Yeah, I’m late again, aren’t I? OneShot was making the rounds back in 2016/2017, and here I am about two years after the party ended as usual. But I’ve finally played it. This RPG Maker game was originally a free title released in 2014, but it got a massive overhaul along with a completely new chapter near the end of 2016. This is the version that’s been put up for sale on Steam, and it’s the version I played.
So, uh. How to approach this one. This game isn’t that easy to review for reasons that will hopefully become apparent. OneShot is the story of Niko, a child with cat-like features (big yellow cat eyes and fangs and whiskers – not a cat, though, as we’ll learn later on) who wakes up in a creepy dark house alone. Well, he’s not quite alone – you, the player, are with him.* After finding a mysterious self-lighting light bulb, Niko finds his way out of the house into a strange fantasy world totally different from his own. There, Niko finds a robot dressed like a holy man, who calls him “Savior” and tells him the light bulb he found is this world’s new sun and that his mission is to bring it to the top of a massive tower to restore light to the world, replacing the old sun that broke one day without warning. This world contains independent light and power sources, but they’re finite, and once they’re exhausted, the world will be shrouded in darkness.
The robot also instructs Niko to contact you. Yes, you, the player. So Niko closes his eyes and tries talking to you… and you respond to him. Through predetermined dialogue options and dialogue trees, but you do respond to him. Holy robot man tells the amazed Niko that that’s god talking to him and that god (i.e. you) will be guiding him throughout his quest.
I played Contact a long time ago, a DS JRPG that broke the fourth wall. I also played Undertale, the game that OneShot always seems to be compared with, and that game broke the fourth wall as well. OneShot doesn’t just break the fourth wall – it demolishes the damn thing, 1989 Berlin Wall style. You, the player sitting behind the screen, are one of the main characters in OneShot, and everyone in the world knows you exist… including the game itself. I can’t elaborate on what that means without spoiling parts of the game, so I’ll leave it at that.
As you guide Niko through this strange world, you’ll have to help him solve puzzles, typically by finding, trading, using, and combining items in your inventory. There’s no combat, no boss battles, nothing like that. That’s not to say Niko’s not in any danger – the world he’s meant to save is collapsing bit by bit for reasons that remain unknown to its residents.
Along the way, Niko meets some of the residents of the world who decide to help him out, partly because they recognize him as the savior (some of them even address him as Messiah) who will return their sun to the tower and save the world. Well, maybe save the world. There seems to be disagreement among the world’s citizens as to whether restoring the sun will stop the strange instances of corruption and decay that have been occurring, eating up the land and swallowing it into a void. Even so, they’re putting all their hopes on you and Niko to do your best to save them.
While Niko finds friends throughout his journey, the most important character relationship in OneShot is the one between Niko and the player. Niko will sometimes talk to you when you direct him to make certain decisions, and there are a few points in the game where he opens up about the world he comes from and asks about you and your world. It’s easy to imagine the writer screwing this up by making Niko irritating, but he’s not. Niko is a pretty smart kid, but he’s not annoyingly precocious; he takes the challenges presented to him in stride, but he still misses his mom and the rest of his family and friends in his village and wants to go home. This desire becomes evident if you decide to let Niko take a nap in one of the few usable beds scattered around the game world. When you put Niko to bed, the game saves and closes, and upon opening it again you’ll get to witness Niko having a dream about being back home before he wakes up and continues his journey.
Niko’s characterization is one of the greatest strengths of OneShot. Your first run of the game will probably take about three to five hours to complete, so you don’t really spend that much time with Niko, but the writer used that time very effectively. By the end of that first run, I wanted to protect Niko at all costs, because he’s a good kid and he deserves to go back home, damn it. People often compare OneShot to Undertale, but if there’s one big difference between them, it’s that while Undertale made me care about the world of the game, OneShot made me care about its protagonist.
I like the game’s art style. You can tell it’s an RPG Maker game, but the character designs are great, the character portraits are nice and expressive, and I love some of the weird little details included in the game’s settings. The world itself isn’t very big for a game of this kind, but it’s got quite a bit to explore, with a lot of flavor dialogue and descriptive text and a few secrets to reward the obsessive completionist who has to talk to everyone and find every available item. It’s certainly possible to speed through OneShot if you’re good at working out logic puzzles, but a lot of the game’s charm comes from wandering around and talking to everyone you and Niko can find. The game’s background music adds to the experience – none of the tracks jumped out to me as amazing, but they’re all perfectly fitting if that makes sense.
If there’s one criticism I can make of OneShot, it’s that the other characters in the story aren’t all that fleshed out. Not that they couldn’t be – most of them seem interesting, but it feels like you and Niko just kind of fly by them on your way to the ending. You do get to revisit these characters in the game’s new final chapter, though.
Time to give this game a score, I guess. How about a 6 out of 7? Yeah, that fits. OneShot might just be an RPG Maker game, but like Yume Nikki, it manages to do something special with a relatively limited program. The highest praise I can give OneShot is that it surprised me and kept me guessing all the way to the end of the final chapter. It’s well worth buying. As for the older free version, it’s still available to play, but it doesn’t contain the final chapter of the game, and it requires the player to play through without quitting the game except at the beds. This is apparently why the game was titled OneShot – it only gave you one shot to beat it. Kind of a harsh restriction, though. Check it out if you feel like it, but this Steam version seems to be the definitive one.
Okay, I’m tired. Two posts in the span of 48 hours is a lot for me. Maybe I’ll go to bed and dream of pancakes. 𒀭
* I know Niko’s gender is never addressed in the game, but I always thought of Niko as a boy for some reason, and so I refer to him. Niko just as easily might be thought of as a girl. It doesn’t really matter.