Listening/reading log #22 (August 2021)

Another month spent watching the world fucking burn. I mostly spent it working, and the parts I didn’t I spent mostly watching anime and doing other degenerate kinds of things. What else is there to do? At least for now, while we’re still trapped indoors (not that I really mind, of course. Actually my state is completely open, but hell if I’m taking chances.) For the time being, let’s just get on to the usual thing: music and great writing from around the communities.

Animals (Pink Floyd, 1977)

Highlights: Dogs, Pigs (Three Different Ones)

Yet another set of guys who don’t need any introduction — I think even kids today know who they are thanks to YouTube (and TikTok? I don’t go there, so I have no idea.) But in case you don’t know them, Pink Floyd were another English art/prog-rock band that got their start in the 60s and went on to massive popularity with heavily concept-based albums in the 70s before breaking up soon into the 80s and suffering through legal battles over the rights to the band name. Look those up; they’re fun in a morbid way.

Animals gets a little overshadowed by two of Pink Floyd’s other big projects, Dark Side of the Moon before it and The Wall that came directly after, but I think this one deserves just as much if not more praise. Because for me, Animals is where both the music and the concept it’s based around come together to create a really cohesive and entertaining album.

Not that the concept is all that complicated. I think Roger Waters read George Orwell’s Animal Farm and just decided to adapt the idea of dogs, pigs, and sheep representing different classes of humans in an unfair, unjust societal structure (the dogs being the enforcers for the rich/ruling class pigs, and the sheep being the rest of us I think.) Maybe it works just because it’s pretty simple and straightforward, but then Waters’ lyrics thankfully aren’t so straightforward that they’re battering us over the head with the message.

And most importantly, the music totally fits the theme. Pink Floyd were great at creating atmosphere especially between Dave Gilmour’s guitar and Rick Wright’s keyboards, and Animals creates a pretty oppressive, dark one appropriate to its theme. “Dogs” is an excellent example of this, probably my favorite song on the album; doesn’t feel its 17-minute length at all. “Pigs (Three Different Ones)” is also catchy, and likely the one song from Animals you’ve heard if you’ve only heard one of them. Out of the three big pieces on the album, Sheep is a little less memorable, but it still works well in the concept and puts a nice cap on it with an ending that reminds me a lot of “The Knife” by Genesis with that “kill them all!” vibe.

So I’d recommend checking out Animals. Especially if you want to feel depressed about the horrible uncaring bullshit society we live in. Don’t look to Pink Floyd for happy positive funtime music, but you already know that if you’ve heard or seen The Wall. And best of all, Doug Walker will never get his hands on this album, since it never had a film adaptation.

Siren of the Formless (City Girl, 2020)

Highlights: “Serene Tears, Elysian Eyes” and “Devote Ember” are nice, but it’s all very even

Well, maybe you don’t want to meditate on how fucked society is and how we’ll probably destroy ourselves sometime this or next century because of faults inherent in human nature that have existed since the Stone Age. If that’s not your thing and you’d rather relax instead, here’s a better option. I’ve covered City Girl once before, but she (at least I guess she, though again I’m not sure; could be a group for all I know) has put together quite a few albums that are posted in full on YouTube and are also available on Bandcamp and other platforms for sale.

Siren of the Formless is another nice album for chilling out and sitting back in your chair on a rainy morning, full of smooth, slow lo-fi tracks. I especially like the combination of acoustic and electronic instruments; there’s plenty of synths together with what sound like piano and actual strings being played, and they blend together well.

As for the songs themselves, there are a few that I especially enjoy like the ones listed above, but the whole album itself sort of blends together when I listen to it. In some cases, that would be a bad thing, but here it works, and it feels intentional as well. The album cover fits the contents perfectly — it feels like I floated through the whole album, like that girl floating in that lake. Not sure how to describe it in a less artsy pretentious way, but that’s just the feeling I get from it.

If you’re not generally a fan of “easy listening”, I’d still give this a try, because it’s the tasteful and well-thought-out kind rather than the artificial-feeling plasticy kind. I’ll keep following City Girl myself, and I’ll be on the lookout for similar stuff coming out on YouTube and Bandcamp and elsewhere.

