Music review: Touhou Explosive Jazz 6 by Tokyo Active NEETs

No, it’s not a soundtrack review this time, but don’t worry; I’m not changing my format. This and a few other reviews I’ve got slated to post are of cover albums based on game soundtracks. Specifically the soundtracks to various Touhou Project games. I’ve never actually reviewed a Touhou game on the site, but I used to follow this one-man-developer shmup series pretty closely. And I still love the music in these games. ZUN, the man behind game developer Team Shanghai Alice, is good at making shooting games, but he’s a better composer. The pieces he writes for his games are memorable and powerful, and they’ve spawned thousands (yes, literally thousands) of cover albums by hundreds of artists that are sold at Comiket and other Japanese conventions. A few of these Touhou cover albums even show up at American conventions, usually at grossly inflated prices, because they know the only alternative is to pay high shipping costs online and wait three weeks. (And don’t even get me started on the prices of the doujins.)

(Wait. No. Please forget I said that.)

Touhou Eiyashou ~ Imperishable Night (2004)

Anyway, I was very happy to find a physical copy of Touhou Explosive Jazz 6 (translated from 東方爆音ジャズ6 in case I convince you to seek it out.) As its title suggests, this is just one in a series of cover albums by Japanese jazz ensemble Tokyo Active NEETs, who play in a traditional jazz style (at least on this album – they mix it up in some of their other works.)  The several albums I’ve heard by Active NEETs are pretty much consistently great, but Touhou Explosive Jazz 6 is one of the best, featuring the band’s take on almost all of the music from 2004’s Imperishable Night. Imperishable Night isn’t my favorite Touhou game – that title would probably have to go to Perfect Cherry Blossom – but IN’s soundtrack just edges out PCB’s for me, and the Active NEETs do a great job with it. This album really is “explosive” – the NEETs play with a lot of energy, and there’s a lot of tenor sax and trumpet in the mix.  But they’re not just constantly blaring the shit out of your ears.  The brass has a great balance going with the keyboards, and the rhythm section is excellent.

As far as the individual songs go, they’re all great.  I can’t even say I really have a favorite among them, though their take on Marisa’s theme “Love-Colored Master Spark” that opens the album always grabs me, as does their version of Reimu’s theme “Maiden’s Capriccio ~ Dream Battle”. As outstanding as the album is, though, it’s also nice to watch them play live in the studio – the NEETs put out videos like that sometimes on their Youtube channel.

 

Here’s their rendition of “Dream Battle”. Pretty damn good. The guy in the center with the sack over his head is also a member of the band, I guess. He’s supposed to be what’s usually translated as a “sinsack” – a character from some Touhou fanworks who’s usually depicted as otherwise naked. Yeah, Touhou Project is kind of weird. But the music is excellent. I give this album a perfect 7, because I like it just that much. I should also note that all the other albums I’ve heard in the Explosive Jazz series are really good, and the Active NEETs are up to #13 in the series, so there’s plenty to hear at this point.

Unfortunately, you might have a hard time finding a physical copy of this album if I’ve piqued your interest in it at all. I had to attend the same con a few times before anyone had it in stock, and it seems to be out of stock on Amazon along with most of their other albums. Their newest albums are available on iTunes, though. And it goes without saying that there are ways to hear the older ones without paying out the ass for an import (though that’s what I basically did.) Still, if you’re a fan of this kind of music, it’s worth scouring Amazon and other online retailers for these albums. Or hit up your local anime con. You were probably planning on going anyway if you’re reading this site. Don’t lie to me.

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2 thoughts on “Music review: Touhou Explosive Jazz 6 by Tokyo Active NEETs

  1. I think it’s incredible how much effort gets put into game music these days. It’s one thing hearing the instruments when you’re playing, and yet when you see the actual musicians performing, you can tell that a lot of passion went into the projects. That’s one of the things that stuck with me when I played the Wonder Boy III remake; you can unlock gallery pictures, which include clips of the musicians playing the themes.

    • Video game music has come a long way. The original Touhou BGM tracks are already great, though they’re all played on synths, but a lot of the cover versions of ZUN’s pieces put out by the NEETs and other groups are brilliant.

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