Usual apologies for the extremely late post. Otherwise, as far as the news goes, the world is even more fucked than ever. With impending doom coming ever closer, let’s relax once again with good music and good writing.
Highlights: Rose, Rubus, Smilax, Vulkan; Revealed as a True Future Tyrant; Rose Parkington, They Would Not Let You Leave (all found here)
All this time I’ve been listening to progressive rock from the 1970s, and mostly the early 70s back during the peak of that genre. But there’s some damn good prog around these days too, and not simply made by guys who sound like pale imitations of ELP and Yes and the like (who I love, but I don’t need modern copies of.) I came across the band/project Regal Worm more or less by chance after getting a recommendation and then following a rabbit hole down Bandcamp. All the music on Pig Views is written and recorded by one guy from Sheffield, England named Jarrod Gosling who apparently plays every instrument known to man, accompanied by a host of guest singers and musicians.
That’s impressive in itself, but Mr. Gosling has written some fine songs as well, though the best ones are shoved onto the front of the album. I have no idea what the fuck the above three songs I linked are supposed to be about with their obscure lyrics in typical overblown prog fashion. But they’re catchy and have great atmosphere, so their meanings if they even have any don’t make a difference to me (though I’m admittedly a big fan of 70s Yes, and you can’t beat them if you’re looking for convoluted lyrics.) I’d much rather listen to music with no meaning or obscure meaning that I enjoy than music with a clear meaning that I don’t, but I suspect that’s true of anyone who likes prog at all. Regal Worm/Gosling seems to have a sense of humor as well, and I get the feeling that some of this music is meant to be playing on the more self-important aspects of the genre — see “Pre-Columbian Worry Song”, about concerns of falling into the ocean and off the edge of the world.
My only problem with Pig Views is that a couple of the songs drag on too long, and sometimes without much purpose — I’m thinking mainly of the epic-sounding “The Dreaded Lurg” which I feel doesn’t really justify its length. But there’s nothing bad on this album, even if the second half of it falls off a bit. If you’re looking for some weirdo modern prog in the vein of Gentle Giant or Van der Graaf Generator (and I’ve read comparisons to 70s Canterbury rock guys like Henry Cow too, who I haven’t really listened to (yet)) I’d highly recommend Regal Worm, and I may look into more of their/his work and more good modern prog in general.
More weird shit! But this one is a classic, sort of. At least it’s a classic in the ambient genre, and I’ve looked at ambient a bit in these posts, usually on the darker side, so why not go to the source? Music for Airports was created by legendary musician/composer/producer Brian Eno for exactly the purpose you’d think from the title: this album contains music made to be played at airports. It’s been years since I’ve been on an airplane or in an airport, so I had to imagine what it was like back when I had to haul ass through those long concourses. It might sound weird since air travel is so often seen as a hassle, but I actually miss that typical airport atmosphere, especially when it’s not crowded.
So I’m fine with the concept of “music for airports”, but even though Mr. Eno was a key figure in the development of the ambient genre and this is considered a great ambient album by a lot of people, I’m not in love with it myself. The big problem I have with the album Music for Airports is most of it doesn’t feel right for an airport. The only piece that seems to fit very well out of its four tracks is the opening “1/1” with its pleasant repeating piano loop — that one really makes me feel like I’m walking through one of those extremely long hallways with the massive windows looking out to the planes taking off and pulling in. But the following “2/1” features a vocal tone that makes me think of a synthesized chorus of angels, which is not a mental connection I want to be making at an airport, and especially not before boarding an airplane. “1/2” contains the same vocal synth tone but has more going on, though it still doesn’t relax me. The closing piece “2/2” is all right, but “1/1” is the only standout here in my opinion.
