Listening/reading log #12 (September 2020)

No, I didn’t forget — the monthly recap is here. And this marks a full year of them. It’s weird to think, I had the idea for this post series when I was at the office, which is somewhere I haven’t been now for the last half-year since the work-from-home plan was put into place. But I’m okay with that. I would honestly be fine with never leaving my apartment again. In fact, I’ll just sign up for that Singularity thing where we get to become consciousnesses in a massive universal computer network or a simulated universe or however that’s supposed to work.

As usual, I’m going to highlight some excellent posts from around the community here, but first, here are short looks at a couple of albums. This time I wanted to do something more seasonal. Everyone likes Halloween and it’s October now, so here are two real classics that I like but also find to be spooky. Well, maybe more unnerving than spooky. I’d include that Boards of Canada album I covered in the very first one of these posts, but I already wrote about it. It’s pretty chilling too; check it out if you’re into that.

Duck Stab!/Buster & Glen (The Residents, 1978)

Highlights: not even going to try

The Residents might be the most bizarre band ever created. It’s hard to call them a “band” actually; the names and even the number of Residents have always been unknown, and some of what they do involves other media like film or falls more into the realm of performance art than music alone. And even though they tour and do live shows, the performers always wear various disguises, most famously giant eyeball-helmets, sometimes with top hats and full formal suits included. Maybe that’s where Daft Punk got their own helmet disguise idea from?

However, I didn’t pick Duck Stab to highlight because of any of that. It’s rather because this album creeps me the fuck out. None of it’s “scary” exactly, but it can be kind of unnerving in parts. The Residents are known for their deconstruction of pop/rock music, and you can hear that happening right here — most of these songs should sound pretty close to normal with beats, melodies, verses, choruses and all that, but everything is just “off” enough to sound completely bizarre instead. Some of the songs sound intentionally ugly, like the opener Constantinople that seems like it was made to try to get you to turn the album off in its first ten seconds. Or Semolina, which sounds like a Beach Boys song produced in Hell. Laughing Song and Birthday Boy are genuinely creepy as well.

Listening to Duck Stab, I get the feeling that the Residents could have easily made a good album full of regular rock and pop songs if they’d wanted to. Even though a lot of it’s ugly, this music is also interesting and even catchy sometimes. It’s very obvious that these songs weren’t just some shit they threw together but were written, probably with a lot of care. The Residents just chose to make the songs fucked up on purpose, with clashing instrumental parts and vocals and lyrics that almost make sense but not quite, resulting in something that I think resembles an Uncanny Valley effect for music. Captain Beefheart did the same sort of thing in the 70s; this reminds me a lot of his album Trout Mask Replica. It’s worth looking up Duck Stab if you’re into that kind of strange music (and if you haven’t heard it, look up Trout Mask Replica too!)

Mekanïk Destruktïẁ Kommandöh (Magma, 1973)

Highlights: no

More weird stuff from the 70s. And yeah, the title is meant to be written that way. Both the album and song titles, and even the lyrics themselves, are written in a fantasy language that sounds a lot like German but isn’t quite. Magma was a French band, however, and the only French prog band I know anything about. Like the Residents, these guys were known for their strange compositions, but Magma’s are different. Mekanïk Destruktïẁ Kommandöh has separated tracks with titles but feels like one full piece, almost like an old opera with characters singing and sometimes yelling and ranting in this fantasy language over organs, pianos, and pounding bass and drums.

There’s a story behind the whole piece that looks spiritual in nature, but I can’t tell what’s going on with it. Maybe it’s an extremely high-minded concept album like Yes’ Tales from Topographic Oceans about some esoteric religious ideas. But I just think the music is cool aside from whatever the lyrics might be about. The first parts sound ferocious and martial and can even get a bit frightening with the main singer’s ranting and yelping and more singers joining in, but the tone softens and gets more peaceful in the second half of the album. From the flow of it, I can believe there’s a story being told here, even if I don’t really get it.

In any case, Magma are some interesting guys, quite different from a lot of the British progressive bands I’ve covered. I like the fantasy language element of the music as well. Reminds me of the Hymmnos songs from Ar tonelico and the made-up futuristic English/French/Gaelic/Japanese lyrics in the NieR games’ tracks.