MSB (Masahiko Satoh & Medical Sugar Bank, 1980)

Highlights: Ridin’ Out, Fly, May Fly, Overhang Blues

And finally, Japanese jazz, yeah. Why not. YouTube keeps dropping these recommendations in my sidebar and I’ve started listening to them. It seems Japan was really big on fusion in the late 70s and 80s (see my very first one of these posts featuring Casiopea) which makes sense when you listen to say the OutRun or one of the early Sonic soundtracks. There has to be a web connecting this jazz/fusion stuff with city pop and new jack swing and leading to that music I heard so much of in my childhood.

This particular album was created by pianist Masahiko Satoh and the strangely named band Medical Sugar Bank. MSB is a fully instrumental jazz album, though it varies a whole lot in tone from piece to piece. I only like part of it, though thankfully the larger part that falls into the more fusion-sounding funky category like “Ridin’ Out” and “Fly, May Fly”, songs that remind me a lot of the really good stuff off of Casiopea. I’m also pretty all right with the ending free jazz freakout “Overhang Blues”, probably because it’s just short enough to make that controlled chaos really work for me.

The rest of the album roughly falls into two categories: more sections of dissonant avantgarde horn wailing that I can only take in small amounts, and “heavenly” sounding pieces like Saga Unknown that I don’t care for in any amount at all. The latter gets too close to standard smooth jazz for my taste, just the kind of easy listening I don’t like as opposed to the kind on the album just above this one. It also probably doesn’t help that some of these tracks sound like they feature a lot of soprano sax (see Nebulous Suspicion for example.) Not that the soprano sax did anything to deserve its reputation — it’s a fine instrument, but Kenny G has kind of defined its sound after all, and he didn’t do it any favors in my opinion. Though if you want to hear it really done well, check out John Coltrane’s My Favorite Things.

But before I sound like way too much of a snob (forget it, I’m years too late for that) I’ll mention that all the playing is extremely professional and I can see even those tracks I don’t care for much working as nice mood-setting music. Maybe especially if you’re trying to set a romantic mood. See, I’m no romantic, so I don’t have any sense for this stuff. I’d end up playing some crazy shit like Amon Düül II and scaring the woman off (or discovering she’s exactly as weird as I am — maybe this is actually a great idea?)

So take what I have to say with a grain or a handful of salt, or sugar, or whatever. I basically like the greater part of MSB, and if 70s/80s fusion is your thing and you don’t mind a little sap you’ll probably like the whole thing more than I did. And even those sappier pieces have some cool parts in them, albeit ones that I don’t feel like pulling out and hearing again myself.

Now for the featured posts:

Let’s Get this Roadshow on the Road: SHIROBAKO the Movie (OGIUE MANIAX) — I liked Shirobako a lot, but the fact that it had a sequel movie slipped my mind until I read this review. Another one to add to the list along with the Youjo Senki movie that I need to see anyway in preparation for season 2 of Tanya the Evil. There’s so damn much to watch… but this one looks like it’s well worth the time.

Uma Musume Pretty Derby: Whole-Series Review and Reflection (The Infinite Zenith) — I have to admit that the concept of Uma Musume came off as weird to me at first — a bunch of horse girl idols who race against each other in derbies and also sing in concerts and do typical idol stuff. However, this review got me interested. P.A. Works already has a pretty good track record with anime as far as I can tell, and honestly the idea behind Uma Musume isn’t any weirder than that in say Nekopara, or those shipgirl games like Kantai Collection or Azur Lane (which in a way are quite a bit stranger.)

Commander Keen in Aliens Ate My Babysitter! (Extra Life) — Red Metal has done something I could never do myself and played through and reviewed the whole Commander Keen series in depth, ending with this sixth installment. Do yourself a favor and read them all if only to understand what kinds of platformers PC-only players had to choose from in the early/mid 90s, before emulators were a thing. Feel some of that pain. I was one of those kids back at the time who had to sponge off his friends and relatives to play their SNES and Genesis, so I can relate.

Yakuza 0 – Punching human pinatas for mad cash (Nepiki Gaming) — That title says it all, really. I’ll probably be writing a review myself whenever I manage to actually finish it (which could be anytime this or next year, lacking discipline as I do) but in the meantime, you should read Nepiki’s review of Yakuza 0. I will also agree that the game provides poor explanations of mahjong and shogi — I already knew how to play mahjong so I was all right there, but I gave up on that old man’s shogi challenge two minutes in. There’s a sidequest I’m guaranteed never to finish. Good thing I don’t care about 100% runs.

