Not the game I’d planned to review next, or even the post I’d planned to write next, but life has a way of fucking up your plans, doesn’t it? And that’s a lesson that’s very relevant to the game I’m reviewing today.
Despite its sugary sweet look, this one deals with adult subjects like sex and drug use and heavy, serious subjects mostly related to mental health and various kinds of psychological and physical self-harm up to and including suicide, so the usual warning here for kids and those who prefer not to touch such games. The game has its own covering our ass “this is all fiction and please don’t do any of this” message every time you start it up, and the message is warranted.
Needy Streamer Overload, put out by Japanese developer Why so serious, Inc. (with the original title Needy Girl Overdose, changed apparently when it was put up on Steam, though both titles fit it pretty well) is an ADV game depicting a month in the life of Ame, a girl who’s into some of the usual hobbies like gaming, watching anime, and cosplay. At the start of the game, Ame’s decided that she’s going to take advantage of her cuteness and on-screen charisma to become a streamer on MeTube (of course) and to rake in love, attention, and superchat money from shut-ins and nerds across Japan.
And you the player are her boyfriend (edit: or girlfriend if you prefer; as commenter phoenix below pointed out to me there’s no explicit reference to the player character’s gender, so keep this in mind going forward since I’m not taking the minimal effort to edit the rest of this post. But thanks for the catch!) known only as “P-chan”, as she claims above because you’re perfect for her, but also because you’re basically her producer. As Ame promises on day 1, she’s placing her life in your hands: she’ll do whatever you ask of her, and her only demand is that you drive her channel to a million subs in a month. Sounds difficult, but not impossible, because when she’s on camera Ame uses makeup, a wig, and a flashy costume to transform from her dour regular self into the peppy OMGkawaiiAngel-chan or KAngel for short.
Each day is divided into three time periods called day, dusk, and night, and as Ame’s live-in boyfriend/producer your responsibility is to direct her entire life. Throughout the day, Ame has various activities she can take part in, including using the internet/social media to get new ideas and pump up her subscriber/viewer counts, going out to neighborhoods around Tokyo with P-chan to take in the sights, and staying inside to play a game or spend some one-on-one time with P-chan (including an option labeled *** with a bed icon — I wonder what that could be? Well, the game doesn’t actually try to hide it.)
While the first two parts of the day are dedicated to letting Ame get new ideas, shill her own channel online, or rest, the night is for streaming. It is possible and sometimes advisable to skip a day and put the stream off to the next evening, but night is the only time Ame will stream since it’s peak viewing hours. After picking one of several available stream idea options for her, your job is to watch Ame’s stream and monitor chat for shitty comments to delete (not necessary, but deleting the right ones will reduce her stress slightly) and colored superchat comments with donations attached for Ame to read at the end of the stream (though only two of them, because KAngel doesn’t give her love out to her adoring fans that freely, and this also isn’t strictly necessary.)
Finally, note the Task Manager at the top right of the screen. This is an extremely important window to keep track of, as it measures both Ame’s all-important follower count and three aspects of her mental/emotional state: her stress level, her “mental darkness” which sounds related to but is distinct from her stress, and her affection towards P-chan. Every action you choose for Ame has effects on one or more of these stats: streaming almost always dramatically increases her stress along with her follower count, spending time with P-chan lets Ame de-stress and also increases her affection towards him, and while sleeping is a safe way to prepare Ame for her next stream stress-wise, it also takes up time that could have been used to find new stream ideas.
If Ame’s stress or mental darkness get too high, she may start acting strangely and refuse to listen to your commands, making decisions for herself that usually turn out poorly for her. You also don’t want Ame’s affection level to get too low (or too high!) since this will have consequences for P-chan’s relationship with her. And since P-chan is the (mostly) silent player character, if you fuck things up for him, your game is over and you’ll be kicked to the title screen to try to be a better boyfriend/producer in a new playthrough.
Needy Streamer Overload feels like a timely game. People who normally would have been going out over the last two years have been largely shut inside because of COVID (aside from those who act like it doesn’t exist, but again, a subject for a different blog than mine.) This seems to have driven online traffic a lot — I’ve seen the rise in my own site’s stats that track exactly with the beginning of the global virus in March 2020. I’ve seen theories that it also had to do specifically with the rise in popularity of livestreaming and especially of VTubers, who first became widely known in the US in that same year with a flood of translated Hololive clips on YouTube and then the development of English-language branches of Japanese streaming projects like Hololive and Nijisanji.
Ame isn’t a VTuber, but a lot of what I saw in Needy Streamer Overload made me think of the small amount of time I’ve been able to scrape up watching VTuber streams and seeing fan interactions on Twitter and other sites. This game does present an extreme case of a streamer who really shouldn’t be streaming at all, who belongs in school or a regular job and definitely in some kind of therapy considering her mental/emotional state. However, it also partly addresses the unusual and not always entirely healthy relationship between the streamer and her fans on social media and in chat during her streams, and that’s not particular to Ame or her KAngel persona.
From what I’ve seen, the vast majority of viewers are just dropping in to be entertained and have a pretty casual attitude. Fans seem to be pretty accepting of most any subject a streamer might want to bring up or an idea she might want to try out, even if the stream ends up crashing and burning (as happens a few times in Needy Streamer Overload, though KAngel’s reactions to these failures end up getting her more viewers than she would have had otherwise.)
