certainly worth it if you have any technical knowledge though (or maybe I’m just making excuses for myself yet again. I don’t know.)

And finally, I don’t know if I’ve done this yet, so just in case: a general plug for Pete Davison and his colleagues over on Rice Digital. If you want more posts about the new Nagatoro anime and VTubers, check it out. Also paying respect to Saya no Uta, which is always good (but also kind of NSFW unless your bosses are really cool, and most aren’t. Incidentally, happy May Day.)

That’s it for last month. What a shit, just like every other month. At least the weather isn’t so bad right now, though. And I’m now almost effectively vaccinated against the coronavirus, so soon I’ll be able to go outside and do all those things I love doing outside, like… uh.

Well, at least I’m vaccinated. And this month, I’ll be getting around to at least one more game (finishing out Atelier Shallie soon, just powering through it) and another anime series or two, as well as one of my standard “AK complains” pieces about a game-related controversy I discovered recently that I think has some interesting implications for all of us, even if it seems like it might not at first glance. And though they may not be coming this month, I’ve gotten ideas for a few more deep reads posts that I’ll be working on soon (those things take forever to write, but I think they’re worth the trouble, even if Google’s algorithm thinks they’re too long and rambling. Well fuck you, Google; I’ll ramble as much as I want.)

I also might be shitposting on Twitter about NieR Replicant, which is an entirely new experience for me. I’ve already died a few times in unexpected ways, but I’ve played Automata so I know at least a little of what to expect from Yoko Taro and his gang anyway. Until next post, all the best.

 

* As another footnote, the Amon Düül commune also produced future members of the insurrectionist West German communist organization Red Army Faction, but this group and the band otherwise had nothing to do with each other as far as I understand. It’s interesting how the same movement can influence a bunch of peaceful guys who just want to make music and a bunch of other not-so-peaceful guys who want to overthrow governments.