In Search of… Kaiji, the Ultimate Survivor (In Search of Number Nine – an anime blog) — Kaiji is easily in my top few (top three/five/whatever, I don’t really count them) anime of all time, so I’m always happy to see other bloggers writing about it. Iniksbane has some interesting points to make about the first season of the series here, with observations that I hadn’t really considered before. Be sure to read it (and also watch Kaiji if you haven’t!)

The Great Ace Attorney Chronicles (Nintendobound) — All I’ve played of Ace Attorney was some of the very first game on the DS so long go that I don’t remember much about it. Perhaps shameful to say for a hybrid lawyer/gamer like myself, but that’s the fact. However, The Great Ace Attorney Chronicles sounds just like the thing for me to try to get into the series again if I ever take the shot. Matt gives the game a comprehensive review here.

A Guide to Soloing Alatreon in Monster Hunter World (Frostilyte Writes) — While I’m in the process of degrading my serious gamer status or however that works, I’ll also mention that I’m not into Monster Hunter. Frostilyte is, however, and he’s written an in-depth guide to soloing a boss fight in Monster Hunter World. I really like seeing these kinds of narrow-focus but extremely deep guides, though I haven’t written any myself — they remind me a lot of the old days on GameFAQs. Those were the days. No bills to pay or any of that shit. Before I start complaining about my life again, I’ll just recommend that you check out Frostilyte’s guide if you have an interest in this game.

The Summer of Love III: Final Thoughts on Fate/Kaleid Liner Prisma Illya (Shallow Dives in Anime) — Dewbond gives his concluding thoughts on the magical girl-themed Fate spinoff Prisma Illya following a series of posts on the anime. I was already thinking about picking it up myself — I’ve already covered one Fate spinoff series, so why not another? Dewbond makes it sound well worth the watch in his post.

Shangri-La – Let’s Watch a Random Anime (#6) (Side of Fiction) — Every month, Jacob spins a wheel full of anime hosted at randomanime.org and watches whatever comes up. This is a brave undertaking, and not one I’m equal to (when I went to randomanime.org, I got a painfully generic-looking harem comedy, and fuck if I’m watching that. Not my thing.) But Jacob here writes about his sixth randomly selected anime, Shangri-La. Sounds like a mixed bag but possibly an interesting one for some people; I might just check it out for the concept and because it’s another Range Murata-involved project like Cop Craft was. Murata being a character designer, that’s no guarantee of the story’s quality — I just like his designs (though maybe Last Exile is a better bet than this?) I also look forward to seeing what random anime comes up in this post series going forward.

Uniformity With God’s Will In Anime #1: Sakura Kinomoto (The Traditional Catholic Weeb) — And speaking of magical girls, Traditional Catholic Weeb in this new post series features Sakura Kinomoto from Cardcaptor Sakura with a focus on the challenges she faces. The magical girl genre seems a lot heavier than I used to think it was, and that’s even setting aside the famously dark Madoka Magica.

Should Nintendo Fire Game Freak from Pokémon? (A Richard Wood Text Adventure) — I’m not a particular fan of Pokémon, but I have noticed a lot of the discontent among fans over recent entries in the series. and the role of original development team Game Freak might have a lot to do with that. I’d argue the same about Sonic Team and the Sonic series myself, but that’s another matter. (Just give the keys to Christian Whitehead for God’s sake; he actually knows what he’s doing. But I’ll save those complaints for later.)

Olympic Gold (Shoot the Rookie) — Pix1001, in honor of the recently ended Tokyo Olympics, has put together a set of predictions for which game characters would dominate in a hypothetical video game version of the competition. No arguments from me about these picks; I’d put money on all of them. Watching Bayonetta try the pole vault would be entertaining as well.

Fry Force and How to Use Anime Influences For Marketing (Mechanical Anime Reviews) — Commercials tend to be hated, and for good reason: they’re trying to sell us things we usually don’t need, and they’re often doing so in the most irritating, mind-numbing ways possible, with “wacky” characters who make me wish I lived on a desert island with no access to goods or services at all (see GrubHub, Liberty Mutual, those horrible McDonalds spots that play on Soundcloud for some of the worst offenders.) However, Taco Bell has somehow gotten it right with an ad that takes serious influence from anime as Scott sets out here. Credit to the Taco Bell ad people for putting actual effort into their advertising, even if I’m not much of a fan of their food (and points for the Gawr Gura cameo — of course I couldn’t go without mentioning that.)