Still, again, Music for Airports is considered a classic in the ambient genre, so check it out yourself — maybe you’ll like it more than I did if you’re more inclined towards ambient. It’s also historically important, so if you’re deep into 70s and 80s musical movements beyond the most obvious pop/punk/disco/etc stuff this is an album you have to hear in any case. Eno made a whole series of these albums as that Ambient 1 title suggests, though the later volumes of Ambient seem a little vaguer in their purposes (like his following album Ambient 2: The Plateaux of Mirror, which I don’t even know the meaning of. The Plateaux of Mirror just sounds like a James Bond movie to me.)
That’s all for the music. Yeah, both albums were bizarre progressive/experimental stuff this time, but if you want some more potentially satisfying music, check out my last post in which I went on at length about my favorite Touhou tracks. Now for the featured posts from around the communities:
While My First Impressions Were Tepid, I’m Warming Up to Night in the Woods (Adventure Rules) — I started Night in the Woods a few years back and only got an hour or two in before being annoyed out of the entire experience by the protagonist and her college freshman-ness, for lack of a better term. But I think I wasn’t being fair. For one, I was kind of like that when I was that age, so she might have just been reminding me of myself too much, but it looks like her attitude and the hometown she’s returned to are all tied into a pretty interesting story. Read Robert’s post for more insight on all that. I might have to give this one another shot one day.
Anime Review #77: Chuunibyou – Take On Me! (The Traditional Catholic Weeb) — Traditional Catholic Weeb brings his usual depth of analysis to the film Take On Me!, which is not about the 80s synth-pop group A-ha as you might think but rather a followup to the first two seasons of the anime Love, Chunnibyou & Other Delusions. I liked the first season back when I watched it last year, but not quite enough to watch the rest, so I can’t make any comment on this movie myself. But be sure to check out the above review if you’re interested (and I agree that Nibutani is the best girl in the series — her fighting with Dekomori was also a highlight of that first season.)
Winter Anime 2022 That Froze Over For Me (LitaKino Anime Corner) — With so many anime series airing every season, some of them just aren’t going to stick with you. Lita here gets into some of the less impressive anime of the past season and why they didn’t work for her so well.
Slow Loop Finale Impressions, Whole-Series Review and Recommendation (The Infinite Zenith) — After my extremely positive experience with Yuru Camp (and more on that soon once I finish the second season — I’ll also be checking out the film once it’s out/available!) I’ve been thinking I shouldn’t be so closed to the slice of life genre. I don’t know whether Slow Loop would necessarily be my thing (I was bored by the first episode of the extremely acclaimed slice of life Non Non Biyori if that tells you anything) but as with many of these series, there seems to be more to it than just “several girls hang out and do things together/shoot the breeze/etc.” Though a show just about that could be all right as long as it’s done well. I liked all the endless conversations in Monogatari after all, so I can’t just count a show all about banter out either.
Anime Corner: The Great Jahy Will Not Be Defeated! Review (Never Argue With a Fish) — From Chris Joynson, a review of The Great Jahy Will Not Be Defeated!, a comedy that I thought was a bit overlooked last season and the season before (or was it before that even? Time is moving too quickly.) His take on the series is pretty different from mine, but it’s always interesting to see different angles on anime and other sorts of works.
Willy Wonka & the Chocolate Factory: Sweets & Psychedelia (Professional Moron) — Mr. Wapojif sets out his thoughts on the classic children’s film Willy Wonka and the Chocolate Factory. I say children’s film, but though I haven’t seen the whole thing in a while I suspect it would still completely hold up today, maybe even better than it used to for me, thanks in part to Gene Wilder’s excellent performance as the title character. It’s a good thing no one ever made an updated film version that didn’t live up to the first or the original novel at all, isn’t it?
Day Sixteen: Don’t Look Up (March of the Movies 2022) (The Visualist’s Veranda) — Kapodaco spent the month watching and writing about films, but unfortunately one of them was Don’t Look Up, a film that seems to have pissed a whole lot of people off with its general approach. I agree with Adam McKay’s message and agenda and all that, being someone who doesn’t want to see all of human civilization burn itself to fucking ashes. But I don’t get the impression that this sort of movie is going to help the situation.