And now, the featured posts:

The Great JRPG Character Face-Off: The Results! (Shoot the Rookie) — pix1001 concludes the contest co-run with Winst0lf to determine the greatest JRPG character, and the result may surprise you! But I’ll say it’s a deserving win.

You are the main character of your own life. (Umai Yomu Anime Blog) — An introspective post from Yomu about how we think of our own places in our lives and how anime usually puts that in a different light. I can’t really do it justice here, so do yourself a favor and check it out.

The Last of Us Part II (Extra Life) — A massive and truly comprehensive review of the controversial The Last of Us Part II from Red Metal, digging into both the gameplay and the story. No matter how you feel about the game, this is very worth reading.

Introducing the Frosty Canucks Podcast (Frostilyte Writes) — Frostilyte is now co-hosting a game-related podcast! It’s good stuff, I’ll be following it from now on, and you should too.

Rozen Maiden (The View from the Junkyard) — From Roger Pocock, a review of the mid-2000s anime series Rozen Maiden, which is about a socially maladjusted kid who gets a harem of living dolls that fight each other. This is one that seems almost totally forgotten these days, but it was insanely popular back at the time it aired. Also not quite as weird as it might sound from how I described it, though it has been over a decade since I watched it so I might not be remembering something. I do remember Suigintou being a pretty good villain, though.

Divinity, demons, and decay (Kimimi the Game-Eating She-Monster) — Kimimi writes about her take on Shin Megami Tensei II, a game that until pretty recently was a pain in the ass to play here since it was never officially localized. Anytime anyone writes about SMT I’m interested, and especially about the older or lesser-known titles like this one.

Freaked Out Now and Dead on Arrival. The Persona 3 Retrospective, Part 6(a)- Characters (S.E.E.S. and Protag) (Lost to the Aether) — Speaking of Megami Tensei, Aether’s in-depth analysis series of Persona 3 continues with a look at the unusual school club SEES and the protagonist who joins it at the beginning of the game. Nothing is what it seems at first, and Aether has some great insights about the game once again in this post.

Final Fantasy: The 4 Heroes of Light – Review (Nepiki Gaming) — Check out Nepiki’s newly remodeled site for a great review of this Final Fantasy game. I’ve been off the FF train for a long time now, but it’s still a rich series and a good time to read about.

Why I Hate Fan Service in Anime (The Anime Basement) — Keni over at The Anime Basement puts forward some arguments about why fanservice can be a problem and how some anime series use it in a way that’s not very tasteful. I partly disagree with him, but he does bring up interesting points, and it’s always good to get a different perspective on these matters. (I do agree with him that Kill la Kill does fanservice really well and in a way that makes sense in the context of the show, but maybe that will be a subject for a separate post someday.)

Anime I like, but haven’t talked about yet: Maria the Virgin Witch (Mechanical Anime Reviews) — Scott writes about Maria the Virgin Witch, another anime series that doesn’t seem to get a lot of talk. It’s a pretty short series, so no reason not to take the time out to watch it — I’m halfway through it now and it’s very good so far.

Hololive English: Examining a Worldwide Phenomenon (MoeGamer) — I’ve admitted that I fell into that infamous Hololive/Vtuber rabbit hole recently, just before that English-language branch that started a few weeks ago (and you’ll know that for sure if you saw me talking up Gura’s great singing or Amelia’s interesting mix of chilled-out and weird on Twitter or in comments somewhere.) Pete here gives a history of the Vtuber phenomenon and a rundown of what makes the various personalities of Hololive special.

The Soul of an Online Community (ft. Vtubers) (Anicourses) — Sadly, though, the Vtuber thing is not all sunshine and roses, as we’ve seen recently with the suspension of popular streamers Kiryu Coco and Akai Haato over extremely sensitive international political matters (really, I’m not kidding.) Over at Anicourses, Le Fenette examines empathy and connections between fans and players in online communities, including the very active and sometimes volatile world of Vtuber fandom and how it may have contributed to cutting one Vtuber’s career short.

And finally, congrats to The Traditional Catholic Weeb and Dewbond on two years of blogging!

So let’s finally close the book on last month. These posts keep getting longer, just like my reviews. And I have plenty more coming up: I’m in the middle of a few visual novels that I may or may not finish soon, I’ve just started 13 Sentinels: Aegis Rim, and I’ve finished a few anime series I may write about soon (including even more Monogatari! So I hope you’re not tired of that.) Until next time.