Cooking with Testosterone: Ahi Tuna Steak (Lost to the Aether) — While I’m not about to start cooking myself anytime soon (too busy, or lazy, or dumb, make your choice) watching Today’s Menu for the Emiya Family did make me wish I could cook like Shirou if only to be surrounded by dozens of women constantly like he is. Fortunately we have Aether, who has brought back an old series of cooking posts with his method of preparing an ahi tuna steak. I had this once; it’s good as hell. Maybe I’ll even try my hand at this one day. Can I really afford not to under the circumstances?

And from the same blog: Disgaeadventures — I don’t usually feature two posts from the same blog, but Aether also recently gave his thoughts on Disgaea 1 for PC and brings an interesting angle both on the characters and gameplay and on some aspects of them that might not be obvious at first glance. I’m always happy to see more people picking up Disgaea of course, so I had to feature this as well. (I also still promise I’m not a Nippon Ichi shill.)

Blogging Banter: Blogger Boundaries (Ace Asunder) — And finally from Solarayo, a reminder that we can see online conflict even in our usually civil blogging communities along with suggestions for trying to avoid it. One of the nice things about online communities is that you don’t really have to deal with people you don’t get along with, a luxury that we generally don’t have when dealing with family or work colleagues. Setting personal boundaries is always important in any case.

And that’s it for the month once again. Work has been especially busy for me recently, but I still intend to keep making progress through the long-haul games I’m playing. More anime reviews are also on their way. And I haven’t forgotten about those indie games in the summer bundles I bought from itch.io. And I just bought Long Live the Queen… shit. Anyway, there’s more coming. Until then.

27 thoughts on “Listening/reading log #22 (August 2021)

  1. Thanks for linking my post! I thought this was one of my better efforts but mostly felt like it went under the radar after I posted it. I’m happy to see someone got something out of it.

      • I personally get pretty frustrated with the fanbase that all seem to just bash the franchise at every given opportunity these days.

        So I feel much more apprehensive about criticising it as a result, as I feel genuine criticism of the franchise is easily washed away in the wave of people who just seem like they have an axe to grind.

      • It’s too easy to join bandwagons like that. Too often real criticism is drowned out by hype and anti-hype noise, yeah.

  2. Animals is my favorite Pink Floyd album, so I am glad to hear some love thrown its way. I also give Wish You Were Here and Dark Side of the Moon the masterpiece status, but Animals affects me more on account of its hooks and anger. I guess back then it must have been quite surprising to see Pink Floyd sounding so pissed off.

    Thanks for the nod to my post, and I do think The Great Ace Attorney Chronicles would be a great way for you to get back into the franchise.

    • I’d rate Dark Side and Wish You Were Here up there, yeah. They do get more attention for sure as well. I also appreciate the pissed off edge to Animals. I barely know anything about British politics but it feels like the long “Pigs” piece is pointed at some real-life figures, though could be wrong about that.

      And certainly. If I ever dig out of my backlog I’ll be checking on this game at some point.

      • Yeah, Pigs specifically refers to Mary Whitehouse (a conservative activist). Plus, some say there are obscure jabs at Margaret Thatcher in there, but I think it is still unclear if Waters was pointing the finger at her exactly at the time since she wasn’t so prominent back then. He did eventually change the lyrics live to attack her directly, though.

      • Thanks for clarifying! I did notice a “Whitehouse” in there, figured that was someone real. And I also thought of Margaret Thatcher, since she’s one of the few British politicians Americans know that well I guess. But she wasn’t prominent until the 80s, so that makes sense.

      • You are welcome! For the longest time, I thought “White House” was referring to the US, because I hadn’t checked the lyrics to see it was actually spelled “Whitehouse”.

      • That’s a good point. I looked at the lyric sheet just to confirm they do in fact contain the words “fucked up old hag”, and I noticed that name then.

        We also have a Senator Whitehouse here in the States, though he’s one of a handful of senators I don’t consider a shithead. Would be funny if he ran for the White House anyway, though I don’t think he’s ever had ambitions like that.

