I’m hiding in my new apartment avoiding the coronavirus right now, just like most of the rest of you. It’s still outside stalking around, despite all the efforts of internet artists to anthropomorphize COVID-19 into a cute yandere anime girl (I don’t have a problem with that, understand — we all have to do our parts in this crisis after all.)
So let’s forget about Corona-chan for a while and listen to some good music. This time, we’re looking at two albums that feature Phil Collins. Are you shocked by that? Well, I’m serious, so keep reading and find out what the hell I’m talking about:
I was thinking about classic prog bands I haven’t covered in this feature yet — I got Yes, King Crimson, ELP, and Van der Graaf Generator already, so it wouldn’t be right for me not to cover Genesis. This live album might be a weird work of theirs to highlight, but for whatever reason it was the first Genesis album I ever heard, so it still has a special place for me. Proggy 70s Genesis was quite a different beast from poppy 80s Genesis, though they were both really good in their own ways (well, Invisible Touch on pretty much sucks but that’s a different post.) Under the artistic direction of singer Peter Gabriel, these guys were ultra-artsy, writing long epics about killer plants (“Return of the Giant Hogweed”) and evil landlords genetically engineering shorter people to take up less space in apartment blocks (“Get Em Out By Friday”). And their stage act was apparently nuts, with Gabriel changing costume between certain songs to dress up as Britannia, or a flower, or a crossdressing furry. Or as Pyramid Head, like you can see on the cover.
Naturally you don’t get any of that spectacle on this live album, but it’s still really good. Gabriel is one of my favorite singers, and all the musicians in the band do well — for those of you who hate Phil Collins for his solo career of mostly cheesy pop and sappy ballads that are on constant play in your local grocery store, you should know that he was (still is?) an amazing drummer. The music is excellent as well. My favorites are the bizarre “Musical Box” with Gabriel going into his creepy old man persona in the end, and the violent “Knife”, which sounds like something these guys wrote after reading a lot of Machiavelli at college. The energy in that song is amazing. Great album, though it really is weird that they didn’t make it longer. They didn’t even include “Supper’s Ready”, which would have taken up another whole side of a second record. How did that not happen?
Peter Gabriel left Genesis in the mid-70s to start a long and successful solo career, though I don’t guess he made as much money off of it as Phil Collins did with his. But in the mid-70s Collins was still Mr. Hardcore Progressive Drummer Man, and in addition to doubling as the new singer for Genesis he also recorded jazz fusion albums with the separate band Brand X, of which this was the first. Brand X is totally different from Genesis aside from also featuring Collins on drums — Unorthodox Behaviour is instrumental fusion with a big emphasis on technical skill. For me, technical skill isn’t quite enough, but thankfully most of the pieces on this album are really catchy and entertaining. “Nuclear Burn” is the kind of thing I can’t play in the car because it would make me want to drive faster, it’s got so much energy and speed. The whole album is really good for studying or working to after one or two strong coffees, in fact — try it out.
And now the featured articles:
Keeping my blogging to myself — Kim at Later Levels talks about the feeling of not being able to tell real-life friends and family about your blog. This is something I can strongly relate to. The wall between our online and offline lives can be hard to maintain sometimes, but for some of us, there’s really no choice.
Fate/Extra — An insightful review of the PSP action RPG Fate/Extra by Neppy. I was too busy/lazy/drunk to actually get through Fate/Extra when I first played it years ago, but if you want a real analysis of it, check out this review. The only meaningful commentary on the game I can give is that Caster is cute, and you probably don’t even need me to tell you that.
Visual Novel Theatre: Ame no Marginal – Rain Marginal — Aether brings back his visual novel review feature to look at Ame no Marginal, a short VN about a depressed man and a girl stuck in a Limbo-esque world, and if you want to know the rest, go read his review. It’s interesting, even if the VN itself seems like a bit of a let-down from Aether’s analysis. His post still piqued my interest, though, so I bought the game on sale while digging around Steam today, along with Narcissu. I’m sure I won’t regret this decision at all. (Also, check out his latest entry in the Persona 3 retrospective series he’s writing.)
Weekend Reads: Japanese Non-Fiction & Islamic Epic Fantasy — Yon Nyan talks up some interesting recent novels, including one in the category of Islamic fantasy, a genre I didn’t even know existed outside of old stories from 1,001 Nights. Sounds interesting, though; I’ll have to keep an eye out for it. If you’re into fiction at all, Yon Nyan is also absolutely worth following.
[GAME REVIEW] Mega Man 4 — And as promised, linked here is Red Metal’s review of Mega Man 4, as in-depth as usual.
A bit shorter than usual this time, yeah. I had hoped to be more productive on the blog this month, but between the great plague and my recent house-moving, most of my free time’s been occupied. Now that I’m settled and working from home without having to worry about commuting at least two hours a day, I’ve been able to get deep into some of the games I wrote about last post, and you can be sure I’ll write about anything I find that’s interesting (or not, but you’ll have to be the judge of that.) And maybe I’ll finally get that god damn Disgaea deep reads series done. I can only hope.
Until next time, dear reader, all my best wishes and try to stay safe.