There’s More to Dress-Up Darling Than Marin (Side of Fiction) — A look at last season’s big romantic comedy hit My Dress-Up Darling, focusing on the perhaps less noticed part of the central pair in that series, the male lead Gojo. He’s an interesting guy for sure (I say only four episodes in now, but I’ll probably be writing about him and the series in general at some point too.)
The 94th Academy Awards’ “Best Picture” Nominees Ranked from Worst to Best (Extra Life) — I really, really don’t give a fuck about the Oscars — the most I’ve cared about it ever was when Will Smith famously slapped Chris Rock in a move that made the ceremony relevant again for a lot of people, at least for a while. But Red Metal’s film analyses are always worth reading. There are at least a few on this list I should make an effort to see.
Look at these Preposterously Long Videogame Titles! (Arcadia Pod) — Some game titles are stupidly long for no reason at all, and Stephen K. gives us some of his favorite examples here. I thought that Summertime High School one was a joke, but knowing how lengthy some light novel titles can get I can believe it. My own favorite is still Shin Megami Tensei: Devil Summoner: Raidou Kuzunoha vs The Soulless Army for its double colon title (though of course that “Shin Megami Tensei” was only shoved into the NA and I think EU titles for us westerners who didn’t know what Devil Summoner was, but they only ended up confusing us more — that’s just the way with these poorly localized titles.)
Two Years in Japan Review (Umai Yomu Anime Blog) — Yomu expresses his feelings about leaving Japan after two years spent there teaching. It sounds like it was a moving experience, and certainly one worth reading about.
Politics, as Usual, and My HOT Take on Rushia (The Unlit Cigarette) — This is yet another big case of VTuber drama, but one that says a lot about the whole performer-fan dynamic (that I got into purely by chance in my Needy Streamer Overload review about a week before this story came out.) The short version is that a popular Japanese VTuber named Uruha Rushia was exposed for potentially having a boyfriend, maybe, possibly, during a stream in which she received a message from a fellow online performer — a male one. Truly a horrible thing, isn’t it? If you’re wondering what the big deal about that is, you’re certainly not alone, but despite a lot of support from her fans, Rushia ended up terminated from the agency Hololive after its company Cover claimed she’d broken her contract by exposing certain information she was legally bound to keep quiet about.
It sounds like Cover is probably on solid ground with that claim, at least judging by the reaction from Rushia’s now-former colleagues (though Rushia’s role in that is up for debate too considering a possible betrayal of confidence made against her that led to the breach this post also gets into.) But this mess also raises a lot of questions about where the boundary lies between a VTuber’s online persona and their private self. The Unlit Cigarette featured a look at the Rushia situation last month that’s well worth a read, even if you don’t have a general interest in VTubers. There are plenty of weird social implications to get into here, after all, and those are relevant to a lot more people than just us weebs.
That’s all for last month. Almost nothing about games this time. Usually I try to keep a balance going there, but sometimes it just doesn’t work. But I’ve got a couple of games I’m probably going to finish soon that I’ll certainly be writing about, not this month but maybe in May, along with some anime I’ve got lined up, and maybe even the start of another deep reads series depending on how things shake out. My sense of impending doom isn’t going anywhere in any case, no matter what I do, so I may as well do whatever I want within reasonable boundaries, right?
On that note, I’ve started writing fiction again and have two short stories done in extremely rough draft form. I think I’ll be sticking to this format, at least until I retire in one hundred years assuming I live that long. A novel is just out of the question with my schedule. But I’m finding the short story format to be a pretty interesting and rewarding one, even if everything I’m writing is still terrible fucking hackwork. It will probably never see the light of day unless a relative finds them all on a hard drive one day after I’m dead and bothers to try publishing them. But until then, they’re safe and hidden where they belong (for now, at least.) Until next time, anyway.