  3. Good god. Some absolute bangers this month.

    Enjoyed everything that was presented, though admittedly I have a very challenging time telling City Girl albums apart from one another. So much so that after Siren ended it kicked over to another album and I didn’t notice.

    I know I’ve said it before, but the more of these I listen to the more increasingly apparent it becomes that we have similar tastes in music. It’s just that you’re able to speak about and articulate your opinions and taste in music and I’m a caveman that enjoys the nice sounds.

    Also, thank you for the shout-out. I didn’t even think about the parallels to older GameFAQ style guides, but I suppose that comparison is especially true given my less refined writing style. It was certainly something different and seems to have done well enough with the intended audience. Actually had a friend tell me he saw someone sharing my guide in a discord server he frequents when someone was asking how to beat Alatreon so that’s neat.

    Given that this is the forum through which we chat the most often – things doing okay for you on a personal level? I know that earlier in the summer you ran into some shit and concluded that blogging to cope with it was the best course of action. Y’all don’t have to acknowledge this bit if you don’t feel comfortable responding.

    • Happy you liked the music. I can see what you mean with City Girl though — this album doesn’t feel all that different from Neon Impasse, the one I looked at a year or two ago.

      As for writing about music, I kind of feel the same way about in-depth game mechanics sometimes. Like I can write “yeah, I liked this game and how it played” but the mechanical aspects of it will totally escape me. Then again I play real-time action games like a seal would by slapping my hands against the controller buttons, so that probably has something to do with it.

      I think that’s part of what I appreciate about your post here and really in-depth ones like it. Sometimes people find my site with search terms like “how do I do x” in a game I wrote about, but instead of an explanation they get to read about my thoughts on the game and probably some complaints about my personal problems as well. Which is pretty funny to me, but certainly not helpful for them.

      And sure, I don’t mind sharing here. I’ve been dealing with this life-related bullshit for a long time now, and I think I just had a moment finally when I realized and became resigned to the situation. I won’t lie and say it’s all great now and I’m happy, but things are about as good as I can reasonably expect them to me, so whatever. I don’t expect to find happiness in my life anyway; coping is about the best I can do. But I can still hope for the best, I guess. Thanks for asking — I do appreciate it.

      • You know I’d never really thought about it like that, but you’re right. Guess that’s one of those things where it’s easy to be impressed by the talents or skills of others while forgetting that the things that you yourself do also takes some degree of skill.

        That was actually part of the motivation for writing the guide. I had a lot of hits on a post I wrote earlier in the year about beating Alatreon solo, but it didn’t really say how I did it…or provide any useful information for that matter. Thus I decided to rectify that with a little over a weekends worth of in-depth testing and then a weeks worth of summarizing my findings such that anyone could beat the creature.

        I mean, I feel like I’ve said it before, but there is a certain type of happiness that is born out of coming to accept your lot in life. I’d almost argue being content for the majority of time is true happiness. Happiness isn’t a constant state – it’s something that comes in fits and bursts. If you can maintain a state of satisfaction that’s probably just as well. That said, glad to read things are generally going well, or at least they’re going as well as they’re going to go.

      • Thanks. And I think you’re right about happiness. I believe we did talk about it back in my update post as well, yeah. Too many people go after it thinking it’s the whole point, and sometimes they might make themselves less happy as a result.

  4. Thank you for the mention! Yakuza 0 is definitely one of my Game of the Year’s so far, and I had a great time writing about it. But yeah, 100% is definitely not something I’d recommend unless you just genuinely love everything about Yakuza 0, since {extremely minuscule spoiler warning} the pay-off isn’t that good. I don’t know if I will do it again for future entries, though I think I will still do every substory since those were genuinely fun.

    Also looking forward to reading your opinions on the game when the time comes!

    • No problem, and thanks for letting me know. Agreed on the substories too. I don’t think I’d like the game nearly as much if it weren’t for these. At first I approached this game as a sort of “GTA in Japan”, but the sidequests make the game feel a lot more personal, and the protagonists have way more interesting personalities in Yakuza 0 besides.