Despite this casual and accepting atmosphere, there’s still a pretty common expectation, at least as far as I understand, that a streamer like KAngel or a VTuber who presents herself in a similar way shouldn’t be romantically involved, much less sexually active. Or if she is, as a lot of fans realize is at least possible, she should never even suggest or hint at that possibility that she might have a boyfriend.1 I’ve even heard about a couple of “incidents” in which viewers heard a male voice during a stream and the streamer had to explain the situation later (probably by saying “don’t worry that was just my brother” or something similar.)
That might sound like a silly or harsh standard to you, but there seems to be a practical reason behind it. A streamer who creates a persona as Ame does has to maintain that persona in front of the camera and on her social media accounts. Talking about personal issues isn’t necessarily discouraged, and in fact it can help viewers feel more closely connected to the streamer. However, part of the appeal of this sort of streamer, whether she uses a VTuber model or not, is her cuteness and weirdly enough her romantic availability — even though, practically speaking, she’s not romantically available to any of her viewers. Again, this is not true of all such streamers, but it certainly is of KAngel/Ame, who’s pretty open about using her looks and her cute persona to attract a probably primarily male fanbase.2
This approach to the division between the streamer’s persona on one hand and her private life on the other seems to have been carried over from the idol scene, a subject I got into when I had a look at the film Perfect Blue. In both works, many fans express their adoration and/or love for the main character, and some express envy for the attention she receives.
But of course, that attention has a double edge. Ame looks to be suffering from a mix of depression and anxiety and maybe a severe personality disorder or two thrown in, and while taking medication helps her out a bit, it’s only a temporary fix in the game. Higher viewer counts get her excited for a while, but she soon becomes dissatisfied and wants more, and then it’s clear that she’s looking for something streaming alone won’t help her with.
At the same time, a lot of Ame’s viewers also seem to be depressive shut-ins or otherwise living on the margins of society. As someone with those tendencies (at least as far as I feel, since I disguise myself pretty well in public and society as a basic normal guy more or less — no time to mope around over here) I can completely understand why such people would seek an escape like watching streamers, especially since you can spend quite literally all day every day watching them live now. And that’s not even mentioning the nearly endless stock of VODs that I’m sure fans are obsessively archiving just in case a nuclear war or solar flare destroys the internet.
I don’t want to overstate this point. The vast majority of interactions and talk in general I’ve seen around VTubers and fans has been positive. But the term “parasocial relationship” has been thrown around a lot lately for good reason. As much as it pains me to say it, while following one of these personalities can be fun, it’s not a substitute for having a social life of your own. Not even if the cute fox girl on the screen reads your superchat.
And no surprise, with all these strong emotions running and especially with five or six day-per-week streaming schedules, there’s always potential with this arrangement for things to get out of hand, with minor and even unintentional slips or incidents being blown well out of proportion. I’m not sure how much of this translates over from VTuber/liver work to “real 3D” or in-person livestreaming or whatever you’d call it, but I recognized a lot of what I saw in this game.
All that said, Needy Streamer Overload, despite its often dark tone and its dozens of bad endings to achieve, isn’t entirely negative. Ame does have serious problems she needs help with, perhaps even beyond the ability of you as P-chan to fix (and her extreme dependence on her P-chan is likely a serious problem in itself.) But she also seems to genuinely enjoy streaming sometimes, even if she likes to put down her viewers a bit as her “little nerds” in her private account, and most of her fans reciprocate that positivity.
If this game went full-on 100% dark all the time, I’d criticize it for that — despite how negative I can be, I find that sort of approach in any medium of art way too boring and simplistic, and it wouldn’t reflect reality all that much. Needy Streamer Overload already presents what seems like a purposely exaggerated situation, but it’s exaggerated in the right way and mostly has the right effect. A few of the bad endings do feel pretty weird and abrupt, but there are plenty of endings in the game. Almost all of them bad, but I get that too — I guess the game’s makers didn’t want to make it so easy for us.
So reading all that back, I just bullshitted a lot about subjects I probably don’t have too much understanding of and read far too deeply into everything. But that’s the usual way for me. As for the game itself — I liked it. I’m a big fan of the art style and general look of it, it has some catchy and fitting background music, and I had fun watching Ame stream as KAngel when she wasn’t an out-of-control train five seconds from derailing, which I always felt responsible for because I was the one directing her life. Needy Streamer Overload is still another one of those works that’s not meant for everyone, or perhaps even for most, but if the style grabs you and you can deal with the subject matter, I’d recommend it.
1 Or a girlfriend, I guess, but that possibility doesn’t seem to come up as much, and I get the impression more fans would be generally okay with their favorite having that sort of relationship (though certainly still not all of them.) I’m also not sure how much any of this might apply to male streamers — that’s a totally different world as far as I can tell, and if anyone reading this is deep into male VTubers, I’d be interested to know if there are similar hangups among those fan groups.
2 To be sure, not all fans feel this way, and that difference in opinion is also depicted in Needy Streamer Overload. However, it seems like a common enough issue that it’s still worth bringing up. I’m also not trying to justify this feeling on the part of the more obsessive fans, since I do think it’s pretty unreasonable, but it’s worth trying to understand at least. For what it’s worth, the few VTubers I follow seem to have a healthy and practical attitude towards all this, though of course it’s impossible for me to say that for sure since I don’t actually know who they are behind the curtain. Not my business anyway.