  5. Animals is one of, if not my favorite Pink Floyd album. It is criminally overlooked, likely as it was sandwiched between Wish You Were Here and The Wall. As you said, Pigs(Three Different Ones) may not be the most memorable track on the album, but it does have a memorable David Gilmour solo – doing the Frampton thing with a talk box. There’s also the line “You fucked up old hag” which amused me hearing that the first time as a teenager; I had always understood as a reference to Margaret Thatcher(?).

    It’s interesting to see the progression from the introspective themes of life/death/madness in Dark Side of the Moon, to lamenting Syd Barrett’s departure in Wish You Were Here and then to the bitter and cynical Animals…which makes sense given they’re concept albums.

    • Yeah, Animals is definitely too overlooked compared to some of Pink Floyd’s other work. I also enjoyed that “fucked up old hag” line a lot when I was younger, though I think the first line I actually heard from the album was that “ha ha, charade you are” one — not even on the album but as a quote in South Park of all things. Very strange, but I guess those guys were fans as well.

      I wonder if the band had some idea of where they were going with these albums in the early 70s forward. I know Roger Waters was big on these concepts. I do appreciate Wish You Were Here a lot as well, partly because of that tribute aspect — Syd Barrett really was gone by then I guess, though he was still around physically.

  6. I have a strange relationship with Pink Floyd. I had a friend in high school that loved it. To the point where he really wanted me to listen to everything they ever made. It really wasn’t my kind of music at the time. So it kind of tainted the well for me. I like their stuff more now, but I have a hard time going back to things that aren’t The Wall or Dark Side of the Moon.

    That said, I’ve been friends with a lot of people who love Pink Floyd. So I haven’t really been able to escape it.

    Thanks for sharing my post about Kaiji as well.

    • I get that. Overexposure to any band or any kind of artist like that can sour them for you easily I think. I’ve had a few similar experiences. I think Pink Floyd is also in a unique position of remaining popular with young people (or at least this was true in the late 90s/early 00s, again not sure how it is today) whereas you don’t have the same kind of broader popularity with other art or prog-rock bands from the same period like Yes, King Crimson etc. Not sure what it is about Pink Floyd in particular; maybe they just lucked out.

      And certainly, I enjoyed reading it.

  7. A little late here, but thank you for the plug! Getting through the Commander Keen and Donkey Kong Country series wasn’t easy, but I do like how the reviews turned out (even if the former series didn’t give me as much to talk about as I’d hoped).

    Animals is a textbook case of a radio-unfriendly album, which is probably why so many people consider it underrated (which it isn’t – the songs, owing to their long lengths, just aren’t recycled endlessly on the radio as “Time”, “Money”, or “Another Brick in the Wall, Part 2” are). Truth be told, I do have the album in my collection, but I haven’t listened to it in awhile. I remember thinking it was good, though.

    • Certainly! Actually, your posts recently gave me the idea of also playing through an older series in the same way. I was thinking specifically about revisiting the old Sonic games. I’ve already covered a few of the 90s/early 00s titles in past reviews, and I know the series pretty well at least up until Sonic Adventure 2. (I’d also like to take my own shots at the still sort of prevalent “Sonic was never good” concept — though to be fair Sega hasn’t done much in recent years to help with that.)

      I think you’re right about Animals. Considering how massively popular and successful Pink Floyd’s 70s albums were, it’s hard to say any of them are underrated — maybe you could make that argument for their first album, but even the Syd Barrett stuff has a kind of cult following and Barrett’s own legend attached to it. But then certainly the fact that there’s no radio-friendly piece like “Time” or “Another Brick in the Wall Part 2” means Animals at least wasn’t played to death.

      Thankfully, I never felt that radio overplay with Pink Floyd — the only music that was absolutely killed for me was that early 60s Motown and boy/girl group stuff because I heard a massive amount of it as a kid on the car radio, which I naturally had no control over at that young age, so now I can never listen to the Temptations or Four Tops or Four Seasons again in my life. I’ve also grown to hate popular 80s pop/rock because it’s constantly played at every big chain American grocery store. Someone should do a study on this phenomenon if they haven’t already.

  8. As always, thanks for the mention, and those of other top posts as well. I really love these link lists, exposes me to some quality content I would have missed otherwise. And I’m honored to have gotten included twice here.

  9. Pingback: Sunshine Blogger Award 7: Brought to you by Chives – Frostilyte